POY Vote 2026

Penthouse POY Vote 2026

The Pet of the Year 2026 competition officially gets underway, and this year’s lineup looks hotter than ever. Twelve new Pets, twelve very different personalities, and one title that we can all be sure will inspire some rather passionate opinions.

If you’ve been around for the previous competitions, you know the drill. If you’re new here, welcome! You’re just in time for the fun part. Each year, we bring together an incredible group of women who have made their mark on Penthouse, and now you get your turn to help us decide who deserves to take home the crown (in the shape of an exclusive key necklace) and carry the title into another year of Penthouse history. Consider it your civic duty, only more entertaining than most things that happen in Government.

Of course, while we all enjoy a little friendly competition, this has never been a simple popularity contest. Well, technically, it would be part popularity contest, but this annual event has much more to it than that.

Bottom line, the Pet of the Year title has a rare legacy worth celebrating. Over the years, some truly unforgettable women have held the title, each leaving her mark on history and helping shape what this brand represents. The title celebrates more than having a pretty face, bringing to bear (as it were) personality, confidence, charisma, and that certain je ne sais quoi that makes someone impossible to forget. Honestly, judging by this year’s lineup, this will be a tough one.

Naturally, we know what people will be thinking: “Beautiful women in Penthouse? Surely the decision must be based on looks alone.” Not so fast, though. Having the chance to work with these amazing women, we get to see a depth to each, much more than simply what happens in front of the camera. Personality counts for plenty. Wit. Charm. A sense of humor. Hard work and creativity… and the ability to answer their questionnaires without making us wonder whether we’ve accidentally assigned undesirable homework.

Consequently, we would like to take a moment and give you a little glimpse into the women behind the images. Truthfully, we design questions to get past the usual introductions as we seek to uncover the unexpected. We want to know what makes them laugh, what they dream about — and occasionally what questionable decisions they will admit to. You might discover one of them might be a budding philosopher, an aspiring world traveler, or someone whose answer makes you wonder how we got this lucky.

So, without further ado, let’s revisit this year’s contenders and see what they have to say for themselves.

Brooke Tilli — January 2025
How would you describe your personality? … “Flirty, curious, and a little adventurous. I’m always open to trying new things!”
Zoey Luna — February 2025
If you could have any job in the world, what would it be? … “Hot girl who dies first in a horror movie.”
Izzy Green — March 2025
What are your biggest turn-ons and turn-offs? … “My biggest turn on is a good sense of humor; it’s so weird when I laugh and my clothes magically disappear! My biggest turn off is when someone is very negative or rude. Just like men, women love seeing smiles!”
Lennon Elizabeth — April 2025
Where do you see yourself in five years? … “I have no idea, and I like that. Wherever it is, I know it will be great.”
Bella Vaunt — May 2025
What’s something on your “Bucket List” you haven’t done yet? … ““I would like to enjoy the company of a lady boy in Thailand, just once.”
Kira Shine — June 2025
What is your favorite animal? … “I have so many, but a couple of my favorites are bats (Pallid bats are my favorite kind) and blue tongue skinks.”
Sharna Beckman — July 2025
What is the most exciting place you’ve ever had sex? … “One that always comes to mind was in a pool in a villa that was on the side of the cliffs in Santorini. Could you see us? Most definitely.”
Hazel Winters — August 2025
When are you the happiest? … “When it’s snowing, the fireplace is on, and I’m dolled up for no reason.”
Bella Reid — September 2025
What qualities do you like most about yourself? … “How I treat others with love & kindness. I have been told I have a pure soul. I also like how pretty I am. Hehe.”
Aliya Aural — October 2025
Bra or no bra? … “These perky titties never need a bra.”
Liana Love — November 2025
What gets you in trouble? … “My overly friendly attitude… I have a bad habit of making men fall in love with me.”
Sofia Silk — December 2025
What’s your hidden talent/skill that people don’t know you have? … “I can say the alphabet backwards while holding a headstand.”

Now, as for the particulars on how the competition works …

Our initial voting period opens November 8, 2026 and runs through midnight (PST) on November 22, 2026. Then, although twelve women enter, only six will move forward to the Playoffs. You read that correctly: In this contest, half the field advances, which means there will be some tough decisions along the way, especially for such an amazing bunch. We’d say we’re sorry to make you choose, but that is kind of the point.

Continuing our Playoff format this year, the next round gives the top six contenders another opportunity to make their case for the title. The Playoffs run from November 29, 2026, through midnight on December 6, 2026. By then, the field will be considerably smaller, the stakes a little higher, and the opinions around here potentially stronger – so don’t miss out after your Thanksgiving food coma.

For the record, we’ll officially name our 2026 Pet of the Year at AVN, January 20-23, 2027 in Las Vegas. After all, where else would anyone want to celebrate a title like this other than a city built on grandeur and questionable decisions after midnight.

Before we get ahead of ourselves and start planning the victory celebrations, though, you have voting to do.

Take some time to look through all twelve contestants. Read their answers, check out their personalities, and see who catches your attention. You might already have someone in mind, or you might find yourself pleasantly surprised by a woman you hadn’t considered before. These women have a lot to say, which explains, better than anything we could say, the beauty of getting to know them beyond their photos! Sometimes the most memorable answers will be the ones you least expected. Remember, each of them has her own page and video on the site, so feel free to take some time and refresh your memories. (Or whatever.)

Please remember, your participation genuinely helps us. Your votes play an important role in shaping the competition and influencing the final outcome. So don’t just admire the lineup and call it a day – though we know such lovely girls can surely be distracting. Get involved! We promise it will be considerably more rewarding than filling out any other kind of online survey asking about your satisfaction…

So just like before, if you’ve ever wanted to help shape an outcome without The Algorithm making a decision for you, now would be your chance.

Use it and vote, vote, vote!

Also, make sure to bookmark Penthouse.com/vote2026 so you can keep coming back every two days during the voting period. Twelve contenders, six Playoff spots, and one very special title up for grabs. We have a feeling you’re going to want to hold on tight and see how this one plays out.

Just FYI, the header image on this page does in fact feature the new Pet of the Year diamond necklace, in theory with a nod to a simpler, more elegant display. The plain key represents the regular Pet of the Month key, although technically those happen to be yellow gold and not white. When dealing with artists, however, one avoids the temptation to get overly bogged down with piddly things like technical accuracy. We have learned that lesson twice — at least.

Space … The Initial Frontier

Gold Rush to Space and the Stars

At the beginning of next summer, if all goes right, a shiny white rocket ship called the U.S.S. Private Enterprise [technically, the X-3 Volksrocket — Ed.] will zoom skyward from a small patch of concrete north of San Francisco and curl gently over the Pacific Ocean. Inside, as powerful thrusters burn and the craft hurtles upward some seventy-five miles, an astronaut will film and broadcast the event.

Bob Truax, the man who has spent the last six years of his life building the vehicle and preparing for the stunt, will be down below with his financial backers, who had to raise $1 million to fund the effort, watching hopefully and nervously.

Why send a man to the edge of space, a mission first completed by Yuri Gangarin some twenty-one years ago? Why risk some one’s life in space with only a $1 million budget-minuscule next to the Na tional Aeronautics and Space Administra tion’s 1981-82 allotment of nearly $6 billion-and a lot of spare parts, not to mention a crew made up mostly of volunteers? Why, indeed, would anyone want to build his own rocket ship?

The truth is that the flight of the Private Enterprise (which is also named the X-3), if successful, will usher in a new era that futurists. scientists, manufacturing ex perts, and veteran space technologists have been dreaming about for years: the age of private development in space. If their predictions are correct, manufactur ing, mining, and, in the long run, just about every industry are about to take a giant leap into the cosmos.

Truax plans to recover all of his rocket and use the whole rocket many times — not just a portion of it, as NASA is doing with the space shuttle. “Private enterprise can do things better and cheaper than the federal government,” boasts Truax, who headed up many of the nation’s earliest rocket programs, including Thor and Po laris. “Someday there will be more people working in space than on earth. The first step in making the industrialization of space a reality is getting private enterprise involved.”

“Space-made products will find a large market on Earth,” agrees Donald Waltz, manager of advanced studies at TRW, Inc.

If even part of what some experts say turns out to be correct, in fifteen years, everything in your household, from kitchen blenders to lawn mowers. will be made of alloys harder than diamond. Hamburger will be half-price. The same will be true of some medicines that are nearly priceless today. Steel will float on water. Gems sur passing the biggest known will be “grown” in orbit. Super thin wire capable of holding a million pounds will be com monly available. As factories move mil lions of miles away and the need for “dirty” forms of energy fades, pollution will disappear. You’ll talk to anyone you want to on your wrist telephone.

The futurists who paint this rosy portrait see space enterprise as not only a new. boundless frontier but also a safety valve for our planet’s pressing problems — energy, pollution, inflation, war, disease, even closer to Earth). Kuck also believes that our moon could be an excellent source of platinum, the grayish white metal-cur rently valued at more than $400 an ounce-that is used in chemical wares: dental alloys. and jewelry. And Harold Mazursky, a planetary geologist with the U.S. Geological Survey’s Center of Astrogeo logy, says that “given the past volcanic history of the moon and the fact that many rich metal deposits are associated with volcanic activity, it would surprise us not to find concentrations of iron and copper there.”

Kuck foresees large lunar troves of such rare platinum metals as rhodium (valued at $450 an ounce), iridium ($465 an ounce), osmium ($135), and palladium ($80). “They are probably strewn about right on the lunar surface.” reports Kuck.

“Someday there will be more people working in space than on earth,’ says one expert. “The first step is getting private enterprise involved.”

ff researchers are correct. the impact that space mining could have on earth would be staggering. Platinum is a case in point. According to the U.S. Bureau of Mines. world production of the strategical ly important alloy metals-96 percent comes from the Soviet Union and South Africa, not exactly the most dependable of suppliers-must increase tenfold in the next four years just to keep up with Ameri ca’s needs. Exploitation of the moon’s resources may be the answer.

Apparently titanium, used in alloys, is also common on the moon-certain sam ples taken by the Apollo astronauts had concentrations of more than 4 percent of the feldspars associated with the silvery gray metal. This discovery has convinced some futurists that titanium may turn out lo be the silver of space. “It’s stronger than aluminum,” says Masursky. 1naeed, cur rent state-of-the-art design calls for using titanium in many American spacecraft components.

Much of the titanium, chromium, and silica (by far the biggest component and a key source of aluminum) mined on the moon will probably never be shipped to Earth. Instead it will be utilized to build in place the very vehicles and equipment that will ply the moon’s minefields and then transport the goods elsewhere.

“It may eventually be cheaper to manufacture space-going boxcars in space from materials obtained in space,” Stine predicts. “We may well build things in space and land them on Earth to be expended, used, and never sent back into space again. Because the moon has a surface gravity only one-sixth as great as Earth’s, it would make a perfect base for just such activities.”

Apollo astronaut Rusty Schweickart, who participated in the first manned flight of the lunar module, agrees: “Going to and from the asteroid belt from the moon would cost one-twentieth of what it would from Earth merely because you don’t have to deal with the [strong gravity] environment.”

“The moon,” says Al Hibbs, senior staff scientist at the Jet Propulsion Laboratory, in Pasadena, Calif., “should. in terms of setting up a center of operations, be our number-one priority. If anything needs servicing, it’s important to remember that the moon is relatively easy to get to.”

In fact, the idea of using the moon instead of Earth as a construction headquarters has completely revolutionized the concept of how much start-up money the industrialization of space might require. “Seven years ago, we thought it would cost fifty to sixty billion dollars,” says Gerard K. O’Neill, director of the Space Studies Institute in Princeton. “Today, our estimate is seven to eight billion dollars. Even to build a high-orbital space station, we should be able to get ninety percent of the material we need right from space.

The moon, however, is likely to become more than a jumping-off point: there are those who believe it may yield some of the human “basics” for working and living in space.

For example, if titanium becomes the silver of space, then oxygen will be more precious than gold. The moon apparently has great stores of oxygen locked away in its soil. “It can be separated out.” Kuck says. And although some other researchers still believe the lunar poles may con tain water and that hydrogen, which could be teamed up with the soil-borne oxygen to make water, might lurk in the bottoms of craters, no one knows exactly where the moon’s most viable resources are. Cur rent estimates are based on the puniest of samplings: a total of 845 pounds of lunar soil brought back to Earth. The United States has landed men on the moon at only six points.

In order to gain this knowledge, NASA has made three separate requests for funds to orbit a survey satellite around the moon. Each proposal has been turned down. In the meantime, Japan is consider ing a probe that will map the entire surface of the moon for possible mineral wealth.

Mineral and metal shortages are not the only problems whose solutions may lie in the heavens. There is an obvious environ mental benefit in mining the solar system rather than dredging the earth’s oceans. As Michael McCloskey, executive director of the Sierra Club, says, “In certain nearshore areas, ocean dredging could have a devastating effect on the entire food chain.” The concerns voiced by conservationists are heightened by the fact that a number of companies, such as Ocean Mining Associates, which is a consortium of U.S. Steel, Sun Co., Inc., Italy’s Sanim Co., and Belgium’s Union Miniere, would like to become more actively involved in underwater mining. Glenn Paluson, vice-president of the National Audubon Soci ety, says, “At least mining of the solar system wouldn’t disturb life.”

Some of the first products to be made in space will, as a matter of fact, enhance our lives — and possibly make them longer. At present, for instance, it takes 80,000 pints of human blood to make a single gram of interferon, which is believed by some re searchers to have great virus- or cancer fighting potential. Another example, says Dennis Morrison, head of the shuttle’s bi ology research projects, is urokinase, an enzyme that some stroke or heart attack victims need from twelve to twenty doses of to help break up blood clots. The cur rent price tag per treatment is $3,600 to $4,000. Using a process known as elec trophoresis, which “pulls” certain mole cules away from others, interferon, urokinase. and other lifesaving drugs could be produced more efficiently and in greater quantities 1n space. Although many laboratories already have small electrophoresis units, the delicate tech nique is limited because of the pull of grav ity. But in space, under zero-gravity conditions, there would be no problem in producing great quantities of these drugs.

Sometime this year an automatic proto type of a factory for processing interferon and cells that may help diabetics and hemophiliacs will be sent aloft in the space shuttle. James T. Rose, former director of engineering for the shuttle and the current manager of space processing for McDon nell Douglas Corporation, which is devel oping the factory under a joint agreement with NASA, says his company expects a “good return” on its investment, which he describes as “a lot more than one million dollars,” to date. If McDonnell Douglas is given permission by the Federal Drug Ad ministration to begin commercial production in 1986, one plant could make enough interferon to supply a good percent of the world market, according to Rose; an esti mated ten to fifteen such production units could be carried in a shuttle. Johnson & Johnson will handle marketing of the products for McDonnell Douglas.

In fact, the field of pharmaceutical pro cessing alone-1 of 101 potential space industries examined back in 1972 by Da vid Keller, then manager of advanced pro grams for the space division of General Electric-could result fn a ton of new vac cines worth a total of more than $1 billion every year, according to an obscure 1974 NASA study, “The Beneficial Uses of Space.”

Putting electrophoresis to work in space also might help ranchers breed livestock with more meat poundage and cows with more milk. The livestock sperm Industry that’s already booming would get a $422 million-per-year shot in the arm from space processing. according to one au thority, because, as with interferon, zero gravity would facilitate the isolation of puri fied hormones and X- and Y-type chromo somes, which determine the sex of the offspring.

NASA’s fifteen-volume study pegs the annual value of just ten industrial-space processes at $2.2 billion. Another report places the eventual sales for space-made electrical generators alone at as much as $400 billion a year. Based on these and other estimates. it would not be surprising for space to become a trillion-dollar enter prise by the year 2015.

Futurists see space enterprise as not only a new, boundless frontier but also a safety valve for our planet’s pressing problems.

If you talk with “earthbound” plant man agers about some of the most widely ap plicable qualities space has to offer manufacturing, about halfway into the conversation you will notice eyes rolling. It’ll happen just when you bring up “levitation — a trick you might have seen Linda Blair perform in The Exorcist.

But levitation, or contalnerless processing, as NASA prefers to call it, is real: Researchers at NASA’s Marshall Space Flight Center, in Huntsville, Ala., already have a breadbox-sized device that uses sound waves to float and holds drops of liquid, glass, or metal in midair without any container.

Sound impossible? It’s not. In zero gravity, electric fields can keep the suspended material that is injected (either by syringe or mechanical wand) between two poles, even if it needs to be rotated rapidly.

But why levitate “small globules” (as Lowell Zoller, Marshall’s manager of ma terials processing in space, describes them) inside an industrial furnace, as ground-based experimenters have been doing, in the first place?

The answer, once again, is zero gravity. Pour certain materials into containers, and you face the chance of contamination. Molds, jars, and even tongs limit processing temperatures. And containers “lock in” heat that, for some industrial purposes, needs to be removed fast Free-float the identical items during manufacture, and they will stay pure, unlimited by anything but their own temperature constraints and capable of being fast-frozen.

For glass alone, levitation is expected to carve out a $10 million-per-year market. Among the possibilities in this sector are glasses made from totally new materials, laser products, and improved fiber optics. Marshall’s Edwin Ethridge forecasts de velopment of a super lens for cameras. Mixing two or more metals, or a metal and a nonmetal, without the interference of gravity will make the bonding of thousands of new combinations possible for the first time; containerless processing will ensure their purity. As surely as the Indus trial Revolution changed every aspect of how we live, every industry, every home, everything from the vehicles we drive to the roofs over our heads, will benefit from these new alloys. But, to date, nothing much has happened, because most of the American projects to develop these alloys have not yet gotten under way. Soviet cosmonauts, however, have apparently been hard at work in space mixing metals since 1977, when Salyut 6 was launched.

Many experts expect American techno logical know-how to help us roar ahead of the Soviets once we stoke the fires of the shuttle’s electric furnace. But such specu lation, said the late Charles Sheldon II, ig nores the fact that the Russians have been actively engaged in space on an ongoing basis for five years. It also discounts the secret Soviet space budget-believed to be up to seven limes our own.

Even Sheldon, who was the Library of Congress’s senior specialist in space transportation technology, knew only the tip of the Russian story. His Washington office seemed to overflow with three-by five data cards — more than 10,000 at last count — which had been gathered since he began his relentless effort to monitor data from Western listening posts, Pravda, Tass, and anything else that might provide clues to the Soviet mission. “I’ve been watching them,” he said with a face that showed he was happy somebody cared, “since 1955.”

Salyut 6 carried two one-by-one-and-a half-foot electric furnaces, one in a hatch on the side of the ship and the other in a forward cavity where near-weightlessness prevails, according to Sheldon.

“They have created new alloys,” the analyst reported. Soviet literature claims the creation of a wide range of new mixtures — using thirty to forty elements,” by Sheldon’s estimate, including alloys of germanium, lithium, indium, molybdenum, and antimony. According to other data supplied to Penthouse by TRW’s Waltz, the Russians have melted combinations of copper and indium, aluminum and mag nesium, aluminum and tungsten, and mo lybdenum and gallium. According to Waltz, “They have been talking of foam metals, some of which will be able to float on water.”

Foreign interest in space-made crystals is intense. Except for metals testing. this is the area being watched the closest by France, Germany, and Japan. The Ger mans not only have garnered substantial participation by industry in crystal study but also. according to most analyses, are making the industrialization of space their top priority.

It is not surprising that the most spectac ular news to date about space crystals has come from the Soviet Union: a Russian ra dio commentator reportedly told his audi ence that the crystals brought back from Salyut 6 had a commercial value of $80 million.

How will crews be transported to space to work, and how will the moon’s metals and the products produced there be brought back to Earth? The American space shut tle is just one example of an earth-orbit space truck designed to lower cargo ex penses. In the 1960s Philip Bono of Mc Donnell Douglas proposed the vehicles Rambus and Hyperion. Unlike any rocket ever designed before, Rambus would car ry a maximum of 400 tons of cargo at a mere five dollars per pound. Hyperion would be a single-stage rocket, blasted up a rocket sled on a mountain, that could power itself on liquid oxygen and liquid hy drogen. Unlike the shu1tle, the forty-eight-passenger craft would land vertically. Bono estimated it would cost only $37 mil lion to build the first vehicle.

Nobody in the West is sure how far along the Russians are in developing their own space truck. but even the early indi cations are surprising. It looks like the So viets are trying to build something akin to a highly maneuverable “space van.” Mov ing large cargo will be their main empha sis. it seems.

The Soviet shuttle will probably take off horizontally with the help of a rocket. More important, this space-going service bus will apparently be launched from and return to conventional runways. It would be like launching the space shuttle from JFK, LAX, or O’Hare. The booster also will “glide back to a landing at a runway,” writer Donald Robertson told Astronomy magazine.

But for all their versatility, the proposed space trucks and vans of the near future will be used only within the inner solar sys tem, as the fuel cost of their continuing any farther is prohibitive. Instead. space trains would make the truly long-distance trips. All they would require would be a big enough shove to achieve the right velocity and could then be left to continue on through space. Other space tugs would meet them at their destinations. The ships could be slowed down by rocket power.

A commuter or freight train that sails through space might also be possible. according to the futurist Robert Staehle. Staehle’s World Space Foundation has been perfecting what may turn out to be one of the keys to the industrialization of space: a ship that requires no solid or liq uid fuel, no heavy tanks to hold them. and no tug to get it started when it is at least 1,500 km from Earth.

Sailing through space, using the minute and almost imperceptible but constant “push” of photons (bundles of energy particles from the sun) in much the same way that sailboats on Earth catch the wind, is an idea first suggested by Fridrikh Tsander in 1924. Tsander discovered that in the vacuum of space it doesn’t matter how slight the continuing solar nudge is; as long as it keeps coming, you can eventually build up to any speed you want.

There’s a drawback to most of the sail plans that enthusiasts rarely talk about: even with modern sail designs, “gassing up” takes a long time. To develop the speed needed to get to, say, Mars. might require a whole year of twirling in various orbits around the Earth; only then would your six-to-twelve-month journey begin.

“Space is both the key to getting around the limited resources we have on earth,” says Dr. Gerard K. O’Neill, “and, just maybe, toward ending conflict.”

But space sailing might yet develop speed. Some ideas for its improvement boggle the imagination. For example, a sail ship might be propelled from behind by a huge laser beam, or explosive charges might boost the craft to the de sired speed. The ship might even be flung into the cosmos with a mammoth gun, where it would glide. like a paper airplane that never stops.

For the last ten years, a number of scientists have been trying to tackle the problem of how to move the constant stream of products they envision being made on the moon without turning the entire lunar sur face into a giant spaceport. Only a finan cially efficient method of transporting moon-made products back to Earth will make space industry profitable and possible.

That’s where the lunar catapult comes in. Instead of flying ships in, loading them up, flying them out, and repeating the process, why not use a sophisticated slingshot to “shoot” the goods to their destinations?

Not only is such a plan neat — there’s no waiting at either end — but it really could work. The moon has no atmosphere to retard the “baseballs” such a slingshot would hurl. Better yet, its gravity field is on-sixth that of Earth’s. To push a container away from the ground, the catapult would accelerate its payloads to only one and one-half miles per second.

“The catapult would be built right on the lunar surface,” Stine predicts. “Since there is no air on the moon. there is no need to launch a payload vertically to get through air resistance as rapidly as possible.” Power for the shooter’s linear elec tric motor could come from solar cells, Stine thinks.

The Soviet space goal is to construct a space station capable of holding up to fifty persons. During the mission of Salyut 6, which ended early in 1981, the Russians disclosed that they plan manned mis sions, with Mars-not the moon or Earth — approaching asteroids-as their first goal.

NASA. admits Rusty Schweickart, who is now chairman of the California Energy Commission, “has been so focused on the shuttle that it has failed to articulate our next step or set of steps in space.”

“Whatever the goal is, it should not call for a one-shot effort, like we did with Apol lo.” comments Gerard K. O’Neill, who has devoted much of the last twelve years al most exclusively lo thinking about space goals and how to pursue them. “Everything I see in space revolves around two words, resources and energy. Our goal should be to harness the wealth of space for the benefit of all mankind. I firmly disagree with those who predict a future of shortages. Space is both the key to getting around the limited resources we have on earth and, just maybe. toward ending conflict. Have you ever noticed how most of the conflicts we have had involve resources or territory in one way or another? When new territory can be built in the form of space colonies virtually without limit, we will have an excellent chance of reducing human conflict. If we can move out to an environment where there are virtually un limited resources, perhaps we can end war forever.”

But before we reach such a utopia, it will be necessary to spend quite a lot of mon ey. And in these days of tight money and supply-side tax cuts, our “penny-wise and pound-foolish” attitude could prove to be a more deadly enemy than the Soviets.

Though nobody really knows how much the start-up costs for space enterprise will run, estimates made over the past decade range all the way from $50 million to about 1,200 times as much as that, or $60 billion. While very few experts give credence to either extreme forecast, there is a consensus judgment that even the $7 to $8 billion O’Neill says will be needed may have to be drastically lowered before most American companies jump on the space development bandwagon. “If we can get it down to one billion. the discretionary mon ey available to many corporations may be enough to fund most of the effort. even without substantial government help,” be lieves James Arnold. director of the Cali fornia Space Institute.

With the exception of McDonnell Douglas Corporation, TRW, Inc., and a handful of other firms that have committed themselves to space processing projects that go beyond research, most industrial man agers are still taking a wait-and-see attitude toward tapping into the cosmic treasure chest.

When NASA hired a special consultant to put on a space manufacturing sympo sium in La Jolla, Calif., in February 1981, agency insiders hoped the result would be heavy industry interest in the conference.

It was disappointing,” reports a NASA official who prefers to remain nameless. Even INCO. Ltd., one of three companies that agreed to participate in the meeting and a cosponsor of an upcoming shuttle metal-plating experiment, is hanging back. “Sure. it’s a lot of fun to grasp the ungraspable.” explains INCO public-relations manager David Graham. “But we have only a broad interest in something that may be centuries away. An asteroid may have a lot of nickel, but we have enough to last us for a long time on this planet.”

“Business is simply being prudent,” comments Floyd Roberson, the chief of NASA’s technology transfer division. “It’s a natural thing tor companies to be on the sidelines. A few risk takers were responsi ble for starting what eventually became the entire airline industry.” McDonnell Douglas space processing manager James Rose agrees. “We are taking a first step. What we need are more companies to join us.”

Other space industry enthusiasts want the government to monetarily encourage enterprise through tax breaks and subsi dies. NASA took a limited plunge in just such a direction when it signed an agreement giving a McDonnell Douglas drug factory a free ride in space if the company would build it.

“We need a unique government incen tive to lower the perceived risks,” says Stine. “That’s how the transcontinental railroad got built.” McDonnell Douglas vice-president and general manager Erwin Branahl concurs: “Without the support of NASA, innovative companies could not begin to undertake the enor mous risks inherent in these ventures.”

Still, selling space development to industry may hinge on how successful NASA is at explaining why costs will tum ble. Space industrialization expenses don’t have to be sky-high. In fact; if current trends continue, they’ll plummet to the point where almost all industries will want to become part of what will be an entrepreneurial rush into space. “Eventually, anti pollution laws and increasing energy costs will sharply limit industrial produc tion on Earth or make it more costly than producing the same products in space.” Stine says flatly.

The fantasies of forecasters are also more plugged into robotics than ever be fore. “We have the potential to lower front end costs just by designing in more automatic systems,” Arnold says. O’Neill envisions a whole swarm of self-replicat ing factories at work on the moon, grinding out 100,000 tons of products annually after only a few years.

As time goes by, researchers are realiz ing that going to work in space will save even more money than they thought earli er. McDonnell Douglas technicians recently found that impressive cost reductions could accrue from the quality alone of space-made silicon crystals. “We learned that only 10 percent of the cost is presently in making the material,” reports Rose. “It’s the (product) rejections that hurt. On earth, we figure rejections are about four times more than what we will have in space.”

“The surest route to opening the resources of space is through private-ven ture-capital operations,” says O’Neill. Roberson agrees with him: “We should show the way until the technology ma tures, stay in place as a regulator, and let the private sector carry on.”

In these days of tight money and supply-side tax cuts, our “penny-wise and pound foolish” attitude could be more deadly than the Soviets.

Already, the process is evolving: such organizations as the California Space In stitute, based in San Diego, are funding their own projects, which include long-range weather forecasting, and are partic ipating in the programs of others. Formed in 1979 with the support of Gov. Jerry Brown, an ardent space enthusiast, the state-operated group began with little fanfare and virtually no money; by 1981 its budget had skyrocketed to more than $1 million. It recently was on the receiving end of a $100,000 contract (to be shared with Rockwell International) from O’Neill’s SSI to, as Arnold describes it, “document the steps that will be needed to process lunar soil” once factories are established there.

The first space factories will be small, temporary structures that can be crammed into the shuttle for short spins through space. By 1990, the shuttle will have the capability to “drop off” larger plants — some of them manned — at their permanent sites. Subsequent flights will bring up fresh supplies and new “shifts” of workers. The old crew and the finished products will go back in the same ship.

From the outside, these orbiters may resemble floating junkyards, Stine depicts them as surrounded by all sorts of space trash, “parts of old equipment, parts of new equipment that haven’t been installed yet. old modules acting as warehouses for finished products,” and by “lashed up and hung-on” solar panels and heat radiators.

At first glance, factories on the moon will seem like those on our planet. Instead of being located near ports or railroads. most plants will be clustered around shut tle stations and catapults. Facilities erected in distant mares-the lunar countryside, if you will-are likely to rely on moon trucks to get their goods to market. Two types of cargo movers are expected by fu turists: electric carts, built in the style of the Apollo buggies, and cable cars unlike any ever seen before. Think of gondolas hanging upside down from a monorail, and you’ve got the basic picture of a “wirecar” rocketing across the lunar landscape.

Odder still is what many of the first work centers will be making: more factories. “The Japanese have been talking about building this kind of factory for years,” points out O’Neill, reaching for a pad. Soon, his pencil is producing a blizzard of numbers. “Three months after the first small-scale unit, you’d have an identical one. Three months later, you would have four. Three months after that, there would be eight.”

Despite the fact that nobody has a firm sketch of what shape factories beyond the moon will take, even fully automated reproducers are going to require mainte nance crews now and then. When something needs servicing, the factory’s computer will signal a repair shop orbiting at a distance of a few weeks’ journey; an engineer will show up, fix the broken part, and leave.

Sound simple? There are those who worry that space work, for all its exciting gadgetry, will be extremely boring. Robot watchers may become so “sedentary,” warns one expert. that they will need “special exercises.”

Others compare the first space developers with the pioneers who settled Amer ica only a few hundred years ago. They struggled under many hardships, but they survived, and they kept coming and com ing in ever increasing numbers.

We are, it seems, at a middle course, a juncture in the fabric of future history. II is a time for deciding where we have been and where we will go now that the other plan ets beckon. As Ben Bova, editorial direc tor of Omni magazine and author of The High Road, writes: “If we are to solve to day’s global problems, we must look be yond Earth, and we must also look toward the future. Problems that have taken generations to accumulate require long-range solutions. … To solve these problems,

we have to create new wealth. And the new wealth that we seek is waiting for us. untouched and eternal, a few hundred miles above our heads.”

As a frame of reference for this article from 1982, this launch never took place, and it would be 20 years before the founding of SpaceX. Granted, that company has a run of private funding rounds before the IPO and the initial valuation of $1.8 Trillion in June of 2026. You do not need to get to the numbers today before realizing that the $1 million necessary for the U.S.S. Private Enterprise represents 0.06% of SpaceX value at the IPO launch. … One may draw their own conclusions from that fact, but we found it interesting. Of course it was also interesting that they were talking about launching rockets from San Franciso back then.

Another frame of reference for this specific day might be that the cheapest U.S. Senate race for this election cycle was $71 million in Nebraska. Texas, of course, surpassed half a billion dollars in its spending, ironically mostly funded by the SpaceX guy.

Sweet On Brooke Tilli

A Brooke Tilli Conversation

I am sitting here with Penthouse Pet Brooke Tilli. Brooke, give me the month and the year of your Penthouse Pet of the Month.

Brooke: I’m Penthouse Pet January 2025.

What’s one thing that you’re grateful for at the moment?

Brooke: I had my first AVN nomination this year.

What was it?

Brooke: Hottest new creator! It’s like a perfect nomination, right? I’m really excited about that and just all the awesome people I’m meeting. I know it’s going to open up many doors. I kind of feel like I don’t even see the end. I’m so optimistic about what’s to come, and I’m grateful to feel that way because I didn’t really feel that way two years ago. Back then, I was really just starting out, and I wasn’t in a totally great place in my life. I was going through a lot. So, I didn’t even know that being in this spot was possible.

What helped build your confidence from back then to how you feel about yourself now?

Brooke: Pushing myself to go out to events where I might not be comfortable. Maybe I’m like, “Oh, I’m scared. I’m going to be alone. I don’t have anybody to go with.” But I go anyway, and make friends, and you sit down and think after the event “Wow, I really did that and it was good for me.” Now I get fear of missing out if I don’t go places. [laughs]

How did you get past the fear of initiating conversations with strangers?

Brooke: Being in the industry and meeting some people that I’ve always kind of seen on the internet and looked up to has helped me humanize everybody, and I kind of just remember that everybody’s probably nervous. When I get nervous talking to somebody, maybe they’re just as nervous talking to me and if they’re not or they think I’m weird, then they won’t even think about me in a couple days. [laughs]

What’s something new that you’ve learned recently?

Brooke: I have been dancing a lot this past year. It’s helped me a lot because I never really enjoyed the gym but wellness is so important these days. I was kind of feeling down on myself about that. Then I made a TikTok this year and I realized a lot of people dance on there, and it helped me remember when I was younger I loved cheerleading and dance. So I got back into dance. I’ve been doing all kinds … ballet, pole dance, floor, hip-hop, RnB dance. It’s been really good for me. It’s like my main fitness thing now.

Are you taking part of all the TikTok dance crazes?

Brooke: Yeah! It’s actually fun! I used to think “Oh wow, it’s silly, why do people do that?” But now I get it. It’s actually just people just having fun.

What’s your TikTok so people can follow you?

Brooke: @BrookeTilli. It’s really easy to find me on social media. All of my usernames are @BrookeTilli.

Is there any part of your professional life or your personal life that just gets put to the side?

Brooke: Yeah, there’s been a lot of things that I’ve been wanting to do and my schedule just fills up super-fast, especially with getting into collaborations and studio work this year. I kind of wanted to do my own collaborations, independently, but I’ve just been so busy with photoshoots and studio work at the beginning of the year that it keeps kind of getting pushed off.

Can you tell me a couple of the performers that you’ve collabed with that you’re super excited about? And, when you do collaborations, whom do you do collaborations with?

Brooke: I kind of do all of it now. I really like working with women though. It just makes me feel comfortable, and I love women. I think they’re beautiful. I work with men also, but I’m kind of picky about the guys that I work with, just because I haven’t really been around too many guys. I’ve been with a lot more women than men.

Is there a type that you are attracted to that would have a better shot of getting a collab with you?

Brooke: They don’t have to be super muscular, but just a fit guy. I like kind of nerdy tall guys, but I’m not so picky about the looks as much as I am the personality and how you come on to me. If I feel a sweet energy from the guy, it’s a lot more likely that I’ll work with him than if it’s just some asshole.

How long ago did you make that transition to performing from just doing solo stuff and photos?

Brooke: I started at the very beginning of January. So, kind of how I kicked off 2025 working with Penthouse. So 2026 is going to be my year of studio work and collaborations.

Wow!

Brooke: I know! I didn’t plan it that way! Penthouse or 2026… but it’s so interesting because my birthday is on New Year’s Eve, so every year I get to start a new age and a new goal.

Did you think that you could achieve a goal like become a Penthouse Pet?

Brooke: No, it’s so awesome and surreal coming from such a small town and kind of doing it all on my own. I did not think it was possible at all.

What do you want to do next?

Brooke: I would love to get some brand deals. I think Fleshlight would be cool. Some lingerie shoots would be really cool. The sky is the horizon there. I love to model.

What made you decide to pursue this career fully?

Brooke: I think getting so many opportunities, and I just didn’t feel right saying no to them. I have to at least try it and see and find out if I like it or not. And everything has been such a great experience. I’m like “I wish I would have started sooner.”

Are there any personal goals that you’re working towards?

Brooke: I have been focusing a lot more on wellness and relaxing lately. Though because doing this work, and having so much excitement, it can be easy to get wrapped into it. So, I would really like to learn this year how to balance my wellness with my work and maybe help other people do the same.

Is your plan to do like a vlog or a blog and share your experiences with people? I think following your journey from the beginning of this part of your professional life will be so fascinating for people.

Brooke: Yeah… And maybe helpful for people. I think if you get into this industry, you should definitely want to do it… It takes a special certain type of person, but for anybody curious, it would be maybe helpful to know too.

Is there anything that helps you feel connected to other people?

Brooke: I really like when someone can reach out. I know that sounds kind of basic, but a lot of people just don’t these days. They can’t be the one to take initiative to reach out and be sweet and be nice and humanize themselves a little bit. I’ve noticed that some guys are more like, “We can get something to eat afterwards” or something like that and then some guys are not so much, and that’s fine too, but I do kind of like getting to know a person. We don’t have to get married or anything like that [laughs], but it would be nice to get to know someone and create a friendship so you can do future collaborations if it goes well. I just don’t really like working with people where we’re just like fucking and then we never talk again. I do like to keep up with everybody that I work with on social media and support them and follow them. I understand, because people get busy too, not everyone’s going to be like following me back on social media, but it does mean a lot when somebody can take the time to care about who they’re working with and follow them back and show support. That goes a long way.

How many scenes have you done at this point would you say?

Brooke: Three, and I have a fourth one coming up.

Have they all run smooth? Tell me what you like.

Brooke: I like a lot of things! I kind of like when a guy can take the lead and be a little bit dominant, but then it will transition into me being a little bit dominant too. I like when a guy can bring me out of my shell because I am still new, and I try to be mindful of that myself because I’m like, “It’s not everybody’s job to bring me out of my shell.” But I think some guys can tell, and it helps a lot whenever they’re a little bit sweet to me.

And do you like giving blowjobs?

Brooke: Yes!

That’s very important.

Brooke: Yeah! It is important in this job. [laughs]

And do you like bigger dicks or littler dicks?

Brooke: You know what’s funny? I like to have sex with bigger dicks, but as far as blowjobs, I don’t really like when the dick is too big. I can’t really show off my skills as well. [laughs]

[laughs] So true!

Brooke: But I do like to have sex with bigger dicks, maybe average size… I think my favorite dick size may be like 7 inches. I think that’s perfect.

What’s your favorite position?

Brooke: I like spooning! It’s nice and relaxing and I just think it feels good. It’s cuddling and intimate.

How’s your experience when you’ve done your mainstream studio shoots? A lot of people don’t realize when you’re having sex on camera, you have to open up so the camera can see what’s happening, have you found yourself in strange positions yet?

Brooke: It all feels so natural to me, just because I’ve been modeling and making my own content and then webcam modeling for so long. I think more of my sex life has been in front of a camera than not, so I’m pretty used to it. I think I’ve impressed people with that, and it’s going really well for me.

It’s the natural progression, it seems, from where your career was to what you’re doing now.

Brooke: Yeah, so true! I’ve never really felt pushed into something that is too big for me. It’s been a nice gradual step. I’m so grateful for that. I’ve learned a lot along the way, and it makes me seem really professional when I show up like I know what I’m doing, but really I’ve just had a lot of practice. [laughs]

How closely does your online persona match who you are in your real life?

Brooke: It all kind of blends together because there’s so much that goes into it, it’s just easier for me to be myself than try and put on a character that I have to keep up with. That would just add so much more work, and I already do so much! So, who I am on camera is pretty much who I am off-screen too.

Tell me about some of your potential future collabs that you have planned.

Brooke: I have a collaboration coming up with Owen Gray.

[gasps]

Brooke: I’ve actually had such a crush on him. He’s one of my biggest industry crushes and he’s so sweet! Whenever I talk about, “I like when a guy can be sweet to me,” he’s one of the first people that come to mind. He’s been such a nice guy, and I haven’t even worked with him yet, but I feel comfortable exploring that collaboration.

And you have no tattoos, right?

Brooke: No.

That’s going to look fucking cool.

Brooke: I think so too. I think we’ll look really cute together!

Is it just Owen Gray, or is it Owen Gray and Small Hands? Because that’s an iconic duo.

Brooke: I’m working up to that too! I would love to work with both of them! And they both seem really, really sweet, but Owen reached out to me first… So, first come, first serve. [laughs]

Have you performed with two guys yet?

Brooke: No! And I would love to! That’s something I would like to try towards maybe later on this year, but I did have my first threesome two weeks ago for a studio film and it was so fun and both of the people were so hot. And it’s so weird because you would think it would be this big, huge deal, but it didn’t really feel that way.  I was just excited to have sex with two people. [laughs] … We all had pretty great chemistry, especially me and the other woman, had great chemistry, and the theme of the scene was kind of us taking advantage of him a little bit so it all flowed really nice. We were a good team. [laughs]

Are there any female talent that you’re looking forward to working with?

Brooke: I can’t think of any names off the top of my head because I’m meeting so many amazing women. I’m drawing a bit of a blank, but one thing I’m looking forward to is I have some girl-girl-girl scenes coming up. When I first got into studio, I mentioned to a lot of the studios that I would like to do some girl-girl scenes and at first some of the studios were a bit weird about that. They were like, “We don’t really shoot that much girl-girl. It doesn’t really do that well.” And then the studio that ended up picking me up for my first scenes, I hadn’t even really mentioned that to them, and they were like, “We think you’d be good in some girl-girl-girl scenes with a bunch of girls!” And I was like, “Oh my gosh! That sounds amazing! It’s all working out perfect.”

What excites you about what’s next in your life?

Brooke: [whispers] Oh my gosh. So many awesome things to come… I guess circling back around to working with two men. I’ve never done that before and I would love to be the center of attention. So, I hope we can make that happen this year. [laughs]

Could you see yourself doing a spit-roast position? Sucking one man’s dick and the other one would be fucking you.

Brooke: Oh yes! Please! Of course! [laughs] I would go straight for that! When I think of threesome with two guys, that’s what I think I’m doing. So, yup!

Would you be open to a double penetration?

Brooke: I think so. Yeah! There are not too many things I’m nervous about. That’s something I would be so nervous about. Like, excited to try!

Do you have any pets?

Brooke: It’s a funny story about that. I was in a long-term relationship, and we had 2 pets, a dog and a cat. I didn’t really want the responsibility of the cat. My ex-partner wanted the cat originally, and I was like, “I don’t know,” because I already had a Yorkie. She’s 12 years old. I’m like “I guess, we can try getting a cat.” Basically now, I’m stuck with this dog and this cat, but I love them both so much, and I can’t imagine getting rid of the cat. She’s so cute and I actually have become more of a cat person, now that it’s just me and her and my dog… I was kind of thinking about getting another one. I thought I was a dog person, but I’m coming around to the cats. She’s so sweet and we got her from a shelter! She was 3 when we got her and she sleeps on my feet, like down at the bottom of the bed, and it’s so cute.

What do you hope people feel when they read your story and learn more about you?

Brooke: The first thing that comes to mind is maybe humanizing my transition into the industry, for myself and for other people, because I know that there’s probably a lot of women out there like me, with how easy it is to be a content creator these days, and just sign up to cam. I’m sure there’s a lot of women that get offered studio jobs or collaboration opportunities and it can be a little scary. I wish I kind of had somebody that I could just watch their content, and watch their story, see how it works out for them and take advice from them.

What do you want your digital presence to communicate in the end?

Brooke: Growing up in a smaller religious town, there’s always been, maybe even in the back of my mind still, a lot of guilt surrounding what I’m doing. I guess a lot of people can probably relate, and I think it’s been really empowering for me to be able to go and do this work and explore my sexuality, [even though] some people aren’t going to like it. There’s certain people in your family that aren’t going to like it, but you kind of just have to take the path that’s for you. I hope that people can watch my content and see that I’m living authentically, and they should live their authentic life as well.

We have to admit a bias in this teeny-tiny office amidst a giant enterprise that we have a fondness towards the openess of the platform with YouTube, and Brooke has begun to dip her toes there — as it were. Mostly, though, we really hope we get to sit down with Brooke again this next January, as a year in this business can spawn an amazing amount of change in a person. (Again, as it were.)

A Bazar of Bizarre Sex … Crimes

Bizarre Sex Crimes of the 20th Century

First off, what is a sex crime? Take the question of orgasm. A man who ejaculates while rubbing a goat has committed a sexual act, even if it’s the animal’s ear he’s been rubbing against. If he has not ejaculated, his behavior becomes more conjectural. Frequently, the police do not know if ejaculation has occurred. Quite often, official reticence has been so great that it is impossible to learn whether they know or not.

There is, of course, some element of sexuality in most human behavior, including the bizarre. Sexual excitation is not uncommon in killers at the moment they squeeze the trigger. What we’re after here, though, is crime that is explicitly sexual in motivation. The great cult crimes — Jonestown and the Manson family — were stricken from consideration. A strong case could be made for one or both. They were instigated by deranged prophets who used their considerable sexual magnetism and staying power to dominate and motivate underlings. Both crimes had powerful sexual overtones. But no overt sex act was involved.

The Wisconsin toe-sucker will also miss the list: while plausible enough, this tale hangs on too thin a thread of evidence. At about 1 :30 A.M. on June 30, 1980, a twenty-year-old woman hastened barefoot into a pizza parlor and called the campus constabulary of the University of Wisconsin at Madison. She said that while walking across the campus, a good-looking white man had grabbed her from behind and thrown her to the ground. The man then knelt and sucked her toes. In a few minutes, apparently sated, he rose and loped off into the night, taking the shoes with him. The shoes were never recovered, and the toesucker is not known to have struck again. Detective Garry Moore of the campus police said the woman had suffered a scraped knee but no other physical damage. On the delicate point of her reliability, Moore was quietly affirmative. He said the toes looked sucked.

So much for the preliminaries. Here, in no particular order, are the ten most bizarre sex crimes of the twentieth century.

Bizarre Sex #2 | Sada: Love’s Ultimate Gift

Despite a reputation for docility, Far Eastern women from several cultures have long threatened to cut the penises off errant husbands and lovers. In Thailand the threat is a subject of endless banter, not all of it entirely frivolous. “I’ll cut your dick off and feed it to the ducks” is a standard warning, and the surgery has even been depicted on the side panels of some of the country’s gaily decorated trucks, along with the ducks.

One well-documented case is the death by strangulation and subsequent castration on May 18, 1936, of a Japanese gangster and pimp, Ishida Kichizo.

Abe Sada, a young prostitute, went to work as a geisha trainee in the whorehouse of Kichizo’s wife. Kichizo, pampered soul, controlled his wife’s world completely. He laid down the law and exploited her permission to use all the women on the premises. Sada quickly became the great love of his life.

As Japan surrendered to the orgy of militarism that became World War II, Sada and Kichizo devoted all of their time to sex with each other. Their love became total. In the Japanese tradition, in which pleasuring your partner is the highest sexual experience, the two competed vigorously to provide each other with more intense orgasms. S & M was more or less inevitable. Finally, Kichi asked Sada to attain the highest conceivable level of ecstasy by
strangling him at the moment of orgasm. She complied, then carved herself a set of souvenirs off the corpse. Sada was found four days later wandering the streets of the city, a bundle containing Kichi’s privates tied to her kimono and clutched in her hand.

Sada swiftly became a folk heroine, symbol of sexual emancipation and dedication to the highest pleasure. Convicted of the murder, she was apparently still in prison when the war ended and was released by mistake with some political prisoners.

A leading Japanese filmmaker, Nagisa Oshima, made a spectacular film about the case, In the Realm of the Senses. Sada’s name is now recognized throughout Japan. It has come to symbolize the search for the ultimate in human relationships.

Bizarre Sex #3 | Fritz Haarmann: Butcher’s Dozen

Fritz Haarmann, the master mincer of Hanover, turned to crime for profit. And sexual pleasure. He was a good German merchant who improved on the commercial practices of all but a few of his kind. He sold the clothes of his victims more or less routinely. But his real business, from 1918 to 1924, was their bodies, which, after odomy and murder, he then butchered.

Fritz sold meat in the Scheibermarkt (profiteers’ market) next to the train station. The master mincer specialized in the chopped, the minced, and the boneless. His customers asked few questions. Meat was virtually unobtainable in defeated, war-torn Deutschland, and one did not harass one’s butcher.

As if supply and demand weren’t protection enough, Haarmann also had a police connection. He spied for them and had a small badge to prove it. The job paid next to nothing, especially in a currency that lost its value while the ink dried. But his special relationship with the police was Haarmann’s license.

Haarmann liked to hang around the train station, the Hanover Hauptbahnhof, an enormous, ghoulish place aswarm with young men interested in what the traffic might bear. It was as evil a place as today’s Port Authority Bus Terminal in New York City, and in much the same way. Haarmann was gay — no surprise in a city of 450,000 with a homosexual population estimated at 40,000. Young drifters came in from all over North Germany. They were ready for anything.

And Haarman gave it to them.

He routinely toured the station’s waiting rooms at three in the morning or so, culling the lads for looks and, apparently, plumpness.

He had his standards. Accused eventualfy of killing one Herman Wolf the master mincer said; “I have my taste, after all. Such an ugly creature as, according to photographs, your son was, I would never have taken to.”

Haarmann was forty in 1919, when he met Hans Grans, a chunky but pretty thing half his age and better educated. It was love. Grans, a lazy, shiftless fellow, sometimes helped with the butchering. William Bolitho says in Murder for Profit that Haarmann let it be known he smuggled meat, and boys were constantly coming to hts house with wrapped parcels. Neighbors heard him chopping away at all hours of the night.

Deutschland was in those days a liveand-let-die sort of country. Not even the finding of four human skulls within a month in the depleted River Leine moved the police to action. Then a huge cache of bones and another skull were discovered. Rumors swept the town. Hanoverians lined the Leine to peer into its inhospitable waters, and the newspapers made a fuss. Finally the police dragged the river, and came up with 500 bones, enough for some two dozen skeletons.

They moved decisively against Haarmann after a bereft mother recognized her son’s coat on the back of Haarmann’s landlady’s son. In the end Haarmann claimed a grand total of thirty or forty victims, explaining he wasn’t sure which, and blamed Hans Grans for everything. He was a vociferous defendant, conducting some of his defense himself. “I want to be executed on the marketplace. On my tombstone there must be put this inscription: ‘Here lies Mass Murderer Haarmann,’” he told the court. Neither wish was granted. He was decapitated. Grans got life in prison, of which he served twelve years.

Bizarre Sex #5 | Ed Gein: Gentlest of Lovers

Necrophilia is one of the great cliches of strange sex crime. The prototype of the modern practitioner may be Ed Gein of Plainfield, Wisc., a farmer, handyman, and bachelor who was fifty-one when arrested in 1957 for the murder of Bernice Worden, proprietor of the local general store. At Gein’s house her body was found decapitated, dressed out, and hung by the heels to age, like a fresh-shot deer. Gein also confessed that he had killed and dressed out Mary Hogan, who kept the tavern In the town.

Besides murdering people, Geln also went around digging up new graves in the vicinity to liberate the corpses of a dozen middle-aged women. These he butchered into sections and sometimes skinned. Then he put most of them back into the holes they’d come out of, keeping only the sex and internal organs These seemed like living things, he later explained. and he could not stand the thought of the worms getting to them.

Gein was something of a student of history. He had followed the example of Ilse Koch, the Nazi Bitch of Buchenwald, and used some of the skin to ornament furniture and to make personal articles, such as belts and billfolds. He even preserved a complete breast.

Dr. W. G Larndt reported, in Bulletins of the Menninger Clinic, that Geln had often given his neighbors venison. But Ed told shrinks, “I’ve never shot a deer.”

Bizarre Sex #8 | Albert Desalvo: A Way With Women

Nothing is stranger than grown men who dislike, fear, and need women strongly enough to eliminate several of them from the face of the earth. Such men, however, tend to be strange in similar ways. They’ve had rotten childhoods, with plenty of neglect and physical abuse. And nothing is more consistent in their histories than savage beatings received while small. These men often appear foolish and ineffectual but are actually quite handy: murder requires al least a minimum of physical proficiency.

Albert DeSalvo, the Boston Strangler, can represent the lot, and with distinction. He killed twelve women, aged nineteen to seventy-five, strangling most but knifing others. A thirteenth, aged eighty-five, expired of a heart attack while he was warming her up for the kill.

DeSalvo was an all-around sex fiend who arranged the corpses of his victims for maximum dramatic effect: usually, facing the door with their legs spread wide apart and their genitals prominently displayed. He fondled and screwed and was fellated involuntarily by his victims. The pattern differed each time. He came in the face of one, he stabbed another repeatedly and horribly because she resisted him and screamed objections to his advances even after he had bound and gagged her. “She made me feel so unclean, the way she talked to me,” he explained later. “Everything I was doing to her, she just didn’t like it. No matter what I did she didn’t like it. And she wouldn’t keep quiet. … She kept saying, ‘Don’t do it. Don’t do it. …’ I was playing with her. She .kept yelling or — trying to yell — and I stabbed her. Once I did it once, I couldn’t stop.”

But DeSalvo’s weird ways with women did not always include murdering them. Prior to his two-year killing spree, he used to pose as a talent scout, a gag he had seen on television. He talked his way into women’s apartments, then unlimbered his tape measure, and thus laid his hands on their lusher body parts.

DeSalvo was expert at slipping locks and did so often to get at women. He was unfailingly, even squishily polite, and so deferential that the cops and shrinks refused to regard him as a suspect long after he confessed. Always one to please, the Strangler supported his confession with vivid, detailed memories of his crimes. It was, of course, his deference, along with a genius for knowing what to say to people who found him in their apartments, that made him such a successful killer.

Albert Fish was a molester of both boys and girls; a masochist who wore twenty-nine needles in his body; a vampire; a cannibal; and, if 1t needs saying, a sadist.

As with many sex criminals, Albert DeSalvo had a horrid childhood, including a subliterate mother, a brutal and florid father who shamed the family by consorting openly with prostitutes and whipped the children well beyond the point of statutory child abuse. Albert shoplifted and stole from his earliest years, spent lime in reform school, and then, thanks lo the army, became a good enough worker to earn a decent living as a maintenance hand and construction worker. His reign as the Strangler ran between his release from imprisonment (for his Measuring Man antics) in April 1962 and January 1964, when he claimed his last victim. He was arrested that November and jailed tor binding and molesting — but not physically harming — five women.

The police had concluded, on the best professional advice, that there were two killers, one for the old and one for the young. Both of these suspects, psychiatrists thought, were mother haters, lived alone, had respectable backgrounds, were severely inhibited sexually, and killed in sudden rages.

The officials were dead wrong. DeSalvo loved his mother passionately. He had been her favorite of six children, and she had sometimes protected him from his father’s drunken rages. He was not inhibited sexually. Albert liked sex four and five times a day. His wife considered him insatiable; he thought her frigid. Nor did he kill in a rage. Albert simply went to neighborhoods where many women lived, knocked on chance doors, and killed women he found alone. He was calm and avoided panic.

Albert DeSalvo did not know why he did the things he did. “That feeling just came over me,” he reminisced. Albert was found dead in his cell at Walpole Prison in 1973. He had been stabbed sixteen times, more times than he had ever stabbed anyone.

Bizarre Sex #5 | Doctor X: The Great Pretender

Marcia didn’t even know Ralph had a psychiatrist. But here was Ralph’s shrink on the phone, and telling her that Ralph was. desperate, on the verge of suicide and, well, Marcia just might be part of the problem.

“Me,” Marcia thought. “What can I do to help?” she asked, concerned.

“Ralph needs things looser.” said the shrink.

“Sure,” Marcia agreed. “What can I do?”

“Permission,” said the doctor,

“Permission?” asked Marcia.

“Yes, permission,” said the doctor.

And he told Marcia about group sex, wifeswapping, and all sorts of fun things that she and her husband had never tried.

“Just tell me what you’d like me 10 do,’” said Marcia.

The doctor was ready for that one. I-le told Marcia to look out her living-room window and find a man under the age of thirty. Then she was to bring him into the house and await further instructlons.

A young mailman walked by. Marcia went out and got him. The doctor called back a few minutes later and talked to tne mailman. He also talked to Marcia. Finally, the mailman and Marcia went to tre bedroom and did just as the doctor oroered, which was sex with oral variations. The doctor called agaln and gave the two oeople some more orders, which they followed. He also swore Marcia 10 absolute secrecy.

When Ralph got home that night, his wife was meltingly reassuring. “I did what your doctor said,” she told him. Marcia never was that good at keeping secrets.

“What doctor?’” asked Ralph.

Ralph and Marcia — their names have been changed to protect the innocent — are one of a dozen couples who told Long Island police that they had been duped by Doctor X, the fake shrink. More than fifty other women — some from as far away as Pennsylvania — reported that they also had been phoned by the smooth-talkmg pseudo-psychiatrist but had not fallen for his patter. Each of the twelve women who were victimized told a story similar to Marcia’s.

“This is incredible,” said Rita Gmtesman, a Nassau County detective who specializes in sex crimes. “But people have to realize this guy is very good at what he does. … He is very smooth … very authoriative on the telephone.”

Full disclosure, as you undoubtedly noticed, we did not recreate this entire article out here. Still, it might be worth noting at the outset that this bizarre sex list got compiled more than forty years ago. The fact that these still sound bizarre probably says something. … Should you have a curiosity in the true crime genre, we can tell you — and were in fact encouraged to do so — that the full article appears in the May, 1982, edition of Penthouse Magazine, which you just happen to be able to view in its entirety with fourteen bucks and a membership. You can also look through 500+ other magazines while there — a number counting up every week. Not every issue has true crime stories, though, but maybe you can find something else interesting in them.

Pop Shots Ralphie May

Ralphie May Pop Shots TitleBarbershop Quartet … with Ralphie May

Ralphie May has been incredibly busy in recent months, making appearances at comedy clubs across the country, as well as putting the finish-ing touches on his upcoming Netflix special, Unruly. But, as he explains, deciding to take the time to work on this photo shoot was a no-brainer. “When the call came, I was fucking all-in, dude,” he tells us.

May chose the stunning Adriana Chechik and Barbie (that gorgeous girl with the shaved head) as his models; then, once the perfect old-school barbershop was found, adding Bolt Barbers’ Richie the Barber to the mix came naturally. The results speak for themselves … and this interview offers a candid view into some of Ralphie May’s personal moments.

You’ve been running around the country like a wild man lately. I never thought you’d be able to find time to do this with us.

When the offer came, it was a priority. I mean, come on, it’s fucking Penthouse. I was going to be in my Nashville house, but I flew back to L.A. especially for this shoot.

Did you have a personal connection to the magazine when you were younger, in the Bob Guccione days?

Uncle Bob changed my adolescent life with Penthouse and Penthouse Letters. Penthouse has always been one of my favorite magazines, if not the favorite. Oh, my God! In Clarksville, Arkansas, we used to pay the old guys to get us Penthouse and Penthouse Letters. As a pubescent son of the South, Penthouse was a major contributor to my making a ceramic sock. Every fucking month the magazines came out, they got bought.

You were flush with cash like that?

Me and my buddy Russell used to sell dime bags of reefer. His daddy would bring home impounded cars for auction, and we made $5 a car to wash them. We hit a button or two on a couple of these cars and found big blocks of marijuana, and we sold it. We found cash in one. It was awesome. I sold dime bags for $10 a bag. That’s how old I am. That’s old as shit.

Back then, you would buy a bag and it would be full of seeds, which were dangerous. If you missed a seed and lit one up … pop!

We used to play weed roulette with that. We used to roll three joints, because you needed to smoke all of them in order to get kind of high. Otherwise you would just end up with a headache. We would put a seed in one of the joints, and whoever would smoke it … it would blow up in their face. We saw so many prepubescent mustaches go up in flames. My buddy growing up had a full mustache at, like, 14. We were so jealous. He got the weed-roulette joint one time at a party and it blew up in his face. It was awesome! It burned his mustache good, too.

Have you ever done anything like direct a photo shoot before?

No. I liked it, though. I thought it was hot. And it’s for Penthouse, so you can do almost anything you want. But I didn’t want to just show all ’gina shots. I love the female form, and I’m a huge fan of ’gina. I would love to be in a head-to-head competition against lesbians … a lesbian head-to-head “head” competition. They ain’t got nothing on me, jack. I’m a big fan of pussy. I gotta see that monkey.

But the shoot wasn’t just about pussy for you.

They asked me what I wanted for wardrobe and I said, “Ladies, did you go over and see everything they have? What makes you feel pretty?” That’s what I wanted to do. I didn’t want to objectify these women. And I wasn’t being dirty with them. I was trying everything to just not look at tits and not look at ’gina. I was on my best behavior. Normally I’m an animal; I would have been all over that. But I wanted the girls to feel comfortable.  I just wanted to show their beauty.

What makes a woman beautiful to you?

A woman’s eyes. The rest of it will fall into place if she has kind, soft eyes. That’s what you want in a woman. I asked my wife to marry me a month after we started dating because I realized she had the softest, most beautiful eyes, and I just wanted to wake up next to them for the rest of my life. That’s what I like in a woman.

You cast the models based only on their eyes?

What I liked about Barbie was her eyes and her neck and the fact that she didn’t use hair as a camouflage. So many women don’t have long necks, don’t have beautiful eyes, and they have long hair to distract you. She eliminated the distraction and allowed her beauty to shine. With Adriana, I didn’t know she was an adult-film star and that she was all crazy in bed. I just saw a girl who had bush. We’re amidst a pussy renaissance, and bush has never been more cleaned up and shaved down than it is now. All these women in Los Angeles are sitting on little peaches … little baby peach meat. Young men today don’t even know that pussy comes with hair on it. They don’t even know.

I was wondering why you put a little “muff-stache” on Barbie in one of the pictures.

It’s just kind of an homage to comedians past. You know, the funny mustache has always been hilarious. The handlebar mustache was worn by a lot of the vaudeville comics and stuff. I thought it was theatrical, and it kind of makes fun of the girls with the shaved ’ginas now. Like they should all just put a wig on their monkey.

It was interesting that you chose a barbershop as the backdrop.

It looked so fucking cool. I remember back when I was a kid and I used to get my hair cut at a barbershop in downtown Clarksville. I’d ride my bike down there, and for a dollar, those old guys would cut my hair. And they had a calendar on the wall with pinup shots. They would cover it when women would come in to pick their kids up or something. I thought that was just awesome. I remember being, like, nine years old underneath that robe with a little baby boner, looking at that girl and thinking, Holy shit, I’d like to tag that.

You made the shoot personal.

Why not? A barbershop is such a male space, and I thought the juxtaposition of having nude women there would be an interesting thing for the eye and for the mind. I really wanted to show people that they are brave women … that in a male space, they are the dominant ones. They are command-ing this space that’s usually reserved exclusively for men. It’s like they are live pinups. While you’re in there, you’re sitting and thinking about women. In most barbershops, all they do is talk about women. And I can’t say I blame them.

How does coffee fit into your vision?

I got into a pickle a while ago. I was in Miami with my buddy Ricky Cruz, and he took me to a Cuban spot for some food. It was a great restaurant called Versailles. He said, “Ralphie, would you like some Cuban coffee?” Now, I had never had Cuban coffee, but I like Cubans, and I like coffee. I’m going to get me some Cuban coffee. The waiter came out with a little baby-doll-tea-set cup of coffee. And I was like, What the fuck is this? I’m a grown-ass man and I need man coffee. I was tired, I was hungover, and I handed him a Starbucks thermos, which was like a Venti, and I said, “Just fill this up because we’ve got to go.” It took him 27 minutes to make enough Cuban coffee to fill 20 ounces. I fucking loved it. But I should have known something was up when I poured in cream and it didn’t change color … that’s a bad sign. It took me 30 minutes to drink that coffee, and in that 30 minutes it was amazing. Like, I could see into the future. But when I went to stand up, and with zero warning — no preamble, no cramps, no tell that it was going to happen — I … I just … I just shit myself.

That’s hilarious, but I’m struggling to find the connection between you shitting yourself and your vision of what makes a girl hot.

Something about me is that I’ve never allowed anyone to tell a story about me being dumb that I didn’t tell first. I wanted to be in on the joke. If I do something stupid, and it’s funny, then I want to tell everybody.

I think I get it. You had a choice. You could be detached from the shoot and just go through the motions, or you could make it more personal. Add mustaches, reference Cuban coffee, make it a more honest representation of who you are.

Right. That’s right.

Do you think the photos do a good job of communicating that?

Holy moly. They exceeded my expectations. I mean, they are amazing. They are really beautiful. The girls are shown in such a wonderful light, and the photographer has such an eye. I am just over the moon about these photos. I’m glad I can showcase my favorite photographer in my favorite magazine.

Being all about the “’gina” of course, not many of the photographs Ralphie chose qualified for publication out here in the free area as you may have noticed. Although Ralphie May would leave this mortal plane within 30 months of this interview, you can still get a feeling for the man (beyond an appreciation of naked women) from his jokes.

As for our similarly-named editor Raphie, we have no idea why he titled this as a quartet when there are only three primary people in the layout. Maybe he was just counting visible boobs. … Honestly, it could be a lot of reasons with Raphie, which was what made him such fun to be around for the short time he was here.

Photographs by Truth Evan

Penthouse Pop Shots Logo

NASA in Outer (and Inner) Space

Why We Must Explore Outer Space

Many people I know would, and if past public interest in the solar system, and in comets in particular, is any guide, so would most Americans. But you won’t get a chance to. The comet will be faint, and the only way to get a good look at it will be through the eyes of a spacecraft.

Plans to explore Halley’s comet have been canceled in the latest round of budget cuts. We shall thus watch the Soviet Union, Japan, and a consortium of European nations all send spacecraft to the comet-spacecraft less capable than what we could have launched. We shall see the comet through the eyes of foreign spacecraft while the United States sits on the sidelines because of its unwillingness to spend thirty cents per year per citizen.

This cancellation is just a part of the generally woeful state of our civilian space program. Over the past decade, while other
budgets have increased, NASA’s has remained the same; allowing for inflation, NASA is spending about a third of what it did in 1965. Other nations have not been idle, and what happened to Detroit is about to happen to our civilian space program.

A common misconception is that the NASA budget is second in size only to that of the Department of Defense. In fact, an amount equal to NASA’s entire yearly budget is spent by the Defense Department in less than two weeks. Regardless of whether or not you favor spending more on defense, social programs, or any other project, even totally abolishing the space program would not add materially to these causes or decrease taxes per citizen by more than the cost of a dinner and a movie. Yet to reduce the funding by even a fraction of this amount will seriously jeopardize our ability to compete economically in the world.

Read this sentence carefully. Those four words bear the same ratio to all the words in this column of type as NASA’s budget does to the national budget, less than 1 percent. Even in tight economic times a great nation must be willing to invest this much of its resources on the future — or it will have no future. To reduce scientific research now is to eat our seed corn in a time of famine.

Americans will have to see Halley’s comet through the eyes of foreign spacecraft while the United States sits on the sidelines because of an unwillingness to spend thirty cents per citizen for the next five years.

We are living on past glories. The recent spectacular photographs of Saturn are from a mission launched almost a decade ago. We have built a space shuttle-a great achievement, to be sure-but for political reasons have underfunded it. To ensure its completion, past administrations have taken from other parts of NASA’s budget; budget crunches of the past have thus crunched the research-and-development side of NASA. The political attitude of the Carter administration toward space was reminiscent of a remark by Calvin Coolidge in the early days of aeronautics: “Why can’t we buy just one airplane and let the aviators take turns flying it?”

Today the Department of Defense’s space budget is larger than NASA’s; NASA launches more rockets for outside customers — including the Defense Department — than for itself, and altogether we launch only about an eighth as many satellites as the Soviet Union does. The reasons why we should vigorously pursue a strong national civilian space program are many:

  • Useful knowledge: communications satellites are so widely used that we cannot now do without them. Remote sensing satellites find oil, minerals, and fish, detect pollution, and Monitor crops. Weather satellites improve forecasting and warn of big storms. Space technology produces such spin-offs as better suits for firefighters, X-ray machines that expose a patient to a smaller dose of radiation, pacemakers that keep people alive, radios that you can carry in your pocket, and hundreds of other items. Civilian research also yields military hardware, which improves our national defense.
  • Employment and economics: the aerospace field is hungry for qualified employees. About the only sector of U.S. industry that shows evidence of increased productivity is high technology, including aerospace; this is also one of the very few sectors in which the balance of foreign trade is in our favor. M.I.T. economics professor Robert Solow has demonstrated that half of the growth of U.S. productivity is attributable to the advance of scientific knowledge. This comes only from research, often from basic research, where we don’t even know exactly what we are looking for.
  • Adventure: our people thrive on a frontier; that is how this nation grew. We have explored all of our world; now space offers an infinite frontier and a new sphere of activity for the human race, if we but choose to use it. While adventure, frontier spirit, and spiritual expansion are hard to document or to put dollar figures on, they are vitally important to our national well-being. The Russians realize this. They boast that the Soviet Union is ‘the shore of the cosmic ocean,’ while at the same time the United States remains landlocked.

There are several opportunities for private-sector efforts in space. But if we reduce funding to the point where NASA is no longer able to carry on long-term research and development, there will be no new technology for these private companies to pick up. Such A and D is something that private companies can’t afford, because of the high costs and long payoff times. America became great in part by subsidizing the building of the railroads across the nation and by subsidizing the development of the aviation industry, which now carries us around the globe. We should do the same in space. Everyone will benefit from the investment.

A large number of people in the country favor a strong civilian space program. Polls show that the public thinks the space shuttle is a great achievement, that 41 percent(!) would like to fly in space, and that research and technology can help solve economic and environmental problems. A large part of the populace believes that we should spend the present amount or more on space research, and these are the people who pay most of the taxes and are also most likely to vote in an election. Hundreds of thousands show up to watch both the shuttle’s launching and its landing; millions more watch pictures transmitted by Voyager from Saturn. Yet when 10,000 letters come in from citizens to the White House urging a comet mission, they are boxed up and sent over to NASA to be answered. For some reason the administration doesn’t listen.

This is strange when you consider the following promise from the 1980 Republican Party Platform: “Underfunding of beneficial government-sponsored research efforts in basic and applied scientific research has disrupted the benefits of years of effective effort. In particular, America’s preeminence in the exploration of space is threatened by the failure of the Carter administration to fund fully the space shuttle … as well as advanced exploration programs. Republicans pledge to support a vigorous space research program.”

But, as they say, political platforms are for running on, not for standing on. Or, as economist John Maynard Keynes observed decades ago, “The public [are) always ready for anything and are as good as gold about it. It is the bloody politicians whose bloody minds have not been sufficiently prepared for anything unfamiliar to their ancestors.

Neither officials in NASA, nor most members of Congress, nor the administration, think that the public cares enough about science and space exploration to speak out. We need to tell the president that even in tight economic times we are willing to invest this small amount of our money to explore, to develop, and to participate in the grand adventure of probing this new frontier. We’ve seen how the relatively small cost repays many-fold in economic and spiritual ways. If you agree, let the president know and let your elected representatives know, too. If you don’t speak out now, don’t bitch a few years from now when American companies have to depend on foreign launch services, or even have to buy their satellites abroad. If we continue to reduce the space budget and other research budgets from their already low levels, we will in many important ways become a second-class nation.

It’s your choice. And the time to decide is now.

The author is Executive Director of the National Space Institute. a nonprofit private organization. He is a former chairman of New York City’s Hoyden Planetarium and is a contributing editor to Omni magazine.

Full disclosure, we take some pleasure in re-running “the sky is falling” editorials from 40+ years ago, because, well, walk outside: Still have the sky. … Because we were curious, though, we looked it up, and for the 2026 fiscal year, the NASA budget represented 0.35% of the federal one. Because we have a directive to at least endeavor not to be horribly controversial — and we really try hard not to be idiots — we have left out other statistics on what the federal government chooses to spend money on instead. But you can look. … Seriously, what’s a gnat catcher?

Alyssa in a Sleepless City

An Alyssa Posey Conversation

I’m sitting here with Adrianna Eves, Penthouse Pet.

Alyssa Posey: September 2023. It’s been a minute! [laughs]

What has been going on with you since we shot you?

Alyssa: Just busy! I have like seven jobs. I know it sounds ridiculous, but living in Vegas, it’s a town of opportunities, especially with modeling or anything of that nature, so, I’m constantly working, which is great. Just built my first house a year and a half ago … so, that’s great. Being a single woman isn’t the easiest thing in the world [laughs], especially nowadays.

Tell me about building your house.

Alyssa: It’s been a process, but not the best process. [laughs] Kind of horrible, but my plan is to build this, kind of fix it up, make it perfect, and then sell it and then do something else.

How big is it?

Alyssa: Like 3,000 square feet?

Oh, that’s big.

Alyssa: It’s decent. In Vegas, it’s a lot cheaper than in California, but things are going up, and up, and up really quick. It’s catching up to Cali. [laughs] It’s scary.

How has it changed out here for you?

Alyssa: It’s ever-changing. I moved here six years ago, so I’m relatively new. I mean it used to just be desert where I was at, and it’s completely different now. New casinos. New neighborhoods. Everything, ever-changing. There’s like four more clubs. It’s almost a little oversaturated, so it’s kind of scary with the industry that I’m in, working for clubs and day clubs, and the modeling industry, but good and bad, right? Pros and cons with everything.

Tell me about working for day clubs. What’s that like? What do you do?

Alyssa: So, I’m a model cocktail server for Tao Group Hospitality. This is going to be my 7th year. I just got through auditions again. I’m a veteran now. It’s very busy, fast-paced, and always fun [laughs].

Tell me what the audition process is like, and why would you have to audition if they used you six years in a row?

Alyssa: I mean it’s cutthroat just like anything else. Remember America’s Next Top Model with Tyra Banks? You walk in, you’re in a bathing suit, but you have photos, your resume, and then there’s just a panel of judges, and they kind of just ask you a couple of simple questions. You already know if they want you or not. It’s like 30 seconds. Very cutthroat and very “Do you look good?” You have to maintain your weight and your looks. We have to sign a contract at the beginning. You can’t gain 10 pounds over the duration of our career within our starting weight.

What?!

Alyssa: [laughs] Doesn’t matter if it’s muscle, you got a boob job. It’s within the contract. I mean, it’s modeling! If you’re going to get upset or mad, you’re in the wrong industry. It’s cutthroat.

But like, I wouldn’t think that in the span of your career, I would think within the span of the season that you work.

Alyssa: That’s what I thought, but it was right when I got hired the first time, and they were like, “Oh, we have to weigh you” and so my friend was like, “wear leather boots and a leather jacket”, which I did [laughs] to like beat it, because that’s an extra couple pounds.

How about Amber Rose with kids and her insane body?

Alyssa: I know! We worked together closely. I work at Marquee. She works at Tao Beach, but I worked there a couple of times. She snapped back like this [snaps finger]. She’s got an eight pack again. [laughs]

Do you feel like a connection with her because you guys are also Penthouse Pet alumni?

Alyssa: I just think she has such a motherly sweet vibe about her that we always have been friends since the minute we met. I’m kind of like cut and dry with people. Either we get along or we don’t, and that’s just who I am as a person. I don’t believe faking energy for the sake of anything. If we don’t get along, I just keep my distance. But she’s always super flowy, easy to talk to, helpful. We talk a lot about life. Everything she’s been going through and same with me…. She’s the sweetest.

How do you handle self-doubt?

Alyssa: I come across as extremely confident, even when I’m not, and people are like, “Oh, you’re insecure?” Every single woman on this planet is insecure. Some are just better at hiding it, and that’s kind of my fuel. I’ll lead headstrong and go into a situation with open arms, as opposed to just hiding in the corner being little. So I’ll just walk up to that group of 20 people I don’t know and start the conversation, even if I do have self-doubt, or I maybe don’t feel the best that day. I mean, am I on my period that day? Did I have a bad morning? Did I fall down the stairs? [laughs] Did I trip over my cat? So, it’s like just move forward. I think that’s helpful for me, especially with the industry I’m in, meeting strangers every single day, especially men. It’s like my favorite thing to one-up a man and big-ball them.

Have you ever had a situation at work where a patron crossed a line?

Alyssa: Absolutely. Especially since I work in a bathing suit, I have men that don’t understand the difference between a strip club and a day club and I’m not against strip clubs by any means, but there’s a fine line babe. I’m serving you drinks and food. I’m not giving you a lap dance, and that’s highly against the rules for casinos in general. Sex work is not legal there. Go somewhere else. I’ll go to the strip club until 6:00 A.M. for my own fun, but you’re not in that place. I’ve had guys try to grab and pull my bikini off, and you can get arrested! If they see that, it’s over! ‘Cause you’re a predator whether you think so or not. It really is that big of a deal. Sexual assault or sexual harassment of any form unwarranted should be punished every single time.

100% … How do you keep yourself in shape?

Alyssa: I do definitely go to the gym a lot [laughs]. And recently, at the beginning of the year, I donated my eggs to a gay couple in California. I was on all these hormones, so I was at the first point in my life where I gained a little bit of weight, and I wasn’t used to it … and I didn’t like it. But I was given body grace. You’re going through all these changes, you’re helping somebody, which I’ve always wanted to do, but I’m like, “Ok, when do I snap back?” How do I figure it out because your hormones when you get older, absolutely terrifying. … So, after that, I got super-serious. I just lost like 15 pounds.

How did you know that you wanted to give your eggs to a gay couple? How did that come about?

Alyssa: I love gay people. [laughs] I worked with this agency. Its top commodity, really pretty girls, girls that don’t have work done to their face. You have to be very honest. They accepted me right away. It was within like a month that I found out someone picked me out. Maybe I looked like what they want their kids to look like. I don’t know. Petite, green eyes, all those things. But yeah, they picked me out, and I didn’t even know that they were a gay couple, but that was my preference, until I was signing the contract, and it said Father 1 and Father 2, and then I was like, “Oh my God!” [laughs]

And then how many eggs did they get?

Alyssa: They got a lot … I’m super fertile. [laughs] Aggressively. That’s why I wanted to do it. They got like 78.

Do you sign a contract with no contact? I think some do that and some don’t.

Alyssa: So, they asked me, if and when the child reaches 18, would I like if they contact me, and I said, “Yeah, of course.”

Oh my God, can you imagine being this hot kid that’s 18 and they want to see their birth mother, and it’s you?

Alyssa: Yeah, I hope that they do. I would say 90% probably do, right? Cause obviously, they got the eggs from somewhere.

Of course. What creative outlets do you turn to outside of work?

Alyssa: I don’t know if it would be creative, but the gym… Any type of new workout, I find such an adrenaline rush. Just because endorphins are absolutely incredible and it’s better than any drug ever. So, any new workout, and I think that being fit is super in style right now. Like, the Pilates, all the new Lagree, all the little centers for all that. So, I think that’s, honestly, my version for a creative outlet. Also, in clothing. I absolutely love clothing. I’m a little style icon. But those are my two, for sure.

How do you unwind? ‘Cause you said that you do seven jobs.

Alyssa: A nice espresso martini with tequila in it. That’s what really gets me going. Everytime [laughs].

Penthouse: [laughs]

Alyssa: 1 … or 7 [laughs].

I love that. But I mean, do you like reading? Do you like taking a walk? I mean, I don’t know how many places you can really walk around here…. It seems very stimulating.

Alyssa: Unfortunately, living in Vegas, the martini is more easily accessible than the nature walk. If I lived in, like Oregon, or the coast, I think I would do that more, but the desert isn’t so appealing. When I get the chance, I like to go to California. I love older movies. I’m a huge horror fan, which we’ve discussed before. I definitely unwind to some 80’s slasher films. I’ve always wanted to be a Scream Queen.

Do you have a bucket list of things that you haven’t achieved yet that you’re really wanting to?

Alyssa: I mean I think everybody does. Have I sat down and actually made a list? In my head, yes. Paper? No. Probably should. Definitely want to travel, do a huge Euro trip. I’m really into history, so I want to go see some of the most old, beautiful architecture I can. And then I would love to be a Scream Queen. Those two things are definitely the top of my list.

Is there a habit that you’re currently trying to break?

Alyssa: Staying out till 6:00 AM.

Oh shit. But that’s work!

Alyssa: No, but even when I’m not, I just like, “Oh you know …” ‘cause it’s late nights, right? So, you kind of get into the habit of let me go have a drink after living in the city where it never sleeps. I like to let loose a little bit. I keep telling myself maybe not so much, but then it happens again. It’s 50/50, my lifestyle. I’m so healthy, but then I’ll go have fun. While I’m young, right?

What’s your favorite place to go let loose till 6:00 AM?

Alyssa: I love the art district here, so it’s a little off the beaten path, but super funky and lounges, bars, witchy bars, and stuff like that. A little more and a little different and obviously not as expensive as going to the casino and getting a $40 martini. [laughs]

So, it’s more like a local joint.

Alyssa: Definitely. Artsy, women-owned places, not huge corporations, which I love, small businesses. It’s kind of turning into like little Melrose, with all the thrift stores, and very artsy. It’s definitely something to look at.

What’s been bringing you the most joy lately?

Alyssa: Helping out with animals. There’s been a huge animal crisis in Vegas, and my friend does a lot of pop-ups and donations. There’s been a lot of animal cruelty cases in Vegas too …it’s so crazy. They’ve been passing laws to help, so that shit doesn’t happen…. Finding dogs in dumpsters, and I’m like, “What the fuck is wrong with you people?!” So, I’ve definitely been helping her do a little bit of that, which I definitely find joy in and would like to do more. I’m getting the word out and just doing those things. I love animals, so … huge, huge into that.

How would you describe this current chapter of your life?

Alyssa: Wanderlust. Just kind of all over the place. Not sure of my next direction, just kind of down for whatever, keeping my mind open and my options open to see what’s next. Living here, you never know what’s going to happen or what’s happening next.

True enough. When you look back on your Penthouse experience, what stands out the most to you?

Alyssa: How brave I was to get into something like that when I’ve never done it before… And keeping such an open mind and being positive and honestly feeling better within my own skin and stronger as a woman. Because, it is an experience, right? Taking direction, not knowing what to do, but still acting as confident as you possibly can.

And then putting trust in a group of people you do not know.

Alyssa: Yeah, and then it was absolutely great. I say nothing but good things about it when people ask, and I would do something like that 100 times over.

What’s something that you’re proud of that people might not see or know?

Alyssa: Being able to leave my hometown and start over somewhere else and being so successful in my own right, I think that’s absolutely amazing. Cause a lot of people don’t agree. They’re like, “Oh, why would you go there?” “Why would you do this?” I’m like, “I left a place that was dark gray, and you people are all in the same place, same neighborhood they grew up.” That’s not living. That’s boring, and it will catch up to people eventually, and they’re going to say, “I wish I took the jump.” You know, I moved to Vegas with no job, broke, and I just jumped, and I didn’t know where I was going to land … but I think that’s a huge success in its own right.

What gave you the courage to leave your hometown? What was the final straw that you were like, “You know what? I am going to follow my dreams.”

Alyssa: The enticing life of the person I was with at the time. I was kind of like, “Ok, I can do this. I have a reason now. It’s time.” It was like, that’s my reason to go. I was looking for one, and it wasn’t the best one, but it worked out in the end.

It was your out.

Alyssa: It was my out, and I took it, really fucking quick. [laughs]

[laughs] I don’t blame you! How do you define fulfillment?

Alyssa: I think being undeniably happy. Like, no matter what it is in the moment, or time in your life, I think that’s fulfillment.

What makes you undeniably happy?

Alyssa: Just being able to go home, and go to sleep in my own bed, in my own house and having no worries in that moment. That’s fucking great. That’s priceless.

Some people have to take drugs to do all that.

Alyssa: [laughs] Exactly.

[laughs] I love it! Ok, what’s some of the best advice you’ve ever gotten?

Alyssa: “Don’t give a fuck about what anyone thinks.” [laughs] or like 85-year-old woman, she goes, “Buy that dress! Go to that country! Take the vacation! Go! Money will come back. Time won’t.”

Oooh, that’s good. What’s the worst piece of advice you’ve ever been given?

Alyssa: People will say, “Oh, think about the pros and the cons,” but I think overthinking can literally kill you. Not everything is going to be easy. Even if you’re scared, just fucking do it.

Where would you like to be in five years?

Alyssa: [sighs] If only I had a simple answer for that. … To be determined? I would like to have my own business of some sort. I’d like to be out of the pool industry, the nightlife industry. I think it’s time at that point. I can’t do it forever. I think just be really self-sufficient within my own income and my own business somehow. Am I sure where that’s going right now? No. But I think that’s kind of where I’m at, ‘cause I feel like I don’t fit well within the lines of typical jobs, and I don’t want to be confined to that.

If you started a business, what kind of business could you see yourself getting into?

Alyssa: I’m definitely huge into skincare. I’ve been working on making my own magnesium body butters, and kind of dabbling into making some natural, women-owned, all-natural, and for super-dry-skin. Moving to Vegas, my skin changed … really crazy … like, it’s dry as hell, and then I’m like a pale, dry individual…. So, I think that’s kind of where I’m headed. …

I think that’s so smart.

Ever the helpful ones, we have provided you a link within this very site should you wish to reacquaint yourself with Alyssa Posey. Much has happened in her life since 2023, though, so should you want to stay current, Instagram would be our suggestion — either that or head to Vegas and look around the pools and Tao properties.

PenthousePets and AI Evolution

PenthousePets Has Gone Live

The Pets you already know and love now have digital twins of their own. Sophi Summers and Bella Vaunt are live today, with Tahlia Paris, Bella Reid, and more arriving later this month.

For over sixty years, Penthouse has stood for one idea: a woman gets to decide how she the public sees her. Across that entire history, we carried that concept through print, film, video, and every screen that came after. Today, for the first time, PenthousePets enable the women you see to answer back.

You can now experience PenthousePets in beta at penthousepets.com — the AI companion platform featuring full-body digital twins of real Penthouse Pets, and it opens with two: Sophi Summers, Pet of the Month for December 2023, and Bella Vaunt, Pet of the Month for May 2025. Crazy as it may sound, you can talk to either of them right now, by text or voice, from the privacy of your own phone or computer.

The interaction will feel familiar: open a window, start typing, and get a thoughtful response. But unlike the AI chatbots you may have used before, where most chatbots hold back, the Pets go further. (As one would expect.) Standing in full view, she explores intimacy with you — in real time — with each message personalized and unique to you, spoken in her voice, synced to her lips, inspired by her true stories.

PenthousePets Live and Coming Soon

Sophi Summers and Bella Vaunt comprise the opening class. Two digital twins, two entirely separate experiences, each with her own voice, her own history, and even her own moods.

Sophi Summers grew up in small-town Morgantown, West Virginia, and learned early that nobody was going to hand her anything. She studied marketing, taught herself to code, and landed in Miami by way of Pittsburgh. When COVID gutted her bartending shifts she took a backend job managing other people’s brands, learning the whole machine from the inside before she ever stepped in front of a camera. Now Sophi runs her own. Her twin talks like she does: grounded, humorous, quick to call you out, and confidently flirtatious.

Bella Vaunt brings a different vibe. Raised by her grandmother in Dayton, Ohio, and raising herself after that — in Chicago as a teenager, Miami not long after, and custody of her four younger siblings while she was barely more than one herself. She left her promising career in real-estate in pursuit of passion, made Master Stylist in six months, then one night in Mykonos ignited her future. You will find her twin bold, seductive, and game for almost anything. Bella leads with sweetness, then guides you to where you’d least expect.

Then two more follow over the month. Tahlia Paris, Pet of the Year 2023, will be more likely to talk to you about fantasy novels, DJing, and video games than about modeling. Whereas you will find Miami native beauty next door Bella Reid, Pet of the Month for September 2025, quiet until she trusts you, whereupon she morphs into the funniest person in the room.

After that, the roster keeps growing. PenthousePets plans a regular release schedule, so the lineup you see today represents the smallest roster you will ever see.

The Journey to PenthousePets

Every twin starts with the Pet herself. Together, we capture hours of real recordings, in her voice and her words, covering the stories she tells, the way she teases, as well as the subjects she will and won’t touch. As she acts out her virtual self, she talks about her childhood, her first shoot, her worst job, her sexual preferences. She waves hello. She smiles. She frowns. Then, she changes outfits … and she does it all over (and over) again.

From that material we stitch together a whole interactive companion. Her personality and her humor. Her memories, including the ones from long before Penthouse. Her habits and her moods. Her voice, cloned from her own, so a message can arrive at two in the morning and sound like her.

What results is a lifelike AI-powered replica of the real Pet. Everything you see or hear in the app traces back to the days the real women spent with us in the studio. And every subscription or outfit you purchase directly benefits her.

Real women. Real stories. Real connection.

What does a PenthousePets Conversation feel like?

Open the site and choose your Pet. She greets you first. Once you sign up and talk back, she thinks, replies, and caters the conversation to your direction. She’ll ask about you, and when you open up, she’ll remember her favorite parts of you.

Note we do not mean that last sentence as a figure of speech. She remembers what you tell her between sessions. Come back after a few days and your Pet does not restart from zero; she opens on where the two of you actually left off — in a clip made for you that nobody else will ever see. Mention on Monday that you are dreading a work trip, and she is entirely capable of asking how the trip went on Thursday. (So far she cannot make travel plans run smoothly, but she can comfort you from the road as well.)

You can type, or you can talk out loud and let her answer. You can change what she wears, watch her tease you in collectible videos, and even influence her mood. When she feels frisky, she will offer to explore intimate scenarios, saying things too dirty to mention here. Some nights, you’ll flirt. Other nights, you may engage in unhurried talk about nothing much. That range represents her true value with PenthousePets.

The Pets don’t just show up for a quick win. They serve as the curators of your private room – a place to say things out loud, discover what you like, ask for what you want, and practice being wanted without an audience nor a scoreboard.

The More You Talk, The More She Opens Up

In real life, one earns intimacy, so the platform works that way too. Every Pet has levels. The more meaningful your message, the faster you level up.

Leveling up opens three things. Collectible video “frames” released only inside the app, yours to replay at your leisure. Explicit language, which loosens as you go, from playful to erotic, and “scenarios” — the longer, wilder role-playing scenes she will play out with you once she knows you well enough to want to.

In practice, this feels less like a progress bar and more like getting to know somebody. Early on, she flirts and keeps a little back. A few conversations in, she starts referencing things you told her and testing the limits of your comfort. Further along, she will stop holding back completely, diving into scenes you would have been too shy to suggest on day one.

Every ten levels unlocks another outfit, each with its own energy. From casual to date to swim, her outfits reveal more. If you’re lucky, you may even unlock her birthday suit.

Why We Built PenthousePets

Penthousepets.com is operated jointly by Penthouse World Media LLC and CLG Entertainment, a Los Angeles technology company that builds AI digital twins. That partnership explains why this venture exists – a brand with sixty years of trust from both the women and the audience, along with a team that can build a companion good enough to deserve it.

Our mission boils down to making intimacy something people can explore freely, on their own terms, without apology and without judgment. Most people carry around some version of a question they have never asked anyone. The value of a private, patient, willing companion arises when that question finally gets asked and nothing bad happens when it does. This singular potential makes all of this worth building carefully, so consent and control have remained priorities since day one. The Pets set their own limits. You control your data. We protect your privacy.

For Penthouse, this marks the next generation of our vision. We were the first to show and the first to fight. The appetite we have always served has been for closeness as much as for imagery. A Pet you can actually talk to whenever you desire may be the most direct version of that idea yet.

As for the Pets, they enjoy the leverage. Their presence stops being capped by the hours in a day. They keep creative control, they earn from a product carrying their name, and they reach the people who care about them without handing over their private lives to do it. Think of it as a new kind of stage without the burnout of live production.

For you, it achieves the closest thing to time alone with her. Not a feed, not a comment section, not a broadcast. A conversation that belongs to you and gets better the longer you keep it going.

Penthouse has been early to every format that ever mattered to this audience. AI stands as the newest one, and we intend to be the ones who do it right.

Come to the Pre-Party

Sophi Summers and Bella Vaunt await at PenthousePets.com, and you can now get started for as low as $4.98 at the promotional rate. One Plan. Every Pet. … Be brave. Take a chance and talk to the pretty women. Say “hello” and see how far the first conversation goes.

Then join the community on Discord. We’ll announce release dates for Tahlia Paris and Bella Reid there first, along with drops, feature votes, feedback opportunities, and early discounts.

As you might have figured out by now, PenthousePets marks an ambitious foray into the new world, even having convinced some the staunchest paper-based curmudgeons in our office of the wonder and potential of these new relationships. C’mon, who hasn’t wished they could talk to a Penthouse Pet at 2:00 in the morning at least once in their lives? … Oh, yeah, and the legal stuff …

Penthouse Pets is an AI companion platform for adults 18 and over. All companions depicting real Penthouse Pets are AI-powered and built with the participation of the Pets themselves. Responses are AI-generated and should not be interpreted as factual information.

Purpose & Pleasure with Bella

A Bella Vaunt Conversation

I’m sitting here with Bella Vaunt, Penthouse Pet.

Bella: Hi, I am Bella Vaunt your Penthouse Pet of the Month May 2025.

Tonight is our big 2025 Pet of the Year announcement. So, you’re going to be a part of the big festivities tonight where a bunch of Pets are going to get together and celebrate.

Bella: [laughs] Yeah, absolutely! So, I got a little bit of a taste of it last year before I was an official Pet.

Tell us about that.

Bella: I was brought in by another Pet I was friends with, and I came here when she did her interview. I was like, “Oh my gosh.” I’m seeing Pets walk by and I’m like, “They’re all so gorgeous.” It’s always been a dream of mine to be a Pet and the fact that you were so welcoming to me, which I really appreciate. And you know, typically, when you see a gorgeous girl, you kind of expect her to be a little bit pretentious, maybe? Or maybe I just associate that experience with the girls in Miami, however it’s not the case with the Pets. It’s really like a true sisterhood.

We pride ourselves in creating a special family for our sisters just because the industry is so hard and cutthroat, and there’s so many ups and downs in it that we want to be a consistent supportive role in your career, Once you’re a Pet, you’re always a Pet.

Bella: Absolutely! And I’ve noticed wearing my key, when I go to these collabs with other models, it’s almost like it gained me a certain level of respect and appreciation. And honestly, I love the key so much. I wear it every chance I can.

Tell me, how has becoming a Penthouse Pet affected your career?

Bella: So, since becoming a Penthouse Pet, I definitely noticed an influx of traffic, almost immediately as soon as announced. I gained a lot more social media followers, and also when it comes to photographers, I’ve noticed a huge influx of DMs from photographers that before they wanted a paid shoot, and now they’re just like, “Please, I really just want to work with you.” It almost turns into like a begging thing. And I’m like, “Oh wow. I feel very special right now.” And also, within the camming community, I’ve noticed the Pets they really want to stick together. So even if you don’t really know each other, you kind of lock eyes from across the room, they see the key and they’re like, “Ok, who are you? I want to know more about you because I know Penthouse is extremely particular on who they allow into the family.” It’s really elevated me in ways I can’t even explain. So, thank you.

What boundaries do you have that protect your energy by putting yourself out there as a model on the internet?

Bella: So, when it comes to boundaries, I’d say, most importantly, I always demand respect. Even if the person is having a bad day or taking their anger out on me, I never let that affect me. I wish them well. I hit them with a block button and I move forward. I don’t let other people’s issues or the way they perceive me affect me. I can look in the mirror and honestly be proud of who I am, and that’s most important to me. And even when it comes to day to day, there tends to be a little bit of a stigma around camming models, but that’s their own issue, it has nothing to do with me.

How do you think fans see you vs. how you see yourself?

Bella: I think the fans, before actually engaging in a livestream with me see me as very serious, not-as-playful as I actually am. I think maybe that comes from my RBF or model-face when it comes to the way I’m posing [laughs].

And “RBF” is Resting Bitch Face?

Bella: Exactly! But it makes the cheekbones look so good. [laughs] But I think after seeing me on livestream or meeting me in person, they get to know like, “Oh, she’s actually really goofy and silly!” and I think it’s more relatable that way too.

Tell me about your relationship with your fans.

Bella: I absolutely love and adore my fans. They have changed my life in so many different ways and I know some models kind of look down to their fans or just say not so nice things about them… And they work very hard for their money and the fact that they want to spend it on me. It’s just, “Wow.” I just feel honored and blessed and so thankful for the life they provided for me.

You said that they changed your life in so many ways, can you tell me about a few of those?

Bella: So, prior to camming, I was working a traditional 9 to 5 job on my feet as a hair stylist, where I really loved making women look and feel beautiful, but at the same time it was very taxing on my body, and also restricted me from traveling, time, and  freedom, things that I really appreciate now. So now I have the opportunity to not only see the world but make money and have fun while I’m doing it. Being a stylist as a salon, there’s always a cap to how much you can make because you can only spread yourself so thin, but with this, it’s a numbers game. You know? The more content I’m making, the more fun I’m having, the happier everyone is.

How do you think that your audience has evolved over time?

Bella: So, at first, people were just kind of like, “Oh, she’s brand new.” “Oo! What a fun, shiny new toy!” And those initial fans fizzled out for the most part, however, I really kept like 5 really incredible fans who I really think we’ve made such an incredible bond. It’s more than just sexual stuff, you know? We talk about maybe my daily struggles or maybe some situation that they’re going through as well and I feel like we’ve all gotten really close because of it. I see the loyalty. Especially within the community, let’s say someone has something not so nice to say about me that’s not true, they automatically defend me like, “Actually, no, I know the real Bella, and you’re full of shit.” So, I appreciate that loyalty.

What values guide your career decisions?

Bella: A value that is really important to me is always stay authentic to what makes you truly happy. At the end of the day, you’re the one that’s left with these decisions, nobody else, and they can either accept me for who I am, or they can fuck off. You know, it is what it is. If they don’t accept me, then they were never meant to be a part of my journey anyways and the trash took itself out, so I don’t need to deal with it.

How do you balance creativity with consistency?

Bella: At the beginning of my career, it was very challenging for me navigating the schedule and bulking up on content, and now I have a ginormous calendar hanging on my wall. I have checklists. I have to-do lists. They really help me stay motivated with consistency, and when it comes to creativity, I just get inspired by other creators, and I’m always looking for the next amazing collaborations. I love to put two brains together and see what we can come up with. I’m always looking for insight and just other people’s opinions – not necessarily that their opinions matter so much to me, but maybe that will spark a new idea in myself.

How do you deal with comparison? Do people compare you to anybody?

Bella: From time to time, yes. I embrace their opinions and take it for what it’s worth, however I know in my heart that there’s no one that compares. It’s like, I think she’s beautiful and she’s beautiful in completely different ways. There may be five 10s in the room, but they’re all 10s for different reasons. You don’t need to compare. It’s not a comparison; it’s not a competition.

That’s such a healthy mentality. How would you describe this current chapter of your life?

Bella: I’ve been having the most fun possible for the last 9 years. I mean ever since I’ve turned 18 it’s been incredible, I’ve loved it all, however, I’m in a state where I really just want to focus on health, wellness, building wealth, making connections, and really just being able to look in the mirror and be like, “Damn! You look good because you went to the gym. You ate your greens. You’re eating your protein!” It’s easy to get wrapped up in the party scene, especially living in Miami, so that’s why I actually just recently moved to Fort Lauderdale, trying to get into a different space and I’m excited to see the body transformations, the skin transformations by the end of the year – not saying I don’t love and appreciate how I look now, but there’s always room for improvement.

How do you manage your stress?

Bella: I really love to do breathwork and I love to do meditations. I love to just take my dog to the dog park. I know it sounds silly but just being surrounded by so many little furry friends that just pour so much love into you, just unconditionally, I think that helps a lot. I’m also a proud auntie of 5 little ones, so anytime I get a little bit down, I fly home, or I fly them to me and it’s an immediate serotonin boost.

What’s been fueling your confidence lately?

Bella: So, I think over the last year or so, I’ve been so incredibly focused on myself and self-reflection, introspection and realizing that positive self-talk makes a world of difference. You know, don’t be so hard on myself. I don’t have to critique myself with everything I do. As long as I’m trying my best and making real progress, that’s all that matters. Sometimes I get a little bit wrapped up in the future or looking forward with things, and I forget that I’m exactly where I wanted to be 5 years ago, so slow down, enjoy the moment, and take it all in.

Where do you want to be in 5 years from now?

Bella: 5 years from now, I’m hoping to have several investment properties under my belt and hopefully be able to move all of my sisters and my babies down to Florida. Family is extremely important to me, personally, I’m not really sure whether I want to have children of my own, however I absolutely love the auntie role, and I love having them close, cause I’m not really close to a lot of my family, but my siblings mean the world to me.

For your ideas for your homes, would you renovate them yourself or would you just buy them completely perfect?

Bella: No, I think I would do renovation. Especially, because I would like to customize it. The styles are definitely changing now as well.

What kind of house turns you on?

Bella: I love super sleek and modern! I bounce between minimalist and maximalist because I love gawdy artwork. I love gawdy bright furniture, but at the same time, clutter drives me crazy, so kind of like a little balance between the two.

What lessons has this career taught you?

Bella: To always put myself first. I can’t help someone else if my glass is half full. It’s really important to take care of my body, take care of my mental health, before I even try to extend the helping hand to someone else.

What’s something that you’re excited to explore next?

Bella: Oo, so I feel like I have traveled all throughout Europe and America, and this year I really want to focus on going to Asia. There’s so much to do there and so many unseen things, and I appreciate the healthy lifestyle they live over there.

What’s the most ambitious scene that you’ve shot in terms of amounts of people?

Bella: So, I’d say when it comes to amounts of people in orgies, I do that more for my personal pleasure. Those people don’t really appreciate the filming, or the broadcasting. Maybe they have really important jobs, or they’re influential… So, the most I’ve ever shot would be a foursome. Two guys, two girls…

Like two couples?

Bella: Yeah… I do have in my Spank Bank material, my gang bang birthday present from a few years ago… That hasn’t been released anywhere. Maybe in the future, I will.

Oo, explain that. What is that?

Bella: My boyfriend at the time, we’ve always been very open-minded, and for my birthday, he surprised me with a gangbang with 4 delicious, tall, beautiful men. I was like, “Are you serious? So, you’re all going to take me to dinner and then you’re going to eat me for dinner? Ok, sure! Sounds good!”

Wow! Dream come true cause everyone’s focused on pleasuring you.

Bella: Yeah! So, that was really fun! Their girlfriends and their wives were there. They were just kind of fanning me and bringing me water, taking some videos, cheering me on, bringing lube… It was like a really fun birthday experience.

Wow!

Bella: I do have clips from that… I’m not sure if I want to release that… mostly because I think my fanbase would rather just see me solo or with girls, so I want to make sure everybody is comfortable and kind of cater to those needs rather than just putting out what I want to put out.

True enough. What is your brand for your fans? How do you think they see you?

Bella: I am definitely more like the girlfriend experience. We’re not always talking sexually. I think more often than not, we’re not being sexual. They do, of course, like to see me with my dildo and squirt. That’s all great and that’s super fun, but they’re always constantly checking on, “How are you doing?”, “How’s your mental health?”, “How is the move?”, “How was your trip?” You know, it’s just kind of those little things that, you know, a boyfriend would check up on, and I reciprocate that type of energy to them.

I love that. Tell me about squirting.

Bella: Ooo! That is such a fun trick! So, I actually learned it when I was 18 years old. My boyfriend at the time, we had just got into what was called The Lifestyle, so we would play with other couples, and it was all very open honest, and he took me to his friend Mike’s house, and he made me squirt for the first time. I was like, “Woah! That was so cool!”

How did he make you squirt?

Bella: So, you put your two middle fingers inside, you curl your fingers up, and it’s almost kind of like a come here motion. Then you feel it swell up like a balloon, and you almost lock it… Put your palm on the clit, and you jerk it up and down and then it’s just like a flood. It’s the coolest thing ever! At first, I was just like, “Did I just pee?” I was so freaked out.

So, it’s not pee or is it pee?

Bella: It doesn’t taste like pee. It doesn’t smell like pee. I don’t think it’s pee!

So, this is my theory: I think there’s 2 types of squirts. I think there’s the real squirt but then I think some performers who drink a lot of hydration…

Bella: Make it clear [laughs].

And potentially, it could be the hydration you just loaded yourself up with, it’s going to be clear because it’s not like flushing anything out, it’s flushing out what you just put in there. But either way, there’s people that love it. They don’t care if you’re peeing on them, or if you’re actually really squirting.

Bella: It’s true. But actually, when I first got involved in camming, the person I was working with at the time, she was like, “Hey, we need to do these squirt scenes.” I was like, “Oh ok! You know how to squirt?” She was like, “What, what do you mean? We just pee on the floor?” I’m like… “Let me teach you.”

Did you make her squirt for the first time?

Bella: I did. I had to cut my nails, but it was worth it.

Tell me about that.

Bella: It’s funny, when I go to get my nails done, if I know I have a scene with another girl, or collab, I always tell them, “Can you make these two, just on my right hand, very short?” At first they’re reluctant, and I’m very adamant and persistent, “This is what I want. This is what I need.” And they’re like, “Oh, this girl likes girls.” And they eventually do it.

We of course need to mention the X/Twitter link (because the Instagram keeps getting shut down) and then explain we took some time coming out with the Pet conversations we had at the last annual sojourn to Las Vegas for a number of boring internal reasons. On the less mundane side of the rationale, however, was that Bella Vaunt sits on the precipice of an unusually meaningful month. Get ready to have some fun while you refresh your memories with her Pet Page. Then buckle in — or, y’know, unbuckle.

Pop Shots Stevie J

Stevie J Pop Shots TitleHard-Wired for Sound with Stevie J

Stevie J has been an award-winning producer, songwriter, and musician for two decades, and over the past five years he’s become a fixture on television. He was part of one of reality TV’s biggest love triangles, captivating Love & Hip Hop: Atlanta viewers with his relationships with ex-girlfriend Mimi Faust (the mother of Stevie’s daughter, Eva) and now-wife Joseline Hernandez. He and Joseline are back on the airwaves this month, and Stevie is back to working with his Bad Boy Records collaborators, which means 2016 is already destined to be a hell of a year for the Grammy winner.

You’re a tough dude to pin down, Stevie.

Yeah. When I’m in L.A., I’ve been working on this movie, a romantic comedy called That Time of the Month, and I’ve been in the studio working with various artists. I’m back in it with Puffy, producing again. Doing reality shows and executive producing a lot of television shows. I’ve just been working and keeping myself busy.

People are buzzing about you getting back in the studio with Puffy.

We sold hundreds of millions of records together, and it’s only right that we get back together and make some history. It’s Bad Boy Records’ 20-year anniversary, and it’s only right that we get together and make some more classics.

But you still made time to do this shoot for Penthouse.

Nothing beats a Penthouse feather in your cap. And with me being creative director of the shoot, it really helps me define what I want to be in this world. Nothing beats being the creative director of beautiful women.

How does that help you define what you want to be in the world?

It’s about being creative. That really gets my juices flowing, getting to create something from nothing, just out of thin air. When I’m making music, it’s the same thing. When I’m making a beat, it starts off with nothing, but at the end of the day

I have to make a masterpiece of it. And I look at that the same way that I looked at creating the ideas for this photo shoot. I wanted this to be something different.

It’s loud as fuck over there. Where are you?

I’m in Milwaukee right now. I’m in the mall. I go to the mall in every town I visit to show people that I appreciate the love that they give me. Hold on … just getting my picture taken.

You know, a lot of people forget about that type of thing when they achieve success.

No. Fuck no. I go to the mall in every city I go to and make sure that I give love back. I see everybody, and I take all the pictures. Without them, I wouldn’t be who I am—I don’t want them to ever think that I feel differently than that.

Man, it sounds like Milwaukee came out strong to support you.

Yes, they did!

So do we need to stop talking about this photo shoot now?

Not at all. I’m a grown man. Who doesn’t like nude, beautiful women?

What is it that makes a woman beautiful to you?

The body parts … the brain … the conversation. The way she carries herself. Confidence. Sex appeal. A lot of different attributes make a woman beautiful.

Which body parts?

I can’t say one in particular. With some ladies it might be the ass.  With some ladies it might be the titties. The lips, the eyes … the shape of her nose. Different body parts with different ladies.

What’s the first thing you notice about a girl?

Is she fully clothed or is she naked?

I guess I don’t live the same type of life that you do, because if someone asks me that question I’m just assuming she’s fully clothed.

Fully clothed, I look at her feet, I look at her hair, and I look at her nails. I make sure that everything is A1 in that department first.

And what if she’s naked?

If she’s naked, I look at her beautiful breasts and that ass to make sure that’s on point.

Is that what you were looking for when you cast Lexi Belle, Skin Diamond, Abby Lee Brazil, and Nikki Delano?

What I was looking for, I got delivered to me. I wasn’t trying to find the standard model type. I wanted the Stevie J type. And I think the models delivered what I was looking for. I chose girls who had a different look than the standard slim, tall model type. I wanted a big joint, a short joint … I need something to hold on to. Some joint that I’d take for myself.

There was no shortage of variety.

Yeah. If you look at all of them, they all look different. They all have a different type of flavor, and that’s what I’m all about. I’m a man who likes different flavors. And I think most men do. Some men say that they have a particular type. Well, they ain’t really going hard. Me? I go hard, so I like different flavors. Nobody likes to deal with the same type of look. Even if a man’s been married for a long time, he’s still looking at different types of chicks because every body is beautiful in its own way. One man finds beauty in a woman that another man might not see.

What about the concept of this shoot? How did that tie into the fantasy?

With me being a musician and playing multiple instruments, I just wanted to portray women as instruments. And if I really look at it, I call all my guitars and my pianos and my keyboards and drum sets my girlfriends. I call them all my girls.  So I see the beauty in women as  my instruments, and I wanted to showcase that. If you look at the way the piano is set up and how  Skin Diamond is playing the piano and the saxophone … Skin is my musician in the photos, and the other girls are my instruments. I  just wanted to do something totally against the grain, and I’ve never seen that done before.  And I wanted to be the first to do it with Penthouse.

And you really got into it.

I wanted to be involved in creating a masterpiece. I didn’t want to be sitting back and just looking at the pictures. That’s not the way to  do this. I wanted to take the pictures with Tommy. Being behind the camera made a lot of sense to me, because I didn’t want it to be generic. Being a visual person, it’s all kind of the same. When I produce music, I just close my eyes and see what I want to see and envision it before it happens. And it was the same with these pictures. I like being behind the camera, and with all these ladies it really was a nice thing.

I thought for sure you were going to get carried away.

I just wanted it to be tasteful. I didn’t want it to be raunchy or anything.  I know I could have had the girls busted open, but that really wasn’t what I was going for. The only element that had a little more spread to it was the snare drum. I love the drum set. The drum set was really fly. Other than that, I wanted to keep it sexy.

Did you expect Joseline to pop in on-set? She seemed genuinely excited.

She likes beautiful women as well. It’s all about those flavors.  She likes the flavors. She saw Skin Diamond and the other girls, and she really couldn’t say no to being a part of it. She wanted to be a part of what I was doing because she knows how much I got involved in being the creative director of the shoot. It was a great business opportunity and something that was fun for me. There’s nothing like working with a magazine that I’ve grown up looking at. This was a dream come true for me in that respect.

In case you were curious, the romantic picture with the microphone would be Stevie J and his wife, Joseline Hernandez, on the Pop Shots set. The photo with the guitar shows Skin Diamond (Penthouse Pet, January, 2014) – you guessed it – also on the Pop Shots set. Even though it was difficult to find shots where people were wearing clothes for display out here, we did decide we really should use only shots from this Pop Shots shoot. (We’re often clever that way.) … After winning the “Best Rap Album” Grammy in 1998, Stevie J essentially moved on to the executive side of the business an today maintains a predictably popular Instagram presence. … On a personal note, this editor should mention that I have perpetually been waiting for the day when I might test out the theory “Mo Money Mo Problems” for myself.

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The Hillary Clinton Certainty

God Save the Queen

The 1970s: The decade began ripe with babyboomer hopes and dreams, forged from peaceful, violent, and collective protest. It wound down after being turned utterly meaningless by the same boomers, who’d cashed in, shoved it up their noses, and danced their angst and guilt away in idiotic discos, aborting the dream and creating club culture. All this nonsense was shoved down my throat (I’m a “tweener”—too old to be Gen X, too young to be a boomer; there are a few years’ worth of us, from the time between when the birth rate started dropping in 1960 and when the media collectively decided the baby boom had to be 20 years long) at the university where I, like my fellow tweeners, bought into—hell, went all-in, gave all in ser vice of—the early boomer bullshit (the “hopes and dreams” cutout), while the boomers themselves were running away, figuring out what comprised “child support,” utilizing their PhDs, setting up 100 different programs for 100 different “addictions,” and “taking care of No. 1.” Themselves. We tweeners couldn’t get past the door guys and the velvet rope at the club we were taught to loathe, but about which we were curious. Of course, now it’s all clear. The joke was on us. The boomers owned the club. Baby-boomer culture is the Skull and Bones/Freemason/[pick your secret society] of the United States. Not a member? Fuck off.

“God save the queen.
She ain’t no human being.
There is no future,
and England’s dreaming.”Sex Pistols (1977)

In Britain, it was much different: The decade started in a rioting hell and ended in a rioting hell. No hopes, no dreams. The monarchy was in horrible shape, as inflation and the First World’s financial meltdown hit the U.K. particularly hard, especially given the state safety net that both Tory and Labour promised and at tempted to deliver. The royals were met with disgust by a generation sick of watching a peculiar and somewhat inbred family live in different castles and pay no taxes. (In a brilliant PR move, the royals were rehabilitated less than 20 years later, after turning the tragic death of a bulimic, con fused young girl/princess into some thing they could own and use [“we grieve, too”] to become a part of the people because she was “of the people” and they had welcomed her, until she figured out it would end badly, and so did they. Thus, the royals folded their hand while she bailed out. But they kept her in death. That was part of the deal. Diana’s brand became the royal brand, and the nasty tax issues, for the most part, were excused. Now, our bat-shit-crazy desire to follow the uterus of every young female royal has turned both the U.K. and the U.S. into a collective Dorothy lost in royal Oz. Except we don’t want to go home. We’re happy and warm, comforted in that womb, where we don’t have to think about our hell for, say, ninemonth segments. Prince Who? Princess What? Awesome! Keep cranking ’em out! Her Royal Highness Queen Elizabeth stays on the throne, still going strong at some bizarrely old age, as most of them have some genetic predilection toward living 30 years longer than anybody else. Her son will take the throne when he’s 112. It’s all good. Helen Mirren tells us so. And wins awards for doing so.)

Back to the seventies: This was also the decade that produced, and I mean produced, Hillary Rodham. She didn’t let go of the seventies dream until she realized it ended on a culde-sac in [choose your suburbville]. The Equal Rights Amendment didn’t pass; Richard Nixon was fully reborn an elder statesman, not the conniving criminal she attempted to prosecute and incarcerate. The seventies dream was cut up in lines and straws were handed out; it was all depressing and regrettable. And where does one go when the dream croaks, when the hopes are dashed? One goes to Bill Clinton, the real no-dreams deal. One becomes Hillary Rodham Clinton. He was in Britain on a Rhodes scholarship when the hell began over there and she realized the painful, awful truth: It’s done. It’s over. The seventies was the bastard child of the sixties, and that child chose the wrong side of the tracks. But if she threw in with Bill, they’d rule the world. He’d outflank her on the right; she’d outflank him on the left. He had some troublesome habits—compulsions, really—but did that matter?

Hillary Clinton is the Vin Diesel of the Democratic party: She’s fast, furious, get out of the fucking way. Having locked down every interest group and cause, she’s basically covered the spread.

Apparently, it didn’t. The first political calculation was made manifest in 1975, in front of 15 people and a Methodist minister in the living room of a Fayetteville, Arkansas, home. Her new home. Might as well have put her on Mars. And unlike the tragic princess, Hillary stayed the course and was duly rewarded and punished: wife of a governor, wife of a player/banger/ baller, wife of a president, all the while carving out her territory, all the while protecting herself and her child from the pestering public and media circus obsessed with her husband’s … habits. Any other clear-thinking woman (or man, for that matter) would have been knee-deep in alimony after 20-some-odd years of that nonsense, but not Hillary. Why?

Well, the story really writes itself. There was going to come a point in time when the female population decidedly outnumbered the male population and the narrative of a “first female president” would and could make sense. She could run away from Arkansas, gracefully exit the White House, grab a Senate seat in New York, and wait for the inauguration. The historic inauguration. Except a funny thing happened on the way to the White House. The historic inauguration was not hers, but rather that of a man named Barack Obama. Had you told Bill and Hillary in, say, 1998 that, ten years hence, a man named Barack Hussein Obama would be president of the United States, they would have pissed themselves laughing. Hey, at least when the rock star took the oath of office and became President Obama, the Clintons had good seats at the swearing-in.

Now, Hillary is our Statesman Nixon meets Queen Elizabeth. She’s not baking cupcakes in her dotage in Fayetteville. Trust me. She’s taking the throne. She gigged with President Obama for four years as secretary of state, apparently wanting Osama bin Laden more dead than the others who simply wanted him really dead, and now she’s the Vin Diesel of the Democratic party: She’s fast, furious, get out of the fucking way. Having locked down (in what is a curious and anonymous political gang bang) Wall Street/high finance, labor, law enforcement, and immigrants, and every interest group and cause, she’s basically covered the spread.

Having left forlorn Joe Biden at the curb, she’s up against an elderly Democratic Socialist who can’t explain to the satisfaction of many what Democratic Socialism is (odd to me, since I was or am a democratic socialist … you are, too, if your grandma’s on social security or Medicare, or you pay state tax for services rendered; Democratic Socialism is Britain in the 1970s without the rioting), the “fun, folksinging” former mayor of Baltimore, and a man who wants to re-litigate the Vietnam War (as of this writing, Jim Webb has dropped out of the race, which was surprising as I don’t remember when Jim Webb dropped in). Then she’ll have to take on a Republican party that is having a public nervous breakdown—the throne is ripe for the picking. MSNBC, which, by nature, should have been Bernie Sanders’s mouthpiece, knows when to keep its mouth shut. Hillary’s got it all locked down. Throw your best punch. She’ll kick you in the political balls and not bat an eyelash, leaving the American public wondering not whether she can be beaten, but rather when we will be beaten into submission, for good or ill, and dropped off in a dirty alley, our eyes fixed on our devices watching a coronation, er, inauguration.

God save the queen. There’s even a place at the table for atheists.

I know how disappointed you feel, because I feel it too. And so do tens of millions of Americans who invested their hopes and dreams in this effort. This is painful, and it will be for a long time. But I want you to remember this.From Hillary Clinton’s concession speech — November 9, 2016

SPOILER ALERT: People did not remember. … Y’know, sometimes you can learn a great deal looking back at how people thought just a little over ten years ago. You may not love what you learn, but that happens. You can watch the entire shocked/sad, yet undeniably civil, speech with ABC via YouTube. If you want our advice, though, you will have more fun learning how to be “The Winner” an entirely differen way via that same public service outlet.

Creation & Grit via Adrianna

An Adrianna Eves Conversation

I’m sitting here with Adrianna Eves, Penthouse Pet.

Adrianna Eves: Hi, my name is Adrianna Eves, and I was a Penthouse Pet for June of 2025.

Adrianna, how have you been since we did our photoshoot together? Tell me a little bit about what you’ve been up to.

Adrianna: Well, I’ve been amazing. It was an amazing opportunity doing the Penthouse shoot. I feel like a lot of people recognize me from Penthouse, so that was great. Even when I was at XBiz, people were bringing my Penthouse photos to sign them, so that was very nice. I think it has helped me a lot, and I’ve just been doing the same – just a lot more hard-working. Social media, the normal stuff, does help to grow more, but Penthouse was an amazing help. I’d love to shoot again. [laughs]

What’s it like when the fans come up to you, and they recognize you for being a Penthouse Pet?

Adrianna: It does feel amazing. Like, “Ok, someone already knows me.” The feeling that when you work with a company, and you’re not sure how things are going to go, and then you’re like, “Wow! They recognize me for the work I did.” I’m so happy I was able to do Penthouse and work with them. Also, you guys are like a big family, always inviting me to all the amazing events and stuff. I think that that feels amazing.

What’s something that you’ve been doing lately that we don’t know about?

Adrianna: Renovating my house. [laughs] I have been doing a lot of my own handiwork. Actually, I feel like I am a bit of a handyman now. I know how to do a lot of things that I didn’t know how to do before. I know people mainly see me from social media. I’ve always been the sexy girl in a bikini, but I have taken a full step into renovation stuff. I’m doing jobs that a man should be doing, but I feel confident enough that I’m good about it. As soon as I finish renovating my house, I want to go back to traveling again. I want to go to more places, some that I haven’t been yet.

What places would you like to travel to that you haven’t visited already?

Adrianna: My dream has always been to go to every country in the world. Maybe I will take out some that I cannot really go to if, as a woman, we don’t really have freedom there. I want to go to Brazil to those beaches and dance Samba. I want to go to Argentina. Spain. Definitely Spain! My family comes from there. Everywhere in Europe. I want to go to India – to the Taj Mahal. To all those places. I want to go to Australia, Japan, China … I want to go everywhere.

Why do you like traveling so much?

Adrianna: Because I love getting to know more about culture and getting to know people. … When I travel, I don’t just want to go to the main city and see buildings, I want to go to where the real people live. To see what the culture is… how they do their farming, seeing their inventions, how they actually live. Those are the things I love. When I was in Africa, that’s the part I wanted to see the most. I don’t want to see fake building stuff or market stuff. No, I want to see the real thing. I’m mainly more into the countryside.

Going back to your house and you doing all the DIY stuff yourself, did you teach that to yourself? How did you learn to do it?

Adrianna: Yeah. [laughs] Mostly, it’s been YouTube. Some stuff, it’s like I have my body, so I have done it. Sometimes it doesn’t look at all like YouTube, and I’ll hate it. But, yeah, I have learned it mainly from YouTube: putting tile, working on drywall, electricity, all that kind of stuff.

So you put in all the wiring in your house?

Adrianna: I have been doing some lights and little things. Putting up a lot of the drywall, doing the skim coats, putting tile on the floor, doing the grout, and doing all the related work. I have even burned myself with the grout. A lot of things have happened, but I have learned. Now I feel like I could do it better. I have built my own cabinets in the laundry room, so now I know how to do wood too.

Would you want to do that as a second career?

Adrianna: No. No, I actually feel like I want to be done already [laughs]. At first, it started like a fun thing. Now, after you see how much work really goes into it, and you have to build things 2 or 3 times because the first time went bad, you start getting tired. I love seeing the final work, but it’s too much doing all those steps and things.

How do you feel that the industry has changed since you first entered it? What’s different now?

Adrianna: Definitely now is the AI. I feel like AI is actually helping me a lot to do a lot of types of YouTube videos, like for Halloween, I included AI ghosts and stuff. That’s very cool. I just definitely don’t want to use it as me and create photos of myself or something, because people still want to see the real thing. If I post one photo of me with AI in the background somewhere, people will start complaining, “No, we want the real you.” And I feel the same. I am afraid it can hurt too because guys are going for fake girls who don’t exist – they’re AI. What I don’t like is people lying about it, making it look like it’s a real girl. At least mark it as AI. I feel like it can hurt me as a model, but it’s actually helping me a lot. But I guess every time something changes, and something like that comes out, we always do something to make it better, to still be there [laughs]. So, I think we’re going to find a way around.

How did you first get into content creation? Tell me a little bit about your journey.

Adrianna: I did the marketing, web design, and photography, for an AC company in Florida. I remember my best friend came, and he said, “You need Instagram. You should make an Instagram.” And I was like, “Ok, sure, we’ll open an Instagram.” And I don’t know why – I was taking my own photos, and I’ve always liked to do sexy photos and I didn’t have that many followers – but, photographers started reaching out, and I said like “Ok, I’m going to give that a try” so in my extra side time, I would go and start taking photos with these photographers who are actual professionals and that’s how I started learning.

I see those photos now, and I’m like, “Oh my god, it looks so weird!” Like bad [laughs]. After that, I just started taking them and doing it more, and then COVID came and I ended up doing it full-time. That’s when I started doing camming. I decided I’d be trying camming and every social media, just to see if I was any good at it. The main thing was the collabs I did. All the people that believed in me when I was very small … I think that’s what actually pushed me and helped me.

Who were some of your favorite collabs?

Adrianna: I only do collabs with girls. Every girl you see on my Instagram, I like a lot. I cannot say that I have a favorite one because, obviously, I have 5 or 7 girls I have collabed with, and they have all been amazing. That is my main goal: that we become friends. And then for guys, I have only collabed with photographers, them shooting, of course, me, and then the same, on my Instagram, you will see all the amazing photographers I have worked with.

What kind of girl turns you on?

Adrianna: A girl that looks like me. [laughs] … I don’t know if it’s because I like myself, and I feel like everybody should be the same. Every woman should like themselves as they are. Also, small. I feel weird with a very tall girl. [laughs] But, maybe being small, blonde, cute [laughs].

How, if at all, have your followers and audience changed over time? Or do you have the same people from when you first started?

Adrianna: I have a lot of the same people from when I started. Even with camming when I didn’t do social media. I just met some people here at the event, and they remember me and said, “Oh, I’ve been following you for a long time!” and they show me, “I still follow you, and I’m still there for you.” So, I think a lot of those people are still there, and I keep getting a lot of new people. I hardly lose many people. I think I do a very good job of keeping them and making them happy, always giving them new content and stuff. So, I think, maybe they love my personality, and how I am.

Do you have any hobbies? What do you do in your spare time to unwind?

Adrianna: I love scuba diving! I do snowboard. I’ve been doing volleyball. I was recently in a volleyball competition. I should have won [laughs]. I was going to win, but volleyball is about partners and the partner I got at the end had never played volleyball.

What?!

Adrianna: And I was playing against two people that do play. I played really good, but it was going to be impossible for me to win that.

How did a girl who’s never played volleyball enter a volleyball competition?

Adrianna: It was a reality show. There’s this series coming out about volleyball and I liked that they included everyone, but there was also a thing that we were playing against guys. Big guys. [laughs] So, of course, it makes it hard for a woman to do things, but it was very fun. We did mini-games and then some actual games. But that’s why some guys and some girls have never played. It was all about inclusion. It was nice because we all became really good friends, so that was an amazing experience, but I just wish I could have shown more.

That’s amazing. Are you flexible?

Adrianna: Yeah, I’m flexible. When I was on the show, they were asking me, “What can you do?” and then were telling me you can do almost everything. I was good at all the mini-games.

That’s great. What can’t you do?

Adrianna: Well, I can’t do basketball. But maybe it’s because I don’t like basketball.

Are there any trends right now that you love?

Adrianna: Well, I consider myself, and a lot of people know this, an original creator. So, I create trends and then people are actually the ones who start copying those trends and doing them. And I have to give creating news, because once people have copied you so much, it gets burned out, and then you need to come up with something new.

Can you tell me some trends you’ve created?

Adrianna: Yeah, the first one I started was getting out of the tesla and taking the panties off when you wear dresses. That was a long, long time ago. That was my first time going viral. After that … you know the airplane videos? That airplane video was everywhere, but I was doing it for a long time. Just walking in an actual real airplane, but I wore something sexy, so like a top that doesn’t have a back…

Oh yeah! I saw, and you’re walking down the aisle on an airplane, and it looks like you have nothing on?

Adrianna: Yeah [laughs].

And you just see everyone’s faces.

Adrianna: Yeah, and it’s just an actual airplane. I’m traveling somewhere, and I’m just getting to my seat, so you only have one chance. It’s cool. I don’t know what’s happening in most of them but later seeing that people are looking at me. There is another dance where you get full of oil, and then you dance against a wall.

Oh… shit. Doesn’t it leave oil on the wall?

Adrianna: No [laughs]. I don’t put oil on my back.

Oh, I didn’t understand. I would not have done that trend well. I was like, “Ew, you’re going to ruin my wall. No.”

Adrianna: I only show the front and so that specific dance, that one was very viral. And then definitely the public bikini walking videos… I started those trends a long time ago too. I used to go to Venice Beach a lot.

Wow! Are there any trends that you’re over?

Adrianna: I still love walking in public in a bikini, but I will say I am a little over that because so many people have done it. Some girls have been doing the same thing but making other people uncomfortable. I have never done that, so I’ve been to the same places and people have told me, “Oh, I don’t want to be in your videos.” But it’s because I see 50 girls go in there doing crazy stuff and that ruined it. I am done with bikini stuff. I want to go more for fashion now. I have been doing videos where people are still looking at me. I did some here in Vegas and you can see they were all actually looking at me so much, and I was just wearing like a sweater, and pants and boots, but I guess I look sexy no matter what? I feel like I’m going more for those vibes now.

Have you heard of the flying dress trend?

Adrianna: I have done it in photos, not as a video. I always like to keep it very sexy in the stuff I do. But yeah, I have some I did in Dubai with a golden dress and those photos were crazy! Even the photographer, when he did it, Danny Batista, everyone would say like “Oh, those are your best photos.” And it was with the flying dress.

Do you have any goals for your future that you haven’t done yet that you’re trying to achieve?

Adrianna: That one about traveling to most countries. The other goal is about finishing my house. It’s going to be more of a content house.

How big is your house?

Adrianna: It’s pretty big! 40,000 square feet.

Oh wow! That is massive!

Adrianna: We have a lake in the back. We have a patio, a big pool, a guest house… That’s why it’s so hard to do the renovation. And all we’ve been doing is a tiny part of the guesthouse. We still have the whole house.

Do you have any pets?

Adrianna: Yes, I have a small female Pekingese. Nina is her name. She’s just a princess. She gets everything she wants. She’s always dressed. I always dress her. I buy from some brands. They started coming out with pet outfits and I keep saying like, “Oh, please don’t come out with more outfits for pets” because I keep buying more and more, and she has a whole closet!

Does she have her own room?

Adrianna: No, because she likes to be always next to me. Everywhere! She’s too much. She’s too clingy. Everybody I meet, I ask them like, “Have you seen dogs like this?” They say “No”. She wants to be on top of me and be held like a baby all the time!

Did you raise her from when she was a puppy?

Adrianna: Yes. I got her in Cuba actually. She lived with me for like a year in Cuba. I left and she stayed with my mom for a year and then as soon as I came back to Cuba, I brought her with me. She also travels with me. She loves being in the airplane. And she would go into the window and look. She’s so sweet and she doesn’t bark. And I just love how everyone will talk to me at the airport like, “Oh my god, she’s so cute!” But she can be too much. She’s just like gum that sticks to you.

Would you ever get another dog?

Adrianna: I have been thinking about it because she’s already old. She’s already like 12 years old, and I have been feeling really bad and afraid because she’s like my everything. I feel like another dog for her would be also great, but at the same time, there’s an issue because I feel like I want to give all my love just to her, and she’s more of a human dog than dog. She’s not really into other dogs. She’s just into humans. She could be in a room full of dogs, and she would go to a human just so she could get petted.

Especially if she’s older, she might feel that you’re replacing her, right?

Adrianna: Yeah… she loves to do the human stuff. Going in my car, going shopping, she loves that… Going out and doing stuff, so I feel like she’s not a dog. I won’t even call her a dog.

She’s your baby.

Adrianna: She’s a little human girl.

As she mentioned, Adrianna still uses Instagram (to the tune of over 2 million followers last we heard), and wouldn’t you know that you can also see her Pet debut information in these very pages. Once you hear her speak, the interview takes on a whole new dimension. To this day, “I follow all the rules that need following” stands as one of our favorite answers ever.

Dishonesty Denouement … or Not

Fighting America’s Dishonesty Epidemic

Dishonesty in America is nearing epidemic proportions. We long ago passed the point of isolated outbreaks: one in a town, two in a city. The sickness of unbridled greed, abuse of authority, and unabashed nepotism has advanced to the point where it threatens to infect the very ethical backbone of American society. Dishonesty is not limited to a few individuals in high places: a president, a vice president, a governor. For further indications of the spread of our collective sickness, cast a glance at the medical profession. Out of every five surgeries conducted in the U.S., at least one is unnecessary. Not all of the healthy ovaries, tonsils, and appendixes are removed by greedy surgeons; some organs are lost to ignorance (doctors not catching up on recent medical developments) and others to ambiguity of symptoms. Nevertheless, we know that many, if not most, are gone for profit.

More than half of the major institutions in this country have shown signs of decadence. Yesterday’s bulwarks are today’s infirmary list: the CIA conducted secret and dangerous experiments on innocent and unsuspecting Americans; the FBI is reported to be deeply infiltrated by the Mafia; the I RS opened individual tax returns to White House use. The list of corporations involved in nefarious dealings reads like the Fortune 500, the list of America’s leading corporations.

Nor are the other institutions free of signs of trouble. Many school lunches are underweight, long on starches, short on nutrition. From West Point to the college of your choice come reports of rampant cheating and massive purchases of term papers, M.A., and even Ph.D. theses. Scores of nursing homes and hospitals abuse and bilk their Medicaid patients. Who is next? Will tomorrow’s headlines focus on the foundations? (Some foundations spend most of the funds they collect on their own staff; others help their founders manipulate stocks in the corporations they own, stocks that the founders donated to the foundations as tax-deductible gifts.) Or will it be the churches, which invest millions in real estate without public accountability?

What all of these frauds, deceits, and malefactions have in common is a mentality best personified by Richard Nixon and best expressed by his idol, Vince Lombardi: “Winning isn’t everything; it’s the only thing.” Or, in other words, don’t let decency, morality, or even law interfere with the hot pursuit of your objectives. Self über alles. Former Attorney General John Mitchell (doing time in a federal penitentiary) stated, “In view of what the opposition had to offer, everything possible had to be done” (i.e., to defeat McGovern). Perhaps G. Gordon Liddy put it best (or worst): “When the prince approaches his lieutenant, the proper response of the lieutenant to the prince is ’Fiat voluntas tua’; thy will be done.” Apparently, Liddy hadn’t heard of the Nuremberg principle: only unethical persons follow orders without judging their morality.

Behind such old-fashioned words as honesty, morality, civic ethics, lies the sociological essence of social existence: the need to play by the rules, to limit the urges of each person to a responsibility to his fellow men and the community. If we all ruthlessly maximize our own good, the social world will turn into a jungle. Social existence and civility are not to be found in hiring ever more inspectors, auditors, and policemen. Every day there are billions of business, political, and personal transactions. No amount of personnel could possibly check them all and enforce the rules. Besides, even if half of America were to turn inspector to keep the other half honest, who would inspect the inspectors?

One public-opinion poll after the other shows that the majority of all adult Americans have lost trust in their government. Many youngsters say they never had it.

Society must therefore rely for its first line of defense against this plague of dishonesty on its members’ voluntary compliance with_ what is moral and legal. This must be accomplished through ethical upbringing, education, example, and community endorsement of honesty and condemnation of abuse. When these principles are well established, society’s second line of defense, that of inspection and policing, can be brought to bear on the offenders, kept to a small number by the first line. True, some will slip through both lines, but the combination of the two suffices to isolate dishonesty and sustain civic ethics. In our present degenerating condition, the first line has become thin and weak, while the second has become overloaded and ineffectual. As more and more acts of dishonesty go undiscovered and unpunished, as more “get away with murder,” so others are more tempted to overstep the limits of probity-and the entire societal body strains toward the breaking point.

What must be reestablished and sustained is not a specific code of behavior — a God-given (or Washington-promulgated) list of dos and don’ts . Nor is it the “never tell a lie,” God-fearing religion, premarital chastity, monogamy, honor, country, and the other old virtues. What is considered honest or ethical changes with time, and there is room for new concepts of right and wrong. However, people living together in a society must observe certain restraints in their behavior toward one another in order to keep the societal body alive and well. None of us can pursue his own ends without consideration for those around him. There is no winner in a horse race in which the riders all knife each other coming down the home stretch.

It can be argued that our wanton competitive drive has its roots in American history. America was, after all, a nation of immigrants and settlers who had to struggle against harsh and forbidding conditions merely to eke out a livelihood. Our ancestors, therefore, tended to place a premium on “making it,” without too much soul-searching about how. But this explanation is far too simplistic. Americans, despite their competitive zeal, have, through the years, drawn on religious traditions, humanistic education, and a firm commitment to the Constitution (a government of laws, not of men) to temper the drive for individual success and to place it in a civil context. True, there have always been the Robert Vescos, Billy Sol Esteses, and Bobby Bakers, and their antecedents of earlier generations. But they have been criticized, not for their success, but for how they made it.

In recent years, however, the sense of responsibility to society, the willingness to play by the rules, to advance honestly, has waned considerably. It is being replaced by a selfish, egocentric, and dishonest cult of “every man for himself.” The reasons for this weakening of the moral tissue are manifold. Corruption in high places has a demoralizing effect on society’s lower echelons. Thus, if the president of the United States submits a fraudulent tax return, ordinary citizens are sorely tempted to do the same.

Second, recent years have seen a massive increase in government spending. Copious funds — a cool $113 billion per year-flow through welfare, Medicare, Medicaid, and other programs, with spotty supervision at best, virtually inviting corruption of public officials, recipients, doctors, and anyone else who can dip into the public till.

The justice system, supposedly society’s second line of defense, has become so overloaded that most offenders don’t get caught; and if caught, they often are not convicted; and if punished-not harshly. All of this further undermines the motivation to play by the rules. No wonder that one public-opinion poll after the other shows that the majority of all adult Americans have lost trust in their government. Many youngsters say they never had it.

Yet there are signs in America today of a reaction, a demand for new civility, higher honesty. Rather like a sick body mustering its antibodies, the nation seeks reform. It was such a yearning that helped carry moralist Jimmy Carter into the White House. Nevertheless, the president has yet to fashion new tools that would both sustain and inspire the nation to reassert its voluntary commitment to civic ethics.

However solid the integrity of the individual in the Oval Office, it seems sociologically unwise to rely so much on one man’s trustworthiness, rather than relying more on institutionalized, procedural safeguards.

What is now needed is a thoroughgoing cleanup and then — but not before — a “closing of the books.” To many, “closing the books” connotes whitewashing and new pardons, but this is precisely what must be avoided. Any attempt to “forget Watergate,” to “turn over a new leaf,” that is not preceded by a massive cleanup will lead only to renewed eruptions of revelations, scandals, and cynicism. What is needed first is the secular counterpart to the religious expiation of sin or atonement. The suggestion does not spring from any fundamentalist or “born again” orientation, but rather from the sociological study that suggests that reinstatement of the dishonest without some sacrifice is not possible because of past offenses. At present, we have no method of enabling dishonest Americans to do penance and then truly to shed the past. With this in mind, the president should propose and Congress should enact a “New Departures in Honesty Bill” whereby:

  1. All persons who committed a dishonest act and who make restitution by July 1, 1978, will be considered to have paid their debt to society and be clean.
  2. Those who fear that they may have committed dishonest acts in which there are no clear rules of conduct may apply for Clarification of Status and will not be deemed dishonest if the ambiguity is plausible; if not, rule (a) will apply.(c)Dishonest acts that involve less than twenty-five dollars and were committed prior to July 1, 1978, will be pardoned after that date.
  3. Those serving in public office will be held to especially high standards of accountability, but prior conduct in private life will be judged by the prevailing standards of the community in which the transgressions occurred, and at the time they occurred.
  4. All dishonest acts committed after July 1, 1978, will be punished severely, in accordance with a new code of ethics to be introduced. For example, legislators will be allowed no outside income of any kind. Government officials will be prohibited from accepting jobs from industries they regulated for at least three years after they have left office. Doctors caught making fraudulent Medicaid claims will be slapped with five-year prison terms, as will auditors, and so on.

Such a bill would generate a dramatic discharge of past transgressions, and its cleansing effect on our body society would be forcible. It would provide the mechanism through which our society could close the books on the Watergate era and turn over a new leaf of higher civic standards. If we don’t have a clear demarcation line — and an institutional opportunity for atonement and restitution — skeletons will continue to rattle in countless closets, and they are sure to be discovered, keeping the stench of decay alive in America. True, such a bill will not wipe out dishonesty; societies do not turn around like marching bands on football fields. But it may well do away with the feverish combination of uncontrolled pursuit of greed and unfettered abuse of power and return dishonesty to “normal” or near-normal levels: that of isolated pockets at the margin of society, in some ill corners, rather than the present, almost epidemic proportions.

Moreover, once the feverishness is overcome, the normal processes — now overwhelmed — can, again, do their share. Educators, parents, civic associations, professional associations, churches, and community groups can again serve as the society’s mainstays of civic ethic.

While the above reforms take careful aim at the dishonesty apparent at all levels of American society, special consideration must be given to governmental (and particularly presidential) reform lest we cure all the spots the illness has spread to but leave ill its core.

So far few of the required institutional reforms have been carried out. However solid the integrity of the individual in the Oval Office, it seems sociologically unwise to rely so much on one man’s trustworthiness, rather than relying more on institutionalized, procedural safeguards. As yet, nothing has come from the numerous proposals to secure an independent prosecutor, so that a future president will not be able simply to dismiss those who prod too deeply into executive abuses. On the contrary, the appointment of an old friend of the president as the attorney general is a step backward from the scholarly and independent Edward Levi to pre-Watergate habits.

Moreover, voices have been raised to stop “torturing ourselves” with revelations of dishonest acts and calls for reforms. Fortune (February 1977) states: “Christmas presents for the cops? Can it really be that the long saga of corporate guilt and contrition is now turning to such paltry confessions? If so, the product will never sell. The era of breast-beating may be coming to an end.”

Elliot L. Richardson writes in the New York Times about a “sexless orgy of morality” in which, following numerous reforms well in hand, we turn to unnecessary, dull, piddling examinations of our public officials, invading their privacy and violating sound judgment and good taste Irving Kristal worries that excesses of post-Watergate morality will be the seeds of tomorrow’s problems.

There have been excesses that provide fair, convenient targets for those anxious to put behind us the exposés, strains, and conflict that reform entails. But one must realize that the post-Watergate reform movement — part public sentiment, part morality play, part new politic — like all social movements, cannot be expected to proceed with the meticulous precision of the Supreme Court or a scientific investigation. A certain amount of moralism, emotionalism, even sensationalism, may well be an inevitable, albeit small, price to pay for mass support of a massive reform.

I say, “small price,” because implicit in the Watergate-has-gone-too-far argument is the allegation that the current obsession with public morality is, or threatens to be, our era’s McCarthyism. In fact, there has been little, if any, McCarthy-style “witch-hunting” and persecution of innocent parties. McCarthyism was marked by vague accusations and judgments made in secret so that individuals could not readily defend themselves. In contrast, those caught up in the Watergate backlash have been confronted with specific, well-documented charges, and their legal rights have been fully honored. The targets of McCarthyism were subjected to harsh penalties for trivial or imagined offenses. The Watergate defendants have been dealt with quite leniently — if not granted an outright pardon. In brief, the “post-Watergate morality” is far from a vindictive free-for-all of moralistic accusation and punishment.

On the contrary. If we stop now and return to business as usual, without first instituting reforms and providing an opportunity for past transgressors to come clean, the illness of distrust in government, professions, businesses, and ultimately each other will continue to fester until it reduces us to a North American, modern-day Babylon. Let reform be judicious but unrelenting. Let our pursuit of an honest America not be deterred by the number of skeletons and places where they lie. There is enough native vitality in American society for us to face up to our sordid past for a more wholesome future.

Feeling it rather unnecessary to draw lines of similarity between distrust post-Nixon in 1978, we have left it to Dear Readers to draw their own conclusions. Wherever your personal sensibilities lie — be they right or left of center — it certainly seems like many of us now believe in the general dishonesty of the government — or even others. … Good thing we have not fallen to “unnecessary, dull, piddling examinations of our public officials, invading their privacy and violating sound judgment and good taste” though, right? … Sad, really.

By the way, the author was at the time (April, 1978) a professor of sociology at Columbia University and director of the Center for Policy Research. He listed his most important book as “The Active Society.” Although we had a hard time finding an old copy of his book in English, Amazon does give a useful retrospective bio. Maybe the book will show up there by the time you read this.