CEO Bella French

But CEO and occasional camgirl Bella French had full confidence in her vision. After all, it was an excellent concept: create a platform where any camgirl can host her own content, and make it a hub for the sexiest women in the world. Today, ManyVids is a multinational pro-sex technology conglomerate that specializes in live-streaming, e-commerce, and video-hosting.

“We are first and foremost a tech firm,” French says of the company she now runs with her cofounder tech pros, Sed Dehan and Gino Sciretta. “We want adult performers to have the best tools for success.”

French no longer cams as much as she used to; her main focus is running the company. Since her days as a buxom blonde bombshell, she has reduced her breasts and gone back to her natural hair color. In other words, she’s returned to herself.

Aside from overseeing a cutting-edge digital platform, French is devoted to advocating for sex workers, which is why this year she revealed herself as the company’s co-founder and CEO in the documentary We Are Many. One of her latest projects? A 1-800 hotline for adult entertainers to call when they need help.

Following a shocking string of suicides last year by prominent women in the adult industry, French was compelled to do something. After shutting herself in her office to cry silently, she returned to her 80-plus employees to brainstorm a solution. The hotline was born.

“It’s one of my proudest accomplishments,” she says in her charming accent. “I care about the models. They are our business partners and we want them to be treated with respect.”

We sat down with the savvy French Canadian to talk business, entrepreneurs, busting ass, obstacles, and boobs.

You’re the CEO of a major technology company. Why keep this awesome title a secret until now?

There were a few reasons why I waited. First of all, I’m a workaholic. I love to work, and I had no interest in putting myself out there publicly because that would take up a lot of my time when I wanted to be working on the platform. Secondly, I didn’t want attention taken away from the company and put on me instead. I knew that if I was out there, then my history as a camgirl would bring too much attention. I wanted the focus to be on ManyVids. As we evolved, it became harder and harder to do business hiding myself. I realized that unless I put myself out there, I could not advocate for the changes I want to see in the adult industry.

I’m really passionate about that stuff, and I couldn’t do that hiding behind the computer.

You had a sizable following when you were camming, right?

Yes. I started camming in the fall of 2012 and I did it pretty seriously for three years. When I started ManyVids, I had to cam less to focus on the company. However, now that I’m public I am camming a bit again.

How did your company begin?

Before creating ManyVids, I went to business school and then I opened two of my own clothing stores. I was born an entrepreneur. I love building projects. At one point, while camming, I decided I needed my own website. With the help of my boyfriend Sed Dehan, I created bellafrench.com. We barely invested any money in it. It was ghetto. But it still did really well. It gave me the idea to create a larger platform that could host lots of mini websites within it. We knew it was going to work because we had the proof of concept! That’s how the idea started. We knew that there was a lot of potential in the cam world. So, I cammed and saved money, while Sed worked on code with his friend and our third partner, Gino Sciretta. I wanted to have the most cutting-edge platform for camgirls to succeed on. I’d heard too many stories of webmasters and coders who would try to get money out of camgirls to build them websites. It happened to me!

Wait, coders would try to take advantage of camgirls by offering them sites, like weird, online pimps?

When I was camming, I had a guy message me, bragging about the amazing websites he was building for various models, including Coco Austin, and he asked me to get on Skype to talk it over. I agreed because I was curious. But basically, what he was trying to do was sell me a templated website, which is the easiest website to do, for $6,000. No thank you! Other models told me similar stories.

There are creeps everywhere. We can’t avoid them!

It’s so bad! I actually think there is a huge misconception about adult performers, and the assumption is that we are all ditzy, dumb girls. It’s simply not true. Camgirls are sex entrepreneurs capitalizing on their charm and beauty. They’re monetizing the fact that men worship female sexuality. They offer the girlfriend experience from the comfort of their apartments. Genius!

How did you get into camming in the first place?

There was a big flood in my Montreal clothing store. The water tank in the apartment above had broken and flooded my business. The tank was connected to city water, so it just kept filling up and pouring water into the store. I lost $250,000 investing in that store. It was brutal. My insurance wouldn’t cover more than $50,000. I had borrowed money from all sorts of places to start the store, but more importantly, my father lent me money and I swore to him that I would pay him back every dollar. I was not going to break that promise by declaring bankruptcy. I was never too interested in the adult industry, but I knew Gino’s girlfriend made a lot of money camming. I started doing research.

My first reaction was shock. I was never going to do that!

You were a prude!

Yes, like a lot of people, I had a misconception about what the industry was. Two weeks later, I caved and just decided to do it to pay back my debts. My plan was to get out the minute I had enough money. But then I got hooked. I ended up loving the cam world.

Did you pay off all the debt?

Yes! It took me close to three years, but I was also paying for my life and getting a lot of plastic surgery then.

Yeah, you used to have massive boobs. That blonde bombshell look. Why the physical changes?

I always thought Ice-T’s wife Coco Austin was incredible, even before I started camming. I got more surgery as I was camming, but before then I had dyed my brown hair blonde and enhanced my breasts to get that Coco look.

I met Coco Austin when my band was playing with Body Count. Her ass is crazy in real life and her hair cascaded down her back like an upside-down vanilla ice-cream cone.

My fans loved the big boobs. At their biggest, my boobs were 1,200cc implants, but now I have reduced them to 800cc. It’s like I was a different person, as though my sexualized side amplified into one human being. I had so much fun being that character.

I can’t imagine having boobs that huge!

In your everyday life, it gets a bit much. You get so much attention. I love sports, especially running. Even now when I go to jog, I have to wear two sports bras and Band-Aids on my nipples. People don’t realize what a big commitment it is to have huge boobs.

And we thank you for your dedication.

Photography courtesy of ManyVids.

Lorena Bobbitt’s Handy Work

In the early nineties, Lorena Bobbitt was a wife driven to the edge of sanity. After years of domestic abuse, she cut off her husband John Wayne Bobbitt’s penis in a fit of rage. What followed was a tabloid tirade and one of the most iconic domestic abuse trials in American history. Two wrongs don’t make a right; however, we are impressed with Lorena’s handy work. In the June 1994 issue of Penthouse, we published an exclusive picture of Bobbitt’s castrated penis. (We’ve republished the image on Twitter.) Read our 1994 coverage of Lorena’s trial below.

Immediately following Lorena Bobbitt’s acquittal this past January, radical feminists all over America gleefully exchanged high fives, chanted antimale slogans, and anointed their new heroine. But the higher the bird flies, the farther she has to come down for water. Lorena Bobbitt, the alleged victim, is not a heroine. The gruesome and barbaric act of cutting off her husband’s penis prevents her from ever rising in the hearts of humankind.

But there are always those who think otherwise. Vanity Fair has enshrined her as a “national folk hero.” She was presented and portrayed in the press as a sympathetic victim. She tearfully exploited herself last September on 20/20 by attempting to justify her savage butchery of dismembering her husband’s penis. Victimhood is now a license to commit mayhem and murder.

Expert testimony was pre­sented by the defense in the Lorena Bobbitt case to prove that she was mentally ill. Essentially, Lorena’s defense consisted of her testimony and that of witnesses who claimed that John Wayne Bobbitt beat, raped, and sodomized her. Her psychiatrists said that after years of being battered, she struck back in the only way she could.

One of her lawyers, in her opening statement to the members of the jury, said, “In the end, what we have is Lorena’s life juxtaposed against John Wayne Bobbitt’s penis. In her mind, it was his penis from which she could not escape, which caused her the most pain, the most fear, the most humiliation. At the end of this case, you will come to only one conclusion: that a life is more valuable than a penis.” Aren’t those great words? It’s the kind of rhetoric that is harmful and mean-spirited, yet it worked.

The battered-wife syndrome is invoked for self-defense to show that a woman acted justifiably and that her conduct was excusable. In this case the defense claims that Lorena lost control, that she was brutalized, traumatized, and thus temporarily insane when she had the “irresistible impulse” to cut off John’s penis.

Most states, including New York, do not permit the defense of irresistible impulse, but the state of Virginia (where the Bobbitt trial was held) does. Virginia allows a defendant to be held blameless if his or her mind has become so severely impaired by disease that he or she is totally deprived of mental power to control or restrain his or her actions.

Lorena Bobbitt’s acquittal sends the wrong message to women. It is another case of a defendant using a victimhood defense to explain away her acts of violence. Besides the Bobbitt tragedy, there is also a woman who castrated her husband with a pair of scissors and a Massachusetts man whose wife of 13 years sprayed Mace in his face, blinding him before she struck him in the head with a two-by-­four, causing an injury that required 50 stitches. There must be suitable punishment for such violent, antisocial behavior.

As a trial lawyer, I believe that in order to ameliorate the violence against men, as well as against women, we should require all people to take responsibility for their criminal acts and bar any defense (with the exception of self­-defense) that permits a defendant to plead that he or she was a victim and should be excused for any wrongdoings committed.

Paris Hilton’s Veteran Pal

According to Page Six, the smut paper of record, Walton rolled into the Philipp Plein show in a yellow bowtie and veteran’s hat.

One of America’s last World War II veterans, Walton has embarked on a year-long road trip to experience every US state. Stripe magazine reported he calls this endeavor the No Regrets Tour. Last year, the tour led him to see his favorite DJ, Paris Hilton, perform. Millennials may be scared to call strangers, but this member of the Greatest Generation walked right up to Hilton. When she learned he drove thousands of miles for the concert, she invited him into her VIP space. The odd couple danced all night long, raving with glowsticks like teens in Miami Beach. “Happy #MemorialDay!” Hilton tweeted.

They’ve stayed in touch, and Hilton invited Walton to Fashion Week. As he mingled with fashion luminaries, Walton played with balloons and smiled. While the rest of America screams in outrage, Walton smiled with joy. He looked like Winnie-the-Pooh, GI Joe, and a club kid rolled into one. 

Fyre Festival fraudster Billie McFarland once said, “Live live a movie star, party like a rock star, and fuck like a porn star.” We’d say age like Sidney Walton!

Paris Hilton Dancing with Vet

Honestly this seems a tad “filler” for the magazine itself, so we have no idea why the — now long gone — editor decided to put it on the site at all. That said, you just gotta love old guys that still have gusto, right? That fella could probably tell some stories. … Now HE might be an interesting site article, and they could still throw in the Paris Hilton decoration if they really felt they had to. Baby steps….

Breaking Up Woke

Dating in 2019 isn’t easy. Right now, in the cesspool of political tribalism, social media, and the extreme polarization of the partisan divide, dating has become stranger than ever.

In the Trump era, hostility for opposing parties has intensified to radioactive levels. In January of 2017, the New York Times reported that more than ever before, parents want their sons and daughters to marry within political party lines. The dating app Tinder conducted a study and found that 71 percent of its users said differing political beliefs were a deal breaker. To help people get ass based on ideology, new political dating apps have popped up such as TrumpSingles.com and BernieSingles.com. Politics has always been a contentious issue but today it has invaded all aspects of our lives. It has become the new music, art, and religion. It feels like everyone has not only an opinion but a deep, vested interest that is worth throwing away a potential relationship for.

I am not passionate about politics. I think that someone’s political views are the dullest thing about them. I’m a registered Democrat, but I have voted Republican in the past. I did not vote in 2016 because I did not want to pull the lever for either candidate. I have never fawned over or admired any politicians. My requirement for a partner isn’t whether they consider themselves a Conservative or Liberal, but that they are open-minded. So, when I started up a romance with a man I had known as an acquaintance for years, my first text to him was a lone link to New York Times columnist Bari Weiss’s lecture “Seven Dirty Words”.

Maybe I was testing him?

He responded with a rambling yet neutral reaction to Weiss’s powerful speech, then after ellipse asked, “Can we hang out soon?”

An intense and passionate love escalated after that text. There was undeniable chemistry between us that we couldn’t ignore. Three days later we were on my stoop trying our best not to have sex in public. Two weeks later, he told me he wanted to marry me. Our relationship escalated into a combo of lovemaking and rough sex balanced with flawlessness I’ve never experienced before. We talked and stared at each other like lovesick teenagers until 5 AM, planning our future together. I was falling hard! We were not sleeping. We were not talking to our friends. We were barely coming up for air. It was fucking magnificent. Everything was perfect—until we started talking politics.

At first, there were little hints that our ideologies weren’t so in sync. While I was ranting about the insanity of the latest radical leftist protest, he stood there with a puzzled look on his face.

“But Leah, social justice is important.”

“I know,” I said. “But social justice warriors are making a mockery of social justice.”

“Social justice warrior has a negative connotation to it,” he said. “That’s what Republicans do, don’t you see? They take something that’s not a negative and play with language to make it become that way.”

I rolled my eyes. Yeah, no shit, I thought to myself. Because the social justice warriors are so fucking negative.

“Why are you always complaining about the left?” he asked. “What about the right?”

“I have higher expectations of the left, babe. Aren’t they supposed to be the reasonable ones?”

Our first political blow out happened while naked in bed after a heavy sex romp. I don’t remember how we got on the subject, but what I do remember is that when I stated that being a woman wasn’t oppressing, he became flustered and irritated.

“Sexism is real,” he said to me in a way that can only be described as “mansplaining.” A knot the size of Manhattan developed in my throat. Rage coursed through my veins. I could not believe this man I worshipped was lying in naked next to me trying to debate womanhood. My own boyfriend was igniting the same insufferable rage I felt when listening to conservative pundit Ben Shapiro rant about abortion. His patronizing tone pierced my eardrum. Finally, I couldn’t take it anymore. I jumped out of bed and stared him down so hard I felt like my eyeballs were going to pop out of my head.

“You don’t get to tell me any of this,” I said. “I am well aware of sexism. I am the woman here!”

He accused me of having conservative talking points. Tears welled up in my eyes as I stormed out of the room. It felt like a Twitter mob had invaded my bedroom and was attacking me with the usual insults: alt-right, a liberal trust funder, white-supremacist, self-hating whitey. He wasn’t using these names, but his lecture stung even worse. The last person I wanted to have these fights with was the man I loved.

We made up, of course, but it didn’t end there. For the next two months, it seemed like politics kick-started every single fight we had. We couldn’t stop fighting. We weren’t debating over the alleged social construction of gender roles or the Israeli/Palestine debate. We were screaming at each other. Slamming doors. I threw him out of my apartment after he said FOX News was my favorite channel. I accused him of turning his back on his Jewish heritage. Politics was ripping us apart.

It all came to a head at 2 AM over a Jordan Peterson video.

“I saw a video of Bari Weiss interviewing Jordan Peterson,” he said one night. “She was really fawning over him.”

“That’s just her personality,” I replied. “She’s extremely charming and personable.”

“I don’t see why anyone would fawn over a racist Canadian professor,” he said, disgusted.

Was he really starting this discussion right now? Despite being half-asleep and kicking the flu, I remained calm. I barely said a word as this so-called discussion turned into a one-sided rant.

“If she cares so much about anti-Semitism,” he continued, “then, why doesn’t she care about racism?”

“How do you know she doesn’t care about racism?” I was barely awake. “Maybe she doesn’t think he’s a racist. I don’t think he’s a racist. And, of course, she’s standing against anti-Semitism. She’s Jewish. That’s what people do! They care about the things that affect them. Aren’t we all like that?”

“You keep standing up for her!” he screamed. “Only because you agree with her politics and you like her writing!”

“So what? That’s not why I feel the way I feel. You can’t discredit her because you think she was being nice to a man who may or may not be racist!”

Was this conversation actually happening? I watched as my boyfriend started to shake his head back and forth. He scrunched his face into a scowl. Why was Jordan Peterson so important to him? He couldn’t let it go. Then again, neither could I.

After shouting nothingness back and forth until our faces were red and puffy, he got up from the couch and told me it was late. He had to go. He slammed the door as he left. I was left with silence. How had this happened? One minute we were drifting off to sleep and the next we were screaming about a New York Times writer and a professor from Canada no one cared about before 2016.

Five minutes after he made his dramatic exit, I grabbed my phone and typed, “You’re a dick.” I pressed send.

The next morning, I woke up to ten missed calls from him. The flu had kicked into high gear; I felt like my head was swimming in water. I threw the phone down and went back to sleep. Messages flew in at a rapid pace.

“Are you ignoring me?” he texted. He was on one, but I was too.

When I finally called him back, we wasted the next 12 hours screaming our lungs out at one another. We battled like two head-strong political science majors in the debate of their academic career. It was a full-blown war. We were desperately trying to convince the other of our point, and we weren’t even listening to one another. We were waiting for the other person to take a breath so there was room to jump in and yell. The heated debate took a tailspin when I said, “Your argument is weak and obscure.” He broke up with me and hung up the phone. My relationship was over. Thanks, Dr. Peterson.

Over the next 24 hours, we were silent. This was the longest we had gone without speaking. Was it really done? I thought. Sitting and stewing, I convinced myself that I did not need to apologize. He had been so visceral! He was the one who started this discussion in the first place, not me. I was perfectly happy never knowing an interview between Weiss and Peterson even existed. He was the one who couldn’t handle different points of views. He was the one who had a problem with the fact that we didn’t share the same ideology, not me. And moreover, he was the one who dumped me over nonsense. Despite trying to convince myself that this wasn’t my fault, my stomach knotted. My head was spinning. I was a mess, so I went to the gym.

Walking back to my apartment, I rounded the corner to find my boyfriend standing outside my place. I got closer and saw he was holding a bouquet. He had puppy dog eyes that looked glassy with tears. We hugged one another. We sat in the diner for hours and talked. I picked at my overpriced salad as we both humbly apologized. He told me nothing was worth losing me over, especially not this political nonsense. I agreed. We vowed never to let our politics come between us again.

That was a couple of months ago, and we haven’t had one argument since. Our relationship has never been better. We still talk about politics, but we don’t take it that seriously when we disagree. I am still complaining about the far left. But I also am much less defensive when he brings up an opposing view. After all, isn’t my critique of the far left the inability to see other people’s beliefs? We don’t walk on eggshells around each other, and no conversation is off limits. In a divisive world, I feel responsible to not be a part of one-sided discourse. I want my personal life to reflect what I want from society. Not the other way around. But for now and the foreseeable future, I am so fucking in love with my Marxist Commie boyfriend.

Judd Apatow

This is a video I have made about Judd Apatow and comedy and cancel culture.

In this video, I have used the long-heralded journalistic “gotcha” technique of spending hundreds of hours looking through Apatow’s work in order to find some footage that portrays his hypocrisy in positioning himself as a moral arbiter of the comedy world. Everyone should be aware of this technique. No one should trust journalists. And I say that as one.

To that end, I have spent the last few weeks doing what all tabloid-bred shit-heels do, which is dig through the corners of the internet, researching Judd Apatow: the man, the myth, the hypocrite.

I will always admire Apatow for cowriting The 40-Year Old Virgin in the early aughts. It gave me life when I saw it in the theater all alone, right around the same time I saw The Aristocrats. (I mean, talk about a movie where they “punch down,” am I right?) But as a slightly autistic comedy obsessive, I’ve grown increasingly consumed with rage watching this guy use some of the most reliable intellectual dishonesty techniques known to man, all to escape being eaten alive by the mob with which he now aligns himself.

Because I am so weak and cowardly myself, I have a knack for spotting it in others. Never before have I witnessed such an utterly thrilling display of wormish personal disloyalty, argumentative cherry-picking, playing dumb as a decoy, and through-and-through historical revisionism in both his press appearances and his social media presence.

This guy is good.

To calmly attempt to transition from the man who made his millions off of faggot-and-tranny jokes in his always wildly sexist (in a hilarious way—sorry, guys, but sexism is hilarious, as is misandry) movies to his recent reinvention as Mr. Woke Stasi, El Capitan, is pretty badass. It actually reminds me of one of my favorite scenes from the brilliant, groundbreaking FX show Louie (have you ever seen it? Well, sorry fuckos, it’s gone forever now!) where Louie (Louis C.K.) has a shot at replacing Letterman. As he’s fully flop-sweating it out for the guy who’s auditioning him, Louie goes to a deep, deep place of desperation and fart-poop-fuck-boobies juvenilia to get the job. Because he’s fucking terrified. And it is so goddamned authentic that it makes your heart sing, and you feel like you’re not the only one who’s been both so low and so high at the same time. That maybe you’ll recover.

Anyway, I kept waiting for the Apatow takedown to come. And it never did. As I read about behavioral contract agreements emerging in comedy clubs and saw a club owner who put Louis C.K. up for a spot get threats of fire-bombing and hurting his children, I realized that this takedown quest was part of my own weasel-y little Hero’s Journey.

I’ve written a separate piece about the increasing despair I’ve felt these past few years, sussing out the growing hysteria around comedy and free speech and media manipulation (and how Apatow uses it), but this is just a video description. So here it is. A description of the video I made with the hashtag #TimesUp. Because his time is up. Get it?

I did the usual journalistic tricks (search “name” + “accuser,” search “name” + “controversy,” search “name” + “dragged”) and came up with a few things that surprised me.

On a scale of 1 to James O’Keefe, this video is a 3 in terms of deceptive editing and applying a scary-music copyright-free YouTube track to ancient stand-up where Apatow jokes about wanting to fuck his stepfamily, saying he’s a sexist not a racist, making a joke about going on a shooting spree (I’m so with you on that one, Judd, one of my favorite gallows humor go-to’s), and all manner of material that is not fit for pristine 2019 ears.

There were some things that really did surprise me in this Apatow Vision Quest I’ve undergone this past month.

I realize it was a joke when he said to Jon Stewart that he enjoyed getting actors to show their dicks. (I almost wrote “young actors” and realized I’d be given a pants-on-fire rating by the Washington Post for that! “It’s more complicated…”).

But I also did uncover what is clearly a preoccupation with dicks.

Talking to other actors about showing theirs, showing his own on film for an agonizing ten seconds (there’s nothing revolting about Apatow’s penis, but I don’t want strangers masturbating in front of me, either… it’s annoying and gross), and in one riveting scene, propositioning the gorgeous and wicked Andrew Rannells (who I believe is one of the funniest actors alive) to do a nude scene on Girls after discussing something completely different on a Paley Center panel.

It’s odd. It’s like the friend who you’re going on to about something for an hour and a half, and then she busts out with, ‘So I really think the fact that he used four i’s in this ‘Hi’ text means that he wants to have a relationship.’” She was never listening. She had something else on her mind the whole damned time.

I don’t really think Judd Apatow should be “cancel culture”-d by any means, but I’ll tell you one thing. By Apatow’s standards, he surely does.

Apatow Inspired Me

“I don’t think anything is without humor. Whenever there’s a movie that has no jokes in it at all, I always think, well that’s not even possible. In any situation somebody is making a heinous joke. At funeral or massacres, someone’s making a joke. Someone at a massacre is going, can you believe this is happening to us right now?”Judd Apatow, 2014

“This hacky, unfunny, shallow routine is just a symptom of how people are afraid to feel empathy. It’s much easier to laugh at our most vulnerable than to look at their pain directly & show them love and concern. Louis CK is all fear and bitterness now. He can’t look inward.”Judd Apatow, 2018

“very Judd tweet reveals his terror that the woke mob will drag him next.”Jon Gabriel

“‘Please don’t come after me, I’m still one of the good ones,” gasped the comedian.’”Jim Treacher

“Scout is so involved and active. She is on all platforms, and rarely becomes aware of anything much later than, say, the three-hundredth person. By way of comparison, the earliest I’ve ever been aware of anything was that time I was the ten-million-two-hundred-and-sixth person to see that thing. There’s evidently a considerable gulf between Scout and me. But that’s why I am always so appreciative of her coming by and giving me news. Now, according to Scout, the news was (is?) that the past is now also the present. I invited her to pull up a stool at my mid-century-modern breakfast bar and unpack that a little for me.”“Now More Than Ever” By Zadie Smith

“Comedians, from a fellow comedian, please stop attacking other comedians. What are we doing? We need to circle the wagons here. Jesus fucking Christ.”Bill Burr, 2019

I always think of that classic David Letterman moment in 2007 when Paris Hilton came on the late-night show to promote her new fragrance line or something. He kept returning to questions about her jail stay. She didn’t want to talk about it, and he responded: “See now this is where you and I are different. Because this is all I want to talk about.”

The spectrum of human depravity and heroics and redemption and failure and shame, and especially, oh especially the lies we tell ourselves to explain away why we are in fact immune from the checkered history of the human spirit while everyone else is not–see, that is all I want to talk about. There’s energizing, inspiring, soul-revitalizing honesty in discomfort and clash. I love to explore the Roshomon-like rubric of our millions of splintered and conflicting realities. I truly believe it is only through such uncensored exploration of the collectivity of endless dark truths in this world that we can ever reach something approaching light.

Over the course of the last seven years, as our culture has changed, as the social media Mob—or as it has been called of late, the “woke Stasi”—has evolved into a fearsome, vengeance-seeking beast in preemptively censoring the nature of public discourse. As it has, I’ve slowly released my will to fight. If you need the metaphor, here it is: I have been dutifully, zombie-eyed asking Paris Hilton any number of in-depth questions about what the very favorite part of launching her new fragrance line really was. So to speak.

Like most journalists, I am an angry, petty, vicious, two-faced individual. The reason I hope that you will now trust me is that I am telling you that I am an angry, petty, vicious, two-faced individual.

Sadly, it is par for the course if you work in the media-entertainment industrial complex. Over time, you gain a keen understanding that one minute the person who is smiling to your face at a dinner party asking for a favor might the very next be placing a nasty item sabotaging you under the guise of anonymity and gossip. You really can’t take such fecklessness personally, I’ve learned. Hell, if I wrote off all the people who’ve done this to me over the years, I’d have missed out on the many riches of wit, wisdom and brilliance such folks have otherwise enriched my life on a personal level.

We’re all flawed. We’re all shit-heels. Mother Teresa herself would not have survived the “cancel culture” we are currently living in. The best among us try to be as little this way as possible and offer some light and truth and kindness when we can. But if you work in trades that involve the cultivation of transactional relationships, this is the swampy business of shady favor trading and alliances. And the more you believe the lies and the justification you tell yourself about why you may do any number of unseemly things that you do (those moments when your conscience starts to kick up questions of uncertainty and perspective and doubt and nuance), well, the more unimpeachable success you will have in climbing and climbing and climbing.

The most political animals among us do so without remorse, self-reflection or impunity. Loyalty and integrity become as anachronistic as the telegram itself.

And yet, it doesn’t stop the practice from being as slimy and soul-deadening and joy-corrosive as it sounds.

Young people with dreams of access journalism have no idea the reality of the viper’s pit and backstabbing that exists once you enter (as Graydon Carter once explained to Toby Young in How to Lose Friends and Alienate People) the successive rooms of power you are granted if you start abiding by the rules of how the game is played: Attach yourself to the right players.

If the winds shift ever so slightly, jump ship and glom on to the next up-and-comer. Backstab without remorse if it helps you. Loyalty is for suckers. Regurgitate the agendas and talking points of your most viable alliances. Whatever you do, don’t think independently. Please your masters. Sure, this will engender personal bitterness when you disagree with the opinions of the tribal alpha setting the hivemind of who’s in and who’s out, but suck that up. Because that’s what placing nasty stories are for. Leaks and tips provide you with a sanity-balancing outlet to release the bile and whisper campaign, to out the players you may see wounded (and of no use to you anymore) and boost up those who may be able to shine up your status.

This is what I wanted to do to Judd Apatow. Tip off another reporter braver than I am that this guy’s hypocrisy is just begging to be exposed.

The most hilarious part about a takedown piece that ran about me years ago was the reliance throughout on anonymous quotes talking trash when I could have easily given a dozen people who would eagerly go on record to spew the same. It’s the coward’s way out. It always has been.

And recently, until a few minutes ago, I was a coward of the greatest proportions.

Up until recently, I’ve been playing it extremely safe. Well, not safe, so much as petrified.

In this brave new world of ex post facto authoritarianism, I’ve observed, almost outside of myself, this slowly boiling over disgust and distaste for a culture that now caters to victim privilege above all else.

And now comes the part where I give my bona fides as a respectable victim myself. I was raped when I was 15 by a distant family member. My dad is a blind PTSD-ridden combat vet with severe rage issues. My mom suffered from crippling OCD most of my life growing up. I was such an anxious fuck amongst all this dysfunction and terror and fear that I wet my bed almost every night until I was 15.

But do you know what the one thing that my family had–that I had–that I wouldn’t trade for anything in the world? The one thing that would always bring us a shot of transcendent joy like absolutely nothing else in the world?

Dark, mean, fucked-up, utterly wrong comedy.

After a fight one time, I don’t think I’ve ever made my dad laugh as from-the-soul deeply as when he asked me who I was taking to prom, and I said it was going to be the sniper from ‘Nam.

Do young people even know about this anymore?

That making the sickest, wrongest, most fucked-up jokes can be one of the greatest catharsis you will ever know in life? I mean please don’t take this advice if you’re a bona fide psychopath. If you’re a psychopath, please just turn yourself in because I don’t want you wearing my skin like a hat, dancing around your refrigerated lair of corpses quoting from this article. I would be super mortified.

Over the years, I’ve heard comedians wish everything from AIDS to murder on an audience member. Like everyone else in the audience, I came to experience the thrill of the taboo. It reminds me of a YouTube comment I once read. Yeah, I know how stupid that sounds. Which is exactly why I’m saying it.

So I don’t know if this is a played-out street joke or just the brilliant concept of a lone YouTube commenter who will never realize the gold he has on his hands, but the guy (or girl! Or girl!) theorized that some day, “There will be ‘Speak Freelys.’”

Have you ever heard something so apt to this cultural moment?

Speak freelies. I wish I could go to one. I wish our world still was one.

I learned a valuable lesson about this new systematic cultural dishonesty in 2012.

It was mid-summer when I went from the gallows-humor-rich halls of the New York Post to the ultra-liberal intersectional couches of doomed Internet feminist startup xoJane. One night after attending the comedy roast of Anthony Bourdain, I ran into the ever-offensive comedian Gilbert Gottfried on the red carpet not long after his very public firing after he made some jokes on Twitter about tsunami victims. So I asked him for an interview.

You see, that right there was my first mistake. It turned out, my job was not to ask. It was to coach.

My editors needed to do a special review of my piece for potential offense. Kind of like a pre-trigger-warning trigger-warning. In the future, I was told, it was probably best to get controversial celebs greenlit first to figure out the right angle.

“If it was [Daniel] Tosh, for example,” the email read, “we’d have to get him to talk about the rape joke thing in a meaningful way if we were going to post a sympathetic interview.”

When I got that email, I cackled insanely.

Sure.

Just one of those super-chill Daniel Tosh interview/healing seshes about the pain he has inflicted through his purposefully offensive—and often super-cathartic—jokes.

No arrogance or delusion on the part of the woke media there at all. No inherent belief that social engineering is simply part of the job. No terrifying credo that “If they think wrong, it is our job to teach them to think right.”

Who, what, when, where, why and woke: The Six W’s of any acceptable modern journalism piece.

It was November 9, 2017, when the Mexican-American comic and TV auteur born as Louis Szekely released his one-time press statement apologizing for asking multiple women if he could masturbate in front of them. In that time, the movie producer Apatow has steadfastly remained one of his most loyal, outspoken defenders of the comedian’s controversial jokes and of the need for unencumbered speech in comedy in general.

Just kidding. He threw Louie under the bus faster than you can say, “Hey Judd, have you ever thought about casting your kids?”

When the New York Times reporters on the Louis “beat” came out with their cri de cour against C.K., Apatow’s sweaty fingers cranked out this solemn masterpiece on social media, “This to me was one of the saddest parts of the Louis CK story in the @nytimes. When you disrespect and sexually harass young, vulnerable people you become a dream killer.”

This felt especially rich from a guy who once told Stephen Galloway on the show Hollywood Masters in 2014: “Is it a Golden Age of comedy? I think it is a Golden Age of comedy generally….Everything’s better in retrospect, but it’s amazing what’s happening in comedy now. Louis’ show, if that was all there was it would be a Golden Age of comedy.”

Then again, it was also that same year that he wrote of Louis in his genuinely terrific book Sick in the Head, “Louis C.K. is one of those people who are so brilliant and funny and uncompromising that sometimes I need to avoid their work. When I was writing This Is 40, I made a point to never watch his TV show because I was aware that it was, on one level, about a middle-aged guy with two daughters, and if I watched it, and loved it, I would probably feel like there was no need for me to make my movie.”

Shit, Judd. If I had a time machine, forget baby Hitler. I’d just sit next to you and queue up your Netflix.

Apatow also went on in that same lavish (and slavish) introduction, “I also make a point of not watching too much of his stand-up, because he’s so prolific and covers so much ground. Watching him makes me feel like there’s nothing left to talk about, and that everything has already been done, as well as it can be done, by Louis.”

Well at least we know he’s coming from a pure place in his current bile toward the comedian. An incredibly pure one: Pure resentment.

If you’ve never had the misfortune of working in the current dumpster fire that is modern media, then you may not be aware of just how insanely the model has changed. I mention this because I’d like to talk about how artfully done Apatow’s moralizing to generate headlines has been.

In 2014, the Washington Post film critic Anne Hornaday wrote a thoughtful piece looking at the entitlement sentimentality she saw running like a virus through male culture. Did some of it come from the entertainment they consumed, the films and TV that kept portraying a recycled kind of tale, where the loser guy wins the hot girl? Maybe?

“For generations, mass entertainment has been overwhelmingly controlled by white men, whose escapist fantasies so often revolve around vigilantism and sexual wish-fulfillment (often, if not always, featuring a steady through-line of casual misogyny). Rodger’s rampage may be a function of his own profound distress, but it also shows how a sexist movie monoculture can be toxic for women and men alike. How many students watch outsized frat-boy fantasies like ‘Neighbors’ and feel, as Rodger did, unjustly shut out of college life that should be full of ‘sex and fun and pleasure’? How many men, raised on a steady diet of Judd Apatow comedies in which the shlubby arrested adolescent always gets the girl, find that those happy endings constantly elude them and conclude, ‘It’s not fair’?

Hornaday kind of nailed it. The oeuvre of loser gets hottie out of his league is in some ways, kind of the ultimate incel fantasy, to be honest.

Seth Rogen and Apatow predictably lost their shit in response. Anyone would.

But what I noticed in particular from looking at Apatow’s tweets to Hornaday was how precisely he pinned down the way a news cycle works.

You’ve got to piggyback, to frame, to jump on a bandwagon of virality.

And well, Louis C.K. He’s the perfect cocktail.

Because journalism nowadays is basically algorithms + controversy. If you aren’t aware of the theory of outrage porn (like the C.K. story) being humans’ super-normal stimuli or, say, ElsaGate’s utter infiltration of your child’s brain, these all go hand-in-hand with generating good clickbait.

There’s a terrific Digiday piece that unpacks the Web-traffic-boosting strategy that is, tacky-ness-wise, the equivalent of doing some power networking at a funeral, when it comes to covering something like a celebrity death or a #MeToo controversy.

Did I mention how smart Apatow is? God is he smart.

In the arena of stand-up comedy, the contract between audience member and performer has always been that you are there to hear the performer riff on all that awful, terrible everything-ness that you can’t say in polite society in a way that releases all of the tension and stress surrounding these awful, terrible things and ultimately makes you laugh. That’s the comedian’s job. That’s it.

The reason this social contract was safe for so long was because (a) no cell phones and (b) no social media. But now, we have inadvertently created our own little East German informer citizenry. Snitches don’t get stitches. They get, like, 20,000 likes and maybe even a $300 freelance piece about their viral tweet condemning a word that was used wrong, and damn it, you were there to catch it.

The reason it also worked is because we used to come from a place of grounded, collectively shared reality. We understood that outrageous words and ideas are simply outrageous words and ideas and have no bearing on actions or outcome.

It reminds me of one of my favorite TV episodes in all of eternity: Black Mirror’s “Nosedive.”

I rewatched it before putting this together, which gave me the courage to write the piece in spite of realizing the influx of “your brains are made of shit” and Ellen Barkin-style “you deserve to be raped” responses I will likely receive.

In a world not too far off from where we are today, in “Nosedive,” every person is constantly ranking and liking each other’s social portfolios, and status and equity are determined accordingly. There is actually a scene where one of the office workers whispers to the protagonist, played by Bryce Dallas Howard, who is wincing at the desperation of someone who is trying to curry points and raise his score by offering her a smoothie: “We’re not talking to him.”

We’re not talking to him. It is the same kind of de-person-ing that happens to you in the fifth grade by the bullies. Like the emergent nerd-bullies of the past few decades (whose anger at the jocks have transformed them into a kind of super-mega-book-learnin’-filled bully), the bullied-bullies employ the same techniques that mean girls used to torment me with growing up.

Later in the episode, Howard is en route to the worst trip of her life to try to get to a wedding to increase her social stature when she gets picked up by a female trucker whose ranking instantly shows that she has fallen far and fast from the acceptance of the reigning hive-mind. The trucker says she used to be a 4.6, but now she’s a 1.4. Keep in mind: This is a world where the only acceptable tone is one of utter smiling zombie blankness and laughter when nothing funny has ever been said.

The trucker reveals she stopped giving a fuck when her husband was diagnosed with cancer, and despite all the ratings and false-approval-rankings from a world of smiling acquaintances surrounding her, the cancer did not care. It just kept spreading. Then her husband was kept out of a treatment facility because his score was one-tenth a point too low. That was her breaking point. At this, Howard says she is so sorry.

“You don’t know me so you’re not really sorry,” the trucker says. “You’re mainly awkward because I’ve sprung some cancer talk on you.”

When her husband died, she thought “fuck it.”

“I started saying what I wanted when I wanted,” she says. “Just drop it out there. People don’t always like that. It is incredible how fast you slip off the ladder when you start doing that. It turned out a lot of my friends didn’t care for honesty. Treated me like I had taken a shit at their breakfast table.”

“But Jesus Christ,” she says, “it felt good, shedding those fuckers. It was like taking off tight shoes. Maybe you should try it.”

Having subsisted on the trifurcated portions of a book advance paid out in three installments, I have written and killed various pieces, composed and deleted way too many tweet drafts to count over the last few months, all in fear of the mob going after my remaining advance payment.

This week, several disheveled cartons of my memoir arrived on my doorstep via courier, and the check finally landed in my bank account. Then again, perhaps the mob can find a way to actually convince my bank, USAA, to drop me as a client and take away the money. Maybe they can cancel the bank. That would be cool.

But I’m not going to let them take what has kept me alive and sane throughout my life: Comedy. And not just any kind of comedy. Really, really fucked-up mean-spirited comedy that uses the tragedy of life as material. That’s how I heal.

Wheeler Walker Jr

I’m outside Brent’s Deli in Northridge, California, waiting for the king of outlaw country music, Wheeler Walker Jr., who’s on the cusp of launching his third album, WWIII.

He’s due to arrive on his own, without a posse, a lady friend, or an assistant. And though I’m aware that without comedian Ben Hoffman there would be no Wheeler Walker Jr. — the Nashville musician is Hoffman’s invented persona — I’m hoping the guy who shows up is 100 percent Walker, zero percent Hoffman.

Rolling Stone has called Wheeler Walker Jr.’s music “unfathomably obscene,” “undeniably offensive,” and “goddamn funny.” This foul-mouthed, sex-obsessed, pot-smoking hit-maker released his first record, Redneck Shit, in 2016. Following a buzz-building premiere via stream on Pornhub, the album debuted at No. 9 on the Billboard Top Country chart. You could even call Walker a crossover artist, considering that Redneck Shit also went to No. 1 on Billboard’s Top Comedy chart.

On this November day, Walker’s fresh off opening for Kid Rock on his 15-date Red Blooded Rock N Roll Redneck Extravaganza tour. He’s spent much of the last three years on the road, including during his own 20-city Eatin’ Pussy/Kickin’ Ass tour, and last summer’s Dragon Energy gigs.

Minutes after taking up my post outside Brent’s, Walker arrives. Granted, the man didn’t roar up in a lifted pickup with a joint in his mouth and a girl on his arm, but the bearded Kentuckian who climbs out of a rented SUV in boots and jeans, black shirt, shades, and a black Adidas cap is indeed Wheeler Walker Jr. No sign of Hoffman.

Walker’s made a career out of songs with titles like “Fuck You Bitch,” “Which One O’ You Queers Gonna Suck My Dick?,” and “Drunk Sluts.” Sex and getting high are central themes. His tune “Summers in Kentucky” lulls you with its beautiful melody and nostalgic, teen-love lyrics, then becomes X-rated. “Puss in Boots” is a rollicking good time, musically, while talking about blowjobs, fake breasts, and pubic hair.

WWIII picks up right where Walker’s last album, Ol’ Wheeler, left off. The record’s first two tracks are called “Save Some Titty Milk For Me” and “I Like Smoking Pot (A Lot).” Fourth on the album is ”Fuck You With the Lights On,” a tune Walker wrote for his wife Christine, a woman he loves so much he keeps the lights on when they do it.

When he’s not writing dirty, druggy songs, or delivering them onstage, Walker likes to lob Twitter bombs at big-name targets. A typical day might see him going after Kanye West or having fun with a Donald Trump tweet. But Walker reserves his greatest ire for what he calls “fake country.” Carrying a torch for George Jones-style roots music, Walker has engaged in one-sided online feuds with country duo Florida Georgia Line, Bebe Rexha (the platinum blonde singer who collaborated with FGL), and even Mason Ramsey, the kid who shot to fame when video of him yodeling a Hank Williams song in a Walmart went viral. The video propelled the then 11-year-old to a major-label record deal and an Ellen appearance.

A typical Wheeler Walker Jr. tweet? At November’s start, the musician plugged his new album by typing individual words in a very long column, one atop another, in which he also unloaded on Ramsey, whose first single had cracked the Billboard Hot 100 in May.

Walker tweeted: “Please Buy My New Album When It Is Out On November 30th And Help Kill Pop County [sic] Dead.” He added, “Fuck Yodel Kid Fuck Yodel Kid Fuck That Little Shit.”

When asked about the tweet, Walker doubles down: “People are like, ‘You’re just jealous.’ And I’m like, ‘Yeah, no shit, that’s the whole point. That little yodel kid took off. Like, fuck him. I don’t wanna be outsold by some little kid. He ain’t even that good.”

After settling into our green vinyl booth, Walker takes off his shades, revealing thoughtful brown eyes, but quickly pops the glasses back on when a photographer approaches.

“I just don’t like taking pictures without my shades,” he tells me.

Walker speaks low, so I have to lean forward to hear him, even in a quarter-full deli. In person, the musician has more shadings than the online version, a righteous Kentuckian battling for the soul of twenty-first-century country music. He’s unfiltered in his speech, with a propensity to ramble, but his manner is polite. “He’s an all right fucker,” says a guy Walker tells me is his dad, Wheeler Walker Sr., when we speak by phone.

I’m a little surprised when Walker orders matzo ball soup, bagel chips, and seltzer water, but then again, we’re in a deli. Walker tells me he was sober for a while, but now he drinks on occasion, along with smoking lots of pot. As he sips his seltzer, I ask him about the title to WWIII, an 11-song release which has him making slick music videos, doing press, and getting ready to go out on the road again, solo this time.

“It’s called that ’cause my son’s Wheeler Walker the third,” Walker tells me. “Everyone thinks it’s about World War III, but it’s not, ’cause World War III ain’t happened yet. Then again, with the country community so pissed at me, when this album comes out, it’s gonna be World War III probably.”

Walker explains that many of his fellow country professionals are upset with him because of the crude language in his songs. He points out that his records do better than a lot of the musicians who are pissed at him. And that’s despite the fact that radio stations can’t or won’t play his songs, given their raunchy, drug-celebrating content. I ask Walker if he’d ever clean up his lyrics to get more airplay. No sir, Walker responds.

“I’d rather do what I want to do and see if it hits or not,” he tells me. “When I listen to other people’s music, I can hear them trying to sell records. Selling records ain’t my goal. I got something to say. And music, country music, is the best way I know how to express what I want to say.”

As Walker turns to his soup, I entertain the idea of asking him about Ben Hoffman, who just sold an animated series to Netflix, but before I get a chance, Walker gets on a roll about authenticity and self-expression, his voice charged with a quiet fire.

“People used to call country music three chords and a truth,” Walker says. “And I used to love it, but I didn’t hear anything close to the truth on the radio. I came to realize that for a musician to tell the truth…I mean, these are vulgar times, man. You gotta use vulgar words to get your truth across. And people aren’t telling the truth ’cause they’re scared that the truth’s gonna get ’em in trouble. Nowadays with politics, all these big country guys—I know ’em and they’re all liberal dudes—but they won’t talk about it, ’cause it’s gonna hurt record sales. I’m not saying you have to write political songs, but they’re trying to be someone they’re not to sell records. It’s like, be who you are. These people, they’re made-up personas. They’re just not real. People are looking for real stuff.”

The list of country bands and artists that offend Walker’s sensibilities is long.

“Florida Georgia Line,” he begins. “When you listen to country radio, it’s just a big blur of all this shit. I don’t know all their names. There’s this duo, Dan and Shay, that’s horrible. There’s this guy, Chase Rice, he’s fucking shit. Luke Bryan is really bad. Just everyone. Keith Urban is horrible. He used to play something closer to country music, but he’s from Australia, so what’s that mean? I don’t know how brain-dead you have to be to put a Keith Urban album on and have any kind of enjoyment from that. It’s just dog shit. Maybe everyone in the audience has brain damage, I don’t know. Or CTE. What the football players have.”

When prompted, however, Walker does name some country musicians he likes.

“Chris Stapleton’s really good. I like him. This guy, Tyler Childers—he’s great. Sturgill Simpson. He’s the guy who introduced me to my producer. He’s amazing. There’s not a lot, really. Jason Isbell. I don’t know if he’s country or not, but he’s great. He’s a Nashville artist, certainly. I call him country ’cause I like to claim him as country. John Prine is still around, doing great stuff. Billy Joe Shaver. He’s still alive and kicking ass. Getting to meet him, that was a highlight. Billy Joe being a fan meant a lot to me.”

Walker’s love of country music began during his Kentucky childhood. Wheeler Walker Sr. says his son started writing songs as a kid. “There was one about the neighbor’s maid,” his dad tells me by phone. “Nice lady, too. Thank God her grasp of language wasn’t incredible. She would have been completely offended. All this stuff’s now a gray area in light of our current… you know, how things are today. But yeah, Walker sang a bunch of real dirty songs from the get-go.”

Three decades after penning that song about the neighbor’s maid, Wheeler Walker Jr. found himself in a Nashville studio, recording Redneck Shit, an effort destined for surprise success.

“Honestly, I didn’t know if I was gonna release it,” Walker says. “Then it started getting a following around town. People were passing it around. Like, if everyone’s passing it around, why don’t I pass it around for ten bucks a pop? So I put it out myself and…I mean, we sold 125,000 of ’em.”

Listeners loved the dirty, party-loving lyrics. But Walker’s fans are quick to point out that when he goes into the studio, he comes out with an honest-to-God country music record, with songs full of great melodies and twangy hooks. “Redneck Shit is far from just an X-rated novelty record,” hailed Rolling Stone in 2016. Walker’s fans include rapper Killer Mike, of Run the Jewels, and the aforementioned country star Tyler Childers. And then there’s Kid Rock. The former Michigan senatorial hopeful asked Walker to tour with him in 2018. After working out the scheduling, Walker was all-in.

“I was like, anyone who’s got the balls to take me out on tour, put me in front of his audience, well, that said something,” Walker tells me. “It was weird. I’d look out and see little kids and stuff. I’d get nervous that they’re hearing my songs—the adult content, you know—then I’d be like, ‘Wait, they’re seeing Kid Rock. They shouldn’t be at this show anyway, so fuck ’em.’”

Joining Kid Rock’s Redneck tour was the first time Walker had opened for anyone. If you’re familiar with Walker’s work, it’s pretty obvious why. There aren’t many artists who can gracefully follow a guy singing songs like “Better Off Beatin’ Off,” “Sit On My Face,” and “Finger Up My Butt.” Not to mention the ballad “If My Dick Is Up, Why Am I Down?”

WWIII features another first. On it, Walker introduces his family, such as it is, to the wider world. In addition to his son Wheeler Walker III, there’s also his wife, a zaftig blonde who loves her husband’s music above all else (she’s played by Instagram personality Trailer Trash Tammy, who is herself played by actress and comedian Chelcie Lynn). Walker says WWIII is a love album. He also calls it his “most personal” record.

“It’s kind of an R-rated version of my home life,” the musician explains. “One song’s called ‘Anal & the Dishes.’ That’s my life now. Like, Christine will say, ‘Honey, could you do the dishes?’ And I’ll say, ‘I’ll do ’em for anal.’ And I just go to my office and write a song called ‘Anal & the Dishes.’ It’s just like a crazy version of what my home life is. Obviously mine’s different than most people’s. Or maybe it’s not that different. It’s just I’m looking at it through a different lens. Other musicians might not go and write a song about it.”

Walker says he has no plans to stop tweaking mainstream country music. One of his favorite tactics is to write about gay sex. When I ask him about the song “Which One O’ You Queers Gonna Suck My Dick?” he leans forward, conscious of the guy in the booth behind us.

“I wonder if this guy’s freaking out,” Walker says. “For some reason this stuff pisses off the country community more than anything. So I’m gonna sing about it. I ain’t gonna say whether or not I do this stuff, but I want them to think I do because it pisses ’em off. To pretend gay people don’t exist in show business is just idiotic. Like I said, this stuff pisses ’em off the most, so for that reason every album will have this material on it. It’s really my two favorite things—making music and annoying people. It’s kind of what I do.”

Walker says that dragging people on Twitter helps relieve the stress he experiences at home, as a husband and father. As he puts it, “If I get mad at this or that, when I’m off the road back in Nashville, instead of yelling at my wife or kid, I just go to my office, get on my phone, or fire up my laptop, and rip on a bunch of country artists. Stir things up. Get some attention. I’m just yelling into the void, really.”

And with that Walker rises from our booth, thanks me for my time, and heads for the exit, boot heels thumping across the floor.

By the time you read this, Wheeler Walker Jr. will have strummed his guitar and sang his licentious, rowdy songs in another dozen or so major American cities, including Nashville, in support of WWIII. He’ll have taken more flak for his lyrics, watched his latest music videos rack up clicks, and without a doubt caused more trouble on Twitter, busting on celebrities and badmouthing country peers. But really, it’s all in good fun.

Like his dad, Walker Wheeler Sr., says, “He’s an all right fucker.”

Wheeler Walker Jr. on Stage

The Dakar-Peru Road with Penthouse | Episode 5

On the (Sandy) Road Again

Down and VERY Dirty

While the video department fights over which editor gets to piece together all the fun Olga footage from Dakar, we thought we might take five minutes and give you a bit of a view from the driver’s seat in the car. We should mention that we took what was originally a 15-minute shoot and sped it up so that it plays in only five. Honestly, we found it more fun this way, and riding in a car in the middle of South American desert can only be so much fun, after all.

It may have been dusty and windy, but some of the views were spectacular. We did notice that our Team did not seem particularly concerned with any of the broken down compatriots along the road. Competitions. What can you do?

Tips from a Male Prostitute

“I had a system,” he recalls earnestly. “I could carry a couple of dozen papers under my arm, band them, and throw them all in the same stroke. Saved me a couple of hours a day.”

There is a strange, almost wistful pride in Frank’s voice as he talks, and he seems to be completely unconscious of the irony built into that modest little piece of brass. For yesterday’s Boy of the Month is now, and has been for the last five years, a male prostitute, a man who has grown used to taking his pride from a wholly different sort of performance. But it is easy to see both these people in Frank the eager, overachieving newsboy with the soft eyes and open demeanor; and the relaxed, almost self-consciously sinuous whore who even in these unprofessional circumstances wears a black shirt open to the navel.

Frank is a couples specialist, a man who makes his living by being a professional numero trois in an almost dizzying variety of amateur ménages. “I’ve done hundreds of them,” he says with an all-in­a-life’s-work shrug. “It’s gotten to be almost routine.”

A far cry, though, from the routine that occupied the greater share of Frank’s working adulthood. He holds a master’s degree in business administration from a southern California college, and up to the point of his entry into what he calls “the life” he made his living as an accountant.

“I had been married for seven years,” he says. “My wife and I had separated, and I took a trip to South America so we could think things out. When I got back we decided to divorce. At that point I had more bills than I could pay, so I found a part-time accounting job. Well, those jobs don’t pay much.

“One day I happened to read an article in a men’s magazine about a guy in Massachusetts who had advertised in underground newspapers as a ‘masseur.’ Apparently he’d gotten a lot of response from those ads. So I decided to put an ad in the paper, just to see what would happen.”

His first ads—”Rocky had just come out, so I wrote, ‘Call the Italian Stallion,’ something stupid like that”—were for females only, but he quickly found out that “you don’t get rich doing that unless you have contacts.” So he put in an ad for females and couples, thinking that “maybe there are some guys out there who are kind of weird, who would want something for their wives.”

Well, his first responses were from men, but not from the sort of men who tend to form the better halves of couples. In fact, Frank’s first few clients were exclusively gay.

“I was totally passive,” he says. “I needed the money desperately, and I just wanted to find out if I could respond without cringing. Well, I found that I could, that I could get into a fantasy trip, just close my eyes and forget the whole thing.”

“The thing is, I hadn’t had that much sexual experience. Some, but not a lot. My sex life with my wife was not good. So I really didn’t have much idea of what I was getting into. Mostly it was just a matter of seeing if I could do these things at all. When I found that I could, it was like a form of success, and that made me happy.”

Happy, but not rich. “I still didn’t know what I was doing,” he says. “I didn’t even know how to tell people there was a fee.” But after a few “successful” gay experiences, Frank eventually got his first call from a couple.

“The guy called, gave me some cockamamie story about having a bad back and having a hard time functioning with his wife. He said he wanted to try something new. Well, I still didn’t know what to charge, so I had to call some of the ads in the Advocate and ask some of the other guys. Finally, we settled on $35.”

“I went out to their house—they lived way out in the sticks, on a farm or something—and I was surprised to find that they were both pretty nice-looking,” he continues. “He was actually better-looking than she was, but she wasn’t bad. Now he had claimed on the phone that he wasn’t going to watch, but I figured he was or he wouldn’t have brought me out there in the first place. I mean, what’s he going to do while I fuck his wife, watch TV? But I’d never done anything like that. I didn’t even know if I could function with somebody else watching me.”

“Well, he got undressed first and I gave him a massage while his wife watched TV in the other room. Then he called her in and coaxed her into taking off her clothes. She was really shy about the whole thing. Then he walked out, but I knew he was watching through the door. So I started massaging her, trying to get into it, figuring if I can get excited and do this, it’s going to be great—it means I’ve succeeded. Again, it was a matter of can I do this or not. So anyway, I found that massaging her like that kind of turned me on. I was able to get an erection and fuck her. In the middle of it, I turned my head and saw that he was looking. I was afraid that might wilt me, but it didn’t. It didn’t turn me off.”

After a while, the client revealed he could not come, but Frank sure could.

“But I didn’t collapse on top of her or anything—I didn’t think that would be very professional. Then we got dressed, he paid me, and I left. On the way home I was really happy. It was a big kick to realize that I’d just been paid to fuck somebody. I was thinking, gee, maybe I can really make some money at this. In fact, I was so happy that I stopped at the record store and spent the whole thing on records.”

A brief lull followed this first session, but soon business began to pick up. “After I put ads in three papers,” Frank says, “the phone started to ring. And once you start seeing people occasionally, unless you’re a complete nerd you’re going to start getting repeat business. So it was just a natural progression.”

As part of that progression, Frank began to develop a modus operandi, a style. “I like to be friendly and open. Put people at ease. You know, talk to me, say whatever you want. Ask questions. Feel free to do what you want and let’s have fun. Let’s be relaxed. Don’t look at me as a professional on a pedestal.”

He also developed a get-down-to-business technique of breaking through the inevitable first-session jitters. “I used to sit down with them, have a drink, talk for a while until they got comfortable. But after a while, I found it’s much better to just get into the bedroom, get their clothes off, and start in with a massage. If they can lie there and feel my hands on them, that’s going to be much more relaxing than sitting in the living room having a drink and getting all uptight about what’s going to happen ten minutes down the line.”

Unless a couple has something definite in mind—which is rare, Frank says—he will usually take the lead. “I do it whether they’re experienced or not,” he says. “I try to do the sorts of things I think they might enjoy and hope that if there’s something they want they’ll feel relaxed enough down the line to say, ‘Oh, let’s try this.’ If they don’t, I just continue to take the lead. If I’m fucking her brains out and he’s off to the side or something, I might say, ‘Hey, would you like to join in, or let’s switch positions—anything to try and get him to take part.”

Of course, the question arises (pardon the expression): how does one manage to unfailingly, day in and day out, get an erection on cue in the company of total strangers? “Sometimes I’ll fantasize about something,” Frank says. “A movie I’ve seen, or a photograph, something in my mind that’s been a turn-on. But usually I manage to get genuinely sexually excited. It’s very hard to just make your dick rise on command. Maybe it can be done, but usually I’m not the type who can pull it off. I have to be sexually involved.”

Even when the women are unattractive? “I’ve been really lucky,” Frank says. “Maybe unattractive people aren’t kinky, maybe they’re embarrassed to call somebody, but most of the people I see are at­tractive, or at least average. Some of them are surprisingly nice-looking.”

But there have been exceptions. “I do have some fat, unattractive customers that I see. I can still do it, but to me it’s hard work. I remember one couple: I walked in and there was this guy with a beer belly. Well, fine, sometimes you see a beer belly and there’s a beautiful woman next to it. So I walked into the other room, and there’s this elephant in a muumuu. I can tell she’s not a slim woman because her face is out to here, but I still don’t know what she’s really going to look like because the muumuu is hiding everything. So we go into the bedroom. She lies down on her back and her husband takes the muumuu off. The first thing that flops out are these big, watermelon breasts. Then there’s this huge stomach that looks like the whole watermelon patch. So she’s lying there and all I can see are these big breasts with this enormous mound under­neath them.”

He chuckles.

“Well, what can I do? I can’t say ‘barf,’ or ‘yech’—I have to be cool. And what’s really on my mind is there’s no way I can screw her on her back—how am I going to get between her legs, get an erection, and then find it through those gobs of skin? Well, thank God her husband turned her over and fucked her first. While he fucked her she gave me head, good head. The lights are low, her stomach has disappeared underneath her, and she’s giving me pretty good head. So I manage to get into a fantasy trip and get an erection.”

“But I still had to find her cunt through all that flesh,” he continues. “At first I couldn’t find it. So I’m starting to panic, and when you panic you’re going to lose the erection. So I start searching and poking, searching and poking. Finally, luckily, I found it before the erection disappeared, so I was able to fuck her. But I don’t know what would have happened if I hadn’t been able to find it.”

Getting it up, of course, is only half the battle. Once achieved, that sometimes elusive erection has to be maintained at all costs. “The minute you panic or tense up,” Frank says, “you lose everything. You have to force yourself to keep a relaxed attitude, keep your fantasies in mind. If you don’t, the erection will go. The whole thing will be ruined, and you’ll feel terrible about yourself.”

Although this hasn’t happened to Frank in years, one incident that occurred early in his career remains etched in his mind.

“The first time it happened I think I was actually affected by the guy. He was a very macho New York-style guy, and for some reason, he had an effect on me and I couldn’t seem to do anything. He would give me head, I would have a nice erection, but when he said to fuck his wife, for some reason I couldn’t hold it. To this day I don’t know why. I even offered to give them their money back, but they wouldn’t take it. They were very nice about it. In fact, she even called me back the next day and said, ‘Gee, I’m sorry you couldn’t get into it. You seem like a nice person. That made me feel a little better, but I still felt like shit.”

It’s equally important, of course, to hold one’s mud, to come only when requested. “If you come too much,” Frank explains, “you’ll become totally disinterested. During these five years, I’ve just trained myself not to.” For Frank this is apparently a matter of mental discipline, a sort of zen mastery over the process of reproduction itself. “Obviously,” he says, “I have to get excited to a point. But I have to know where that point is, and I have to avoid going through that point. Otherwise I’ll come, and I’ll blow the whole thing.”

Even then, when he goes over that thin line between delight and depletion, Frank has learned how to cover himself. “For example,” he says, “there are times when I haven’t come completely but I’ve reached a physiological state in which I’m going to go down before I come back up. In those cases I have to muddle through for a while before I can come back up. Maybe I’ll use my mouth, or my hands, or get the guy to come in and take my place. But I usually don’t admit it when it happens, because then they think, Oh, it’s all over.”

“Muddling through” is not the only technique Frank has developed to deal with ticklish situations. On occasion the deceptions can be comical, almost ludicrous.

“There was a doctor who I used to see all the time with his secretary. We used to do it right in his office—not with the stirrups or anything, but on a couch in his office. His thing was to watch us do it until we both came and then go down on her afterward. Well, once I couldn’t come. I just didn’t feel like it. And it turned out that time that she wasn’t in the mood either. So we both faked coming, and he didn’t know the difference.”

“After that she and I developed a signal system. She would either pinch me or wink at me when she’d had enough, and I would fake an orgasm. You know, all the noises and everything. I would fake the come, withdraw, and get off. Then he would come in and go down on her. He was completely satisfied. To this day I don’t think he knows the difference.”

Frank’s good doctor was easily satisfied, at least in part, because he seemed to know what he wanted. This, it turns out, is rare, particularly in working with couples. “It’s very hard for a lot of people to tell you what they want,” says Frank. “They just can’t verbalize it.” Generally, though, it’s the man who supplies the motivation. “Usually it’s the guy goading the girl,” Frank agrees. “The women are usually shy, at least initially. I think a lot of them have doubts about why their husbands or boyfriends have called me. They wonder if the guy’s going to turn it against them, or use it as an excuse to go out and start fucking other women.”

Men’s motives, Frank has learned, can run the gamut, from a simple desire to have their women brought to orgasm to the satisfaction of deeper and sometimes darker longings. “A lot of guys,” Frank says, “are just sexually lazy. They just don’t want to take the time to turn a woman on. Their idea of a sex life is, I’ve got a hard-on, let me stick it inside you till I come. But they think they’re nice guys. They say, ‘You want to get off? I’ll take you over to see Frank. He’s a professional.'”

Occasionally the motive can be sexual competition, in which the man uses the bedroom as a sort of Superdome and Frank as a worthy adversary. “I had a black couple once,” says Frank, “where it looked like the guy was using me to compete with him. His wife took a long, long time to come, and it turned into a sort of sexual Olympics, like who could fuck her the longest and who would be in the game when she finally got off. But I didn’t really get into the competitive aspect of it. To tell the truth, I got really bored. I was saying to myself the whole way through, Geez, is this going to go on all night long?”

Some couples seem to want to use the threesome as a forum for their own arguments—two shrews in need of taming.

“I remember one couple: the guy was a voyeur, and the girl was an out-and-out fox. I started out massaging her, and while I was doing it he kept saying, ‘Why don’t you suck him? Grab his cock?’ And she started arguing back, saying, ‘Why don’t you?’ Well, he couldn’t get it up because he needed to see something happening, and nothing can happen because they’re sitting there arguing. I’m off to the side thinking, What the hell is this? And I’m having trouble getting it up myself.”

“Finally she gets really mad. She looks at me and says, ‘Okay, let’s do it.’ Well, she wasn’t really ready for anything. She was completely dry because of all the arguing. But somehow we managed to do it, and afterward she warmed up a little bit. I think she was trying to rub it in with her husband by being nice to me.”

Occasionally Frank works for couples whose needs fall at the loonier end of the spectrum.

“A girl calls me one night and says, ‘My husband wants you to come over and fuck me.’ Well, fine, it’s nice to have people be really straight with you on the phone. Then she says, ‘Well, it’s kind of strange—he’s going to be under the bed.’ So I think, Oh, he must be an audio freak. He likes to listen to the sounds. So when I get there she tells me, ‘Okay, we’re going into the bedroom and there’s going to be a hole in the bed. He’s burned this hole in the bed, and he wants you to place me over the hole while you do things to me.'”

“Well, sure enough, there’s a hole in the bed, and this guy’s underneath it somewhere. I can’t even see him. Now, in the process of making love, I like to move around and change positions because it’s more fun that way. Well, naturally, if I move around she’s going to leave the hole. So I guess he must have moved over and stuck his head up from under the bed to see where we were. Right at that moment, I happened to put my head down, and I stuck my thumb right in the guy’s eye. I hear this huge ow!, and then his wife and I start to giggle. I mean, she thought the whole thing was ridiculous anyway. We got to giggling so bad that we just couldn’t go on.”

“Amazingly, the guy asked me to come back. The second time he says, ‘Look, all I want you to do is put her over the hole and fuck her.’ So I said, ‘Okay, fine.’ I get her in bed, over the hole. We’re fucking away, and all of a sudden the bed breaks! It just caves in, falls right on top of him. So that was the end of that experience. I have no idea what happened to the couple, but it was probably the craziest thing that ever happened to me.”

In at least one case, the “craziness” of the husband took a turn toward viciousness and violence. Frank remembers it vividly, and with at least a hint of shame. “It was a couple from somewhere in the Middle East, someplace where the man is the absolute boss. The woman had just gone through a hysterectomy. I really don’t know why this guy wanted to do it, because his wife was still recovering from the operation. But he wanted someone to fuck her. He wanted it badly. Well, the woman wasn’t interested and I really wasn’t either. I mean, I didn’t want to hurt this woman.

“It seemed like I was there for a long time, I guess because of all the tension. We finally put her in a chair, and then he used me as an instrument to rape her. That’s really what it amounted to. I mean, I didn’t hurt her; I was as gentle as I could possibly be, but that’s basically what it was. I was an instrument he used to rape his wife.”

“Afterward, when he went out of the room, I told her I was sorry. I know it was a little late for that shit, but I had such ambivalent feelings about what was going on. But she kept telling me it was okay, so I felt a little relieved. When I left there I remember thinking, Gee, this couple is doomed.”

If Frank is willing to perform such marginal and potentially dangerous acts as rape by proxy, the question then becomes: where does he draw the line? What does it take to get him to say no? Are there any entrees on the sexual menu that he finds disgusting? Apparently, the question comes up far more often with men than with women. “I won’t fuck a guy in the ass,” he says, “and I won’t allow myself to be fucked that way. Also, whatever I’m doing, I always stop short of injury.

“Other than that, I’ve never really passed the line on anything. I’ve spanked guys, fist-fucked them, pissed on them, I’ve gone through oral trips with guys who wanted to be berated or dominated in some way both verbally and physically. . . But nothing was ever disgusting, okay? There have been things that I thought were hard, like kissing guys, but nothing was ever disgusting.”

On the brighter side of things, there are times when Frank actually seems to be doing a social service, when he functions not only as a paid stud but as a sort of amateur sex therapist. “A lot of women,” he says, “just want somebody to talk to. They can’t talk to their husbands for whatever reason, so they use me as a sounding board. They think that I’m the guy with the experience, so they ask me the questions. Sometimes you have to do a lot of soothing.”

But it’s not only the women who are in need of comfort and assurance. “I’ve had to soothe an awful lot of men,” Frank says, “who could not get it up when they thought they should. I know how I would feel in a situation like that—here this other guy’s fucking my wife’s brains out, and then it’s my turn and I can’t get it up. So I say, ‘Hey, this happens all the time. You’re not used to having another guy with your wife, you’re not used to having somebody watching, and there’s a lot of pressure on you.’ So I just try to build their egos back up a little bit.”

Basically, though, Frank is well aware that most of the couples who come to him are struggling through a difficult period in their own relationships. “There’s something wrong,” he says, “and they’ re ex­perimenting in the hope it’s going to save their marriage.” The women, in particular, seem confused, perplexed. “Sometimes the girl will call me back the next day. She realizes that her relationship is not what she wants it to be, and she doesn’t know what to do about it. She just wants someone to talk to.”

Occasionally Frank’s sympathy moves past the talking stage and becomes downright intervention. “If a guy’s really obnoxious,” he says, “when he leaves the room I’ll try to see if the girl realizes that she doesn’t have to put up with all this. I mean, I don’t come out and say the guy’s a schmuck—you can’t do that—but I might say something like, ‘Hey, you don’t have to do this. He’s just a guy, and there are billions of us around.'”

This approach has on at least one occasion produced a surprising twist, in this case with an unmarried couple.

“One woman called me and asked me if she could see me on the side. I said sure. I mean, business is business. So I saw her a number of times by herself. Then one day she called me up and told me she had married her boyfriend. She said, ‘Well, he keeps asking me and asking me, so I finally gave in and married him.'”

“Well, she wanted to go on seeing me on the side. So we talked about it, and I said that maybe it would be a good idea if she put her energies into the marriage and see if it’s going to work before she starts seeing me or anybody else. I mean, why get married if you’re just going to turn around and get divorced?”

In the end, it seems, very few of these troubled relationships survive, and Frank is ultimately rather uncomfortable with his role as an extemporaneous sex therapist. “I’ll always talk to them,” he says, “but I’m not a trained sex therapist. I always tell them that they shouldn’t accept anything I say as the word of God, that I’m only speaking from my own experience. Actually, when you get right down to it, I feel kind of foolish in that role.”

It’s not hard to see why. Frank himself has to struggle to preserve the one truly important relationship in his own life, a two-and-a-half-year live-in arrangement with his girlfriend Jessie. (Actually, they share two apartments—one where Frank does his work, the other where he avails himself of a family life with Jessie and her son.) To make matters even more complicated, Jessie herself was once a working prostitute on the streets of Philadelphia. But she has left “the life ” with a vengeance, and now regards it with all the zealous distaste that one usually associates with reformed drunks.

“Jessie does not like my work,” Frank says simply, “despite the fact that she used to do it herself. She can handle it better than 99 percent of the people, but she still gets upset. She seems to think that I don’t give her enough sexually. I think she gets it in her head that I’m giving my customers something that I don’t give her. It’s not true, but that’s what’s in her head.”

The central problem revolves, as these problems often do, around orgasm. “There are times,” Frank explains, “when I just don’t feel like coming. I’m more excited and more pleased just holding Jessie, kissing her. If we’re having intercourse and she comes, that’s fine with me. I don’t have to go on. But she seems to think that if I don’t come I haven’t enjoyed it.”

Jessie also has a complaint that’s more standard among the wives and girlfriends of professionals: her man can be called away from her side at a moment’s notice. This can be particularly annoying when he is called from her bed to the bed of someone else’s wife.

“Jessie was upset yesterday. We were in bed in the morning, and I got a call from a couple. Well, it was Sunday morning and we had invited some friends over. We had to clean up the house, make rigatoni … All of a sudden I’m gone, and we both know it’s going to be longer than fifteen minutes. Naturally, she’s going to get a little upset.”

These episodes, which can happen as often as twice a day, put extra pressure on Jessie, and she often turns that pressure back on Frank. “She’s very direct,” he says. “She wants me out of the life.”

Bizarre customers. A disapproving girlfriend. A limited future (like athletes, a prostitute’s career is very much a function of age, and Frank is now thirty-six). Danger (he’s been busted twice). With all these negatives, what is there about this work that keeps Frank going? The satisfaction he delivers to his customers is obvious, but where are the satisfactions for Frank himself?

Apparently, it’s not the sex. “If I wasn’t in a relationship with a woman,” Frank says, “I might be getting my sexual yah­yahs from my work. But since I do have a relationship with somebody that I really love…”

There is the money, of course. Although you’d never know it by his low-key lifestyle (he lives in a nondescript, vaguely funky apartment and drives a Japanese sedan), Frank does very well by most standards. Figure-shy for understandable reasons, Frank will admit to working an average of twice a day at a minimum of $50 a crack. Sometimes the fee with “bonuses ” can run as high as $500. This means a minimum income of roughly $25,000 a year, with the real take probably much higher. Not bad for an out-of­work accountant.

Then there are the social benefits. Frank is a genuinely friendly, gregarious sort, and he likes to meet people. “Some of them are very interesting,” he says. “They are well-to-do-poor people can’t afford this sort of thing—and sometimes famous. I’ve met a few celebrities, sports figures, music figures, and that’s kind of a kick. But mostly it’s the idea that each time you meet someone and go through a sexual experience with them, you’re growing also.”

But more than the money, more than the contacts, it’s the freedom and mobility that keep him interested. “I know,” he says, “that there’s probably not going to be another period in my life when I’m going to have this much freedom. I’m free to wake up when I want to, go to sleep when I want to. I can take vacations when I want to. For example, this summer I went to Russia just because I felt like going. The thing is, I can do that. I don’t have to go to my employer and ask permission.”

And when all is said and done, how does this ex-accountant, this onetime Newsboy of the Month, assess himself in light of what he has become?

“I’m certainly a different person than I was five years ago. For one thing, I’ve matured sexually as I’ve gone along. With all this on-the-job training, I’ve become sexually confident in a way that I never was before.

“I’ve grown up pretty fast. I’ve had to realize that it’s not all peaches and cream, and I’ve had to learn to be careful. I mean, there are strange people out there—you have to look out for cons and bullshit. So you open yourself up to the possibility that things like that can happen.

“But I’m still very tolerant. You have to be tolerant to put up with people’s foibles and fantasies. When you’re working in an intimate situation with people, it can be very difficult. You have to have a lot of pa­tience with people, you really do.”

There is a realism, an almost self-deprecating maturity about Frank’s evaluation of himself and his work. Certainly he does not think of himself as either a bedroom Freud or the world’s greatest lover.

“It would be easy to sit down and say, Wow, I’m really doing a service. But hey, you know you’re just somebody’s sexual fantasy, and if you can’t satisfy them, they’ll satisfy that fantasy somewhere else.

“You know, when I first started doing this I thought, Wow, I’m getting paid to fuck women; I must be really good. But as you continue doing it, it becomes a job. It’s still work, no matter how pleasurable. And when you leave that couple behind, you’re still there by yourself. You know you haven’t done anything fantastic. You’ve done the job you were hired to do and that’s it. Hopefully you’ve done it well and hopefully you’ve given some satisfaction. But you’re not going to change the world.”

And what of the future? What does a thirty-six-year-old professional prostitute do when he finally hangs up his spike?

“I don’t know,” Frank says. “I do know all this is going to end and I’m going to have to go back to work. I’m just trying to milk this period of my life for all I can. When it ends, it ends. But I’ll keep doing it. At least, as long as the phone keeps ringing . . . “

Why Some Scandals Dominate the News and Others Fade

Whereas before a simple denial or apology would have been enough to allow a man to return to public life relatively unscathed, now there are real consequences for accusations of mistreating women.

Donald Trump, who was accused by 19 women of varying degrees of sexual misconduct, is almost assuredly the cause of this moment of reckoning. Horizontal action is the name for a concept that can be seen in oppressive authoritarian regimes. If people realize they can’t do anything about criminals in positions of major power—like a dictator—they begin to redirect their anger and sense of injustice toward those in their own lives. Since Trump was elected president, American women have been angrier than ever. Thus, #MeToo—started in 2006 by activist Taran Burke as a movement seeking “empowerment through empathy” among women of color who have survived sexual abuse—was reinvigorated by celebrity feminists.

#MeToo scandals are a lot like snowflakes. Some dissolve quickly on wagging tongues and others join their fellows, gathering mass and momentum until they wipe out an entire village. Just like snowflakes, no two are exactly alike. But the difference is seemingly at random. Why do some fade away and others gain momentum?

Enter the Elements of Scandal. This comprehensive, scientific, and completely accurate theory can predict with 100 percent surety whether public accusations will ruin a man’s reputation. Note: The man’s reputation will almost certainly be ruined by any accusation, but this system will allow us to figure out exactly how ruined that reputation will be.

Here are the categories in which you can score:

  1. Multiple Accusers (MA): One allegation is usually all it takes, but when more people get into the mix is when things get really real. Al Franken might have been able to survive a single allegation of groping a woman, but definitely could not survive the steady drip-drip-drip of allegations after Leeann Tweeden came forward with her initial allegation.
  2. Famous Accusers (FA): The Harvey Weinstein scandal really only took off after some of his most famous alleged victims—Ashley Judd and Rose McGowan among them—told their stories. The reason this is key is that we are conditioned to believe famous people and because famous people are seen as having less to gain by coming forward with their stories. They’re already famous, the thinking goes, so they don’t have the traditionally ascribed motivation to women coming forward: That they’re only in it for the fame.
  3. Perceived Hypocrisy (PH): These scandals have been particularly bad when it seems like the man has taken strong feminist positions in the past. Obviously, nobody was going onstage in mid-2017 saying, “I think rape is actually good, and I’m proud to say that I would totally do it.” But especially bad are the people that had previously made names as feminist champions, like Aziz Ansari.
  4. Strong Imagery (SI): Matt Lauer seems like a run-of-the-mill creepy boss. Sure, he liked to bang interns and put people in uncomfortable situations with insistent advances. That’s bad, and it’s obviously bad to do when young women are trying to learn how to work in television. But the thing that made his scandal really pop was the now-infamous button that closed and locked his office door. Of course, it’s now common knowledge that every executive office at NBC had that button and that it didn’t lock the door from the inside, but people hear “rape button” and something breaks in their brains.
  5. Leaving a Trail (LT): There’s nothing people love more than playing detective. Whenever a celebrity is accused, the first move is always to comb through their past work to find hints or clues that the accused celebrity had a guilty conscience and was trying to tell us all along—through their art. This happened to Louis CK. Louie dealt explicitly with non-consensual masturbation in the “Pamela” arc and with consent in several other episodes. His I Love You, Daddy was recast as a sick attempt by Louis to explore his deviant fetishes, while we all paid money for the privilege.
  6. Open Secret (OS): If people are telling jokes about your accusations before they appear in the New Yorker, then you have an Open Secret. Think about Seth Meyers’ joke about Harvey Weinstein at the Oscars or the Family Guy joke about Stewie running naked through a mall yelling that he had just escaped from Kevin Spacey’s basement.
  7. Cover Up (CO): Any effort made by the celebrity to stop people finding out about his alleged crimes means that the Cover-Up multiplier comes into play. Think about Harvey Weinstein hiring ex-Israeli intelligence through Black Cube to spy on potential accusers. Creepy, right? The old saw is true: The cover-up is (almost) always worse than the crime.

Confused? Don’t be! We will walk you through some scandals and show you how all of these categories apply.

Harvey Weinstein: 7 Harveys

There’s a reason Harvey is the one to kick-start the #MeToo movement. He was exacting with the filmmakers that worked for him and held himself to equally high standards when it came to becoming the most notorious alleged sexual predator in modern American history. Weinstein hit all seven categories about as hard as it’s possible to hit them: MA, Weinstein ended up with more than 80 accusers when all was said and done; FA, the New York Times’s initial report started with an accusation by Ashley Judd and he was later accused of misconduct by Uma Thurman, Penélope Cruz, Gwyneth Paltrow, Rose McGowan, and others; PH, Weinstein won humanitarian awards and was an outspoken advocate for Hillary Clinton; SI, we are left with the indelible image of Weinstein chasing actresses around the Beverly Hills Peninsula Hotel wearing only a towel; LT, on-the-record stories of Weinstein’s anger were legion, though often presented as indicative of his exacting standards; OS, “Congratulations,” Seth Meyers joked while presenting the list of Best Actress nominees at the 2013 Oscars, “you five ladies no longer have to pretend to be attracted to Harvey Weinstein.”; CO, when you hire something called Black Cube to investigate your accusers, and that comes out, you are fucked. Weinstein was such a perfect spark to light the tinderbox of public allegations because he hit every category possible. Congratulations on your win, Mr. Weinstein.

James Toback: 2 Harveys

Why did director and writer James Toback not reach the same heights of scandal as did Weinstein? The answer is simple: He didn’t score nearly as many points. Though Toback was accused by 310 women of misconduct (MA) and featured Selma Blair, Rachel McAdams, and Julianne Moore among his accusers (FA), he didn’t leave as much of a lasting impression. There was no PH, his alleged MO was seemingly standardly creepy casting-couch fare, so there wasn’t any SI and he didn’t go to nearly the same lengths as did Weinstein to cover up his alleged crimes. So although he was debatably four times as prolific a creeper as Weinstein, we mostly forget about him in the story of the #MeToo year.

Louis CK: 6 Harveys

My wish for you is that you one day love anything as much as Louis CK allegedly loved beating off in front of uncomfortable women. Though Louis’ alleged crimes are orders of magnitude less severe than Harvey Weinstein’s, he’s often mentioned in the same sentence. Why? Well, because Louis scored a shocking 6 Harveys. The first reports about him included five women, notching him an MA. Though none of them were famous, they described Louis masturbating, which he often pantomimed in his comedy, scoring him an SI. He presented himself as a champion of women, including an executive producer credit on feminist comedy series Better Things and Tig Notaro’s Amazon series—PH. He also scored in LT and OS, with constant references to semi-consensual situations in his comedy and writing career. His manager, Dave Becky, reportedly threatened legal action against some of his accusers, which counts in the CO category.

Aziz Ansari: 1 Harvey

There’s a reason that this is often described as a tipping point in the #MeToo movement—he only scores a couple of Harveys. Feminists were upset at his perceived hypocrisy, but he only ever had one accuser and seemed to immediately take responsibility both in texts to her and after the allegations surfaced. It was easy to dismiss Ansari’s behavior as a one-time mistake, and he didn’t really lose any gigs. His name pops up in these discussions because the allegations are such a flashpoint, but he will definitely be able to bounce back.

Matt Lauer: 5 Harveys

Lauer earned his place on this list because of alleged long-running predatory behavior at NBC. Though there seemed to be little in the way of a cover-up, Lauer’s case checked boxes for SI, PH, MA, LT, and OS. The “rape button,” though it turned out to be a normal feature of NBC executive offices, left such a strong impression that his office was straight up demolished rather than gotten a new occupant. Video also surfaced of Katie Couric telling Andy Cohen on Watch What Happens Live that Lauer would regularly pinch her ass. Lauer scored hypocrite points for grilling Bill O’Reilly on-air about sexual harassment, all while allegedly doing much the same himself.

Asia Argento: 4 Harveys

The list’s only dual entry comes as Argento became both the accuser and the accused during the #MeToo moment. She accused Weinstein of raping her, though acknowledging they subsequently had a long consensual sexual relationship. She took her place at the vanguard of the #MeToo movement until August, when the New York Times published news of a settlement she had reached with her own accuser, Jimmy Bennett, who said she had sex with him when he was just 17 and she was 37. Argento met Bennett when he was 7 and they filmed The Heart is Deceitful Above All Things, which she also directed and helped write—that’s LT, especially since he plays his mother in the movie. Her major PH was buttressed by the SI of a photograph of the pair in bed on the night of the alleged assault. The $380,000 payment to Bennett in exchange for copyright of the image qualifies her for CO. That’s a 4-Harvey total, which puts her in the middle of the pack of #MeToo celebs. 

Kevin Spacey: 4 Harveys

Though the fall from grace was swift and severe, Spacey’s scandal wasn’t as spectacular as some of the others on this list. His FA, Anthony Rapp, accused him of attempted sexual assault when Rapp was just 14. Subsequently, the Old Vic theater in London received 20 additional complaints of sexual misconduct (MA). Spacey’s statement, which focused mainly on the actor’s closeted gay sexuality, was close enough to PH that it only fanned the flames.

Design by Camile Mariet

Carter Cruise

In the summer of 2015, 24-year-old Carter Cruise summoned me to Los Angeles’s Line Hotel.

Sitting on an oval-shaped café couch, Carter was beaming. She had just won AVN’s Award for Best New Starlet and Best Actress — a feat accomplished only by Jenna Jameson — and she’d recently hired a publicist.

In the hip, gentrified Koreatown neighborhood, Cruise’s hoodie and dirty blonde hair contrasted with the straight bangs and acid-washed jeans of the girls around us — born-and-raised suburbanites who had sought refuge in L.A. Carter, too, was a migrant (in her case, from suburban North Carolina), but she had fled the South for sunny California to shoot porn, not to record acoustic ballads about cigarettes and coffee.

Carter, though, believed she fit in with the hotel hipsters. “I’m gonna slowly transition out of porn and become an EDM DJ,” she said between sips of late-night coffee, using the acronym for electronic dance music. “You should write about it!”

I wavered, telling her I had heard this tale before: Girls who were going to transition from porn star to stand-up comedian, YouTuber, and/or feminist blogger. Porn, they all claimed, was “a stepping stone to launching a brand.”

Within a few months, though, they were always back in front of their laptop’s webcam, masturbating for cash. Carter assured me she was different — after all, she had revived the coed look while filming porn in college before Duke porn star Belle Knox went viral. I told Carter she was wrong.

But this time I was wrong, because three years later, I’m standing in the foyer of Carter’s new home in southwest L.A., watching her prepare for her latest sold-out DJ tour — a first for the girl who starred in the porn series Teens Love Huge Cocks.

Wearing her hair in a bun, dressed in a rainbow shirt which reads KEEP AUSTIN WEIRD, Carter lugs in part of a huge delivery of water bottles. (Ravers need to keep hydrated.) “I nearly missed my delivery!” Carter says in a raspy voice reminiscent of Lindsay Lohan. As she picks up more bottles, her tucked-up hair reveals a “Call Me Daddy” tattoo on her neck. “It’s not an issue unless I’m in line at Starbucks, hungover, and a family sees it,” she says. “I get self-conscious. They must think, Who is this ratchet girl in front of us?” Then she giggles.

She laughs again as she recalls being on the road all year, DJing two to ten times a month. Whereas most porn stars attempting to go mainstream disavow their past, Carter has used hers to promote her gigs the way other porn stars use skin flicks to advertise their escort business. “I knew it was gonna be part of the spin,” Carter says. Although she declines to reveal how much she gets paid per show, she says it’s more than the $800 to $1,500 she makes for girl-on-girl porn shoots. This is because her bread and butter are DJing frat houses. Frat houses, she says, are the Venn diagram of porn and EDM. The boys equally love loud bass and bouncy boobs.

“I bring my boyfriend. We relive our college days,” Carter says. “I see a photo of him between two girls flashing their boobs and say, ‘So this is what you’re doing while I am DJing!’”

Most college dudes are polite, she says, even when inhibition levels are lowered after drinking copious amounts of beer from plastic cups. If one fraternity brother makes any sort of trouble, a fellow brother will typically have her back. Then there was the night Carter followed a group of them to an afterparty in a house unaffiliated with Greek life. One boy opened his bedroom door and yelled, “Slut! You’re a fucking slut!” then slammed it shut. Carter knocked. Locked. She grabbed a broom, walked outside, and smashed his porch lights. The frat boys watched in shock. “Don’t tell anyone,” Carter told them.

“Nah, we won’t,” one replied.

“Greek life gets a bad rap, just like porn,” Carter says. “But there are a lot of good people in it as well.”

Carter Cruise Publicity Shots

Carter sees intersections between porn and many parts of life. When I ask about her childhood, she recalls spending her days hiding in Barnes & Noble’s sex section, flipping through books about the Kama Sutra.

“I was very sexual even as a child, very attuned with fantasies… I always had fantasies of BDSM, very young, early on,” Carter says. “I’ve been sexually inclined as long as I can remember — I knew it was something I shouldn’t feel. So I kept it a secret.

“I have this theory: Because human sexuality is so repressed, a lot of our first sexual experiences [stem from activities] we are ashamed of — we masturbate, we experiment with a friend, we have a teacher fetish. Taboo things are fetishized because we are taught to fetishize shame. If you are with someone and you see someone else you want to have sex with, it’s taboo. You repress this till you cheat. [Stepsister porn] is not about incest. It’s that it’s taboo, wrong, and dirty. That we should feel ashamed turns us on.”

Carter’s parents were middle-of-the-road. Dad worked in finance while Mom taught school, but many locals preached conservative values. “There’s regular racism, sexism, and homophobia [in North Carolina],” Carter says. Her childhood sex obsession, she believes, was connected to her surroundings. North Carolina was an insular world of shopping malls and social traditionalism, but Carter believed she was bigger than her bubble, destined to accomplish something bolder.

Frat houses are the Venn diagram of porn and EDM. The boys equally love loud bass and bouncy boobs.

Her parents sent her to theater classes, and she acted in community musicals. But just as she secretly fantasized alone in her bed at night, Carter dreamed of something beyond performing in local Rodgers and Hammerstein musicals.

“Take me to L.A.,” she recalls saying to her parents one day. “I am going to be a child star.”

“Sit down,” her dad told her.

Craving thrills and prone to mood swings, Carter says she concluded that local theater was about as good as she could do in her town. She started telling herself that if she really wanted to head to Hollywood, no one could stop her, not even her dad.

Finances, though, proved to be an obstacle. After graduating from high school, she didn’t have the money to chance a move out west. So she took out loans and enrolled in East Carolina University in 2009, determined to study theater.

During her freshman year, Carter decided to join a sorority. She wanted to make friends, but she also discovered that the idea of sorority initiation rituals triggered those childhood BDSM fantasies.

“I was into the whole idea of hazing,” Carter says. “It’s extreme, it’s pushing your limits, it’s proving you should be a part of something. From all the BDSM stuff I’ve [thought about], I am someone who loves extremes, pushing myself. I picked my sorority because I [heard] they had hazing.”

At her entry ritual, though, her sisters declined to haze her. “What?” Carter responded. “I am ready to be hazed.”

Joining the sorority, she became a regular on the Greek life circuit. If you went to frat parties in North Carolina during the second Obama administration, Carter says you probably knew her name.

But by junior year, she was bored with sorority life and began reading about sexuality on Tumblr. “I felt trapped,” she says, alluding again to the traditionalism around her.

Then one day, Carter watched an online porn movie starring Jessie Andrews and was captivated by its lush colors. This is so beautiful, she thought. I could do that. Between the artistic porn and feminist sex Tumblrs, Carter believed she was witnessing the start of the second sexual revolution.

“I wanted to be on the front of that wave,” she says. She decided that if a young woman like her — a college girl raised in the suburbs — shot porn and was open about the experience, maybe it wouldn’t seem as taboo to people.

Sitting in her sorority house, Carter drafted a ten-year plan: She would make porn movies, write about her adult career on a sex-positive Tumblr, transition into electronic dance music, and then move into mainstream acting.

When she called her parents to tell them her plan and explain why she was starting with porn, her father listened patiently, seeming to view his daughter’s decision as another example of her need for excitement, for pushing her own boundaries — and those of others.

And so, Carter Cruise (a stage name) shot her first film. The distributor released it her senior year, and she became the hot topic in North Carolina Greek life. As she sauntered through frat parties, boys hit on her. She was the only porn star they knew, and she seemed dateable.

But not all the attention was positive. One Christmas Eve, Carter says a former sorority girl messaged her, “I hope your dad is [so] ashamed of what you do that he kills himself.” Carter found the girl’s in-laws on Facebook and sent them screenshots of the girl’s messages. “You might not agree with my life choices, but the message she is sending is very negative,” Carter remembers writing.

Experiences like this made Carter realize that porn — the foundation of her ten-year plan — could destabilize her future goals. She decided she wouldn’t mention porn on her social media accounts, and it’s still her online approach today. Look at her Instagram and you’ll find Carter in millennial pink hats, Carter in black boots at Coachella, and Carter eating pizza. She could be any Instagram celebrity.

One day Carter watched an online porn movie starring Jessie Andrews and was captivated by its lush colors. This is so beautiful, she thought. I could do that.

“Myself on my social media is different from my porn-star persona,” she says. “I don’t cam. I don’t sext. I want people to understand when I go do porn, I am playing a character, like ‘crazed slut who can’t wait to suck cock today.’ I don’t want people to think they can treat me a certain way. I don’t post sexual things. People aren’t following me for free porn. I had the end goal in the beginning.”

Carter Cruise Happy

When Carter moved to Los Angeles in 2015, her plan went off-course. A porn production company refused to pay her, and she struggled to meet her $2,500 monthly rent. So she moved to a cheaper one-bedroom, a cute but “old and dusty” apartment on Sunset and Western in Hollywood. Carter fucked the same actors over and over again and got bored. She decided to stop shooting boy/girl porn and move toward another phase of her plan: DJing. At first, she could only book one or two low-paying gigs a month. For a yearlong stretch, Carter says she only made around $25,000 and was forced to liquidate her porn-boosted savings.

Desperate for cash, she found herself crying on her apartment floor. What have I done? she thought. I used to make more money. She contemplated returning to boy/girl porn or maybe taking up camming. Then she told herself, No, I want this. I just have to keep DJing. She hustled on.

Two years ago, the tide turned. Squads of young fraternity brothers googling “porn star” and “frat” stumbled on Carter’s 2014 interview with TotalFratMove.com (Gawker for Greek life devotees). The interview got widely circulated, creating a wave of new collegiate fans. More and more frat boys started emailing Carter, and she realized there was a lucrative DJ opportunity before her: frat parties.

“People like that I’m a regular chick,” Carter says of her appeal. “That’s why they liked me in the porn industry. You can meet me at a bar.” She ruffles her shirt. “I don’t have big tits. I come early to frats and stay late.”

The frat parties bring in good money, too. Carter and her boyfriend now rent an expensive new house, sharing it with three fun-loving housemates. When I walk in, a few skull statues sit on an otherwise empty marble counter in the kitchen.

To support her lifestyle, she continues to shoot girl/girl scenes. Because just as porn can promote a performer’s escort business, the work attracts young men to Carter’s DJing. “Porn is a way to make fans,” she says matter-of-factly. She knows some of the frat-party gigging could go away if her porn name vanished.

“Some girls try to deny they’ve ever done porn [when they seek mainstream work],” Carter continues. “I don’t want to name names, but they lose fans. I want to respect the adult industry. That’s why I always speak up for sex-worker rights. I built a fan base that wanted these things.” Thanks to the frat-party success, she now scores additional DJ gigs at clubs and raves.

But porn is still porn, reputation-wise. Recently, a promoter canceled a gig after he learned of Carter’s porn background. Then there are those who label her as nothing more than another “model DJ” — a pretty girl who presses “play” on a laptop and pantomimes DJing, her name adding value to the event flyer. But given her first career choice, she’s used to criticism and shrugs it off. “After you shoot porn, you think, Fuck it.”

Still, the stigma attached to porn rubs Carter the wrong way, because so many girls are flashing their tits and asses on Instagram, proudly declaring themselves “thots” — that ho over there — while critiquing porn stars.

“People like that I’m a regular chick. That’s why they liked me in the porn industry. You can meet me at a bar.”

“People reclaim ‘thot’ and ‘slut,’ but not ‘porn star,’” she says. “I have friends who say they would never do porn, but they have private Snapchats where they post porn. I just saw a female DJ on social media talk about how she used to strip, but then she said, ‘I would never do porn!’”

Hoping for a shift toward a new sexual revolution, Carter has instead watched porn get caught up in a new kind of culture war. She points to politicians who want to force porn stars to wear condoms, but then refuse to meet with sex workers.

“We need [their help],” she says. “People who are behind [these laws] are antiporn, antisex, people like Bernie Sanders or Kamala Harris, who support FOSTA [Fight Online Sex Trafficking Act]. The people behind that legislation are not behind sex workers at all. [Democratic senators] didn’t talk to us. They think they are doing something good for people, but they don’t know because they don’t talk to people [in the industry]. How can you help someone if you haven’t asked what they need?”

Carter Cruise Sunbathes

Believing this new, rising platform outside of porn work — her DJ touring — might chip away at the anti-porn bias a bit, Carter has also started producing music while continuing to embrace her porn-star role. She’s released remixes and some of her own songs, and spent the past year and a half writing and recording an EP called Sin Music.

“I’m not trying to be a singer,” she says. “I just want a personal project. It wasn’t about having a banger to play at shows. It was a passion project. I wanted to show I wasn’t just a model DJ to put on a flyer. I spend so much time working on my sets, working to make each unique and special. Also, there’s nothing wrong with model DJs. I have friends who are more model/Instagram types who play Sephora openings. That’s dope! But that’s not what I wanted to be. I want to have my own show. I want to have dancers. I want to have a whole visual thing. Model DJs don’t get that.”

Seated in her fine new home, plunging a spoon into a protein shake, Carter admits the ten-year plan she dreamed up in college hit a few bumps along the way. But she also knows she’s beaten the porn odds.

“I could have a more comfortable life with a regular job, but this is the life I wanted,” she says. “I didn’t do porn, or start DJing, for money. I wanted to have a cool life with experiences. It’s not the happy life you always see on social media. It’s a struggle. They don’t see me crying on the bathroom floor.” Again, she laughs. Then she adds, “I’ll take the lowest lows for the highest highs. That’s just the part of the process.”

The Fun Page Begins

Penthouse Comics for the enjoyment of all. (Although honestly some people would enjoy this more than others. Think about the first people fired. They’d be on the bottom of this pile, and that cannot be comfortable.)Penthouse Comic

And they you’d have guys like Steve Bannon. Some poor schmuck would have to go all the way to the start of line and dig him out, because suddenly he was a buddy again.

And the Moral of the Story? … You need to careful picking your contractors, because they can cause a lot of hassle down the line.

Editorial comments by someone much less talented than Todd Francis, but he was quite economical.

Blaire White

Blaire White never thought she would end up making a living from YouTube. The 24-year-old Northern California native just needed a place where she could talk about her political views, which were becoming increasingly unpopular with her progressive, social-justice-warrior friends.

White was 20 years old and regretfully studying computer science at college. Frustrated by the lack of political diversity on campus and by the militant brand of feminism that was taking over her peer group, she decided that if she couldn’t debate with her friends, she’d talk to her computer. She made a short video criticizing feminism, uploaded it you YouTube, and thought nothing of it.

Cut to a few years later, and White has become a provocative and popular voice in the political conversation between self-made commentators like Dave Rubin of the Rubin Report, Ben Shapiro of the Daily Wire, comedian Joe Rogan, and YouTuber Laci Green. White is young, fringe, and no-holds-barred, a strong millennial voice brave enough to address the culture war and question the narrative. And though there are many people who love her, there are just as many who hate her.

On her YouTube channel, White mostly sticks to politics. She’s criticized Black Lives Matter (the backlash was so intense the FBI got involved), feminism, transgender politics, fat-acceptance, and rape culture. She debates other YouTube stars who disagree with her views, often uploading the unedited two-hour debates for her fans to watch. But most recently, she started branching out from politics and doing personal videos. The debut? A vlog detailing the intense round of plastic surgeries she had to complete her transition to becoming a female. Did we not mention that White was born a dude? (Yeah, I know. We could hardly tell either.)

With a documentary being made about her life for WAG TV, her recent engagement to boyfriend Joey, and her growing number of followers, White is at the top of her game. Welcome to the wild, wonderful world of Blaire White.

How has YouTube changed your life?

YouTube has changed my life in more ways than I probably even realize. I started my channel two years ago, and in that time so many things have happened. I was a broke college student with four roommates that I never should have been living with, and I started YouTube on my little 4 ADP webcam. I had a light from Target as my professional lighting. It really just took off. Everything that has happened is very surprising. I never thought this would be my job.

What compelled you to do the first video?

My first video was a criticism of feminism.

I made the video because, at the time, I wasn’t in an environment that would accept my opinions. I couldn’t openly talk about that without backlash or losing friends. I mean, I’ve lost friends over my YouTube channel, but now I have a new set of friends and peers. But at that particular time I was a college student, and in addition to my peers disagreeing with me, my professors did, too. I really used YouTube as an outlet to discuss my politics without being made to feel like an outcast. It paid off. So, thank God.

You don’t really fit into the right or the left, but you say you lean right. At one time though, you were a far-left, progressive social-justice warrior. What changed?

[Laughs.] It was the year before I started YouTube that I began to come into my own thoughts and beliefs. Before that, I was on the complete opposite side of the political spectrum. It was being young and not having the willpower, desire, or ability to build my life from the ground up, which is what I have done now. I didn’t know how the world worked. I’m sure I will have more ideological or personal changes in my lifetime, but this is where I’m at now.

Where were you at in your transition when all this ideological change was happening?

Interestingly enough, the further along in my transition, the further I changed politically.

Why do you think that is?

Because being trans you have to do shit yourself. I realized that where I wanted to be and what I wanted to be was not going to be handed to me. I had to go after it myself. That informed a lot of my options outside my transition. Self-determination, accountability, and personal responsibility became really big factors in my success. When I was younger, I saw things I could not overcome as obstacles instead of challenges. I don’t see obstacles anymore.

You’ve had success. You’ve proven to yourself that you’re capable.

I completely shocked the fuck out of myself with the number of things I’ve done. I look at my life even two years ago, and I’m now living a completely different life. I’m engaged. I have a career. I have a movie coming out soon.

What’s the movie?

I’m currently being filmed for a movie about my life story with WAG TV. They do all the shows on the Discovery Channel. We’ve had cameras in our home for a few weeks now. It’s been kind of hard. [Laughs.]

One thing I like about you is that you can’t be put in a box. Why do you think so many people can’t handle that?

I think a lot about why I’m considered controversial. I feel as though I don’t say things that crazy, and my fans and everyday people on the street wouldn’t consider my views controversial. I’m just saying things that most of us think but won’t say out loud because of the fear of retaliation. I guess someone has to get the slings and arrows that come with that. I’ll take it.

You wrote a tweet that said, “Stop ending friendships over political differences. It’s an immature and shitty thing to do to someone just because you disagree with them.” And people got upset by this. I don’t see what was offensive about that statement.

I’m at the point now where I can predict the reaction to certain statements I make. But that one got virally dragged! Hundreds of thousands of people coming at me for that. It was one of the tamest things I’ve ever said!

Objectively, I don’t see what’s wrong with it.

I don’t either and I never will. I have thought hard about it. People have called me racist over that tweet. [Laughs.] How is that racist? Look, people have allowed religion to become their politics. People like me show that this is a reality. On my channel, it’s a pretty friendly place. But any time I’m posted somewhere else, it’s an extreme amount of hate. People like me put a spotlight on that vitriol just by existing and speaking our minds.

When is it going to end?

I don’t know! [Laughs.]

We are in a culture war.

Oh, yes. We are at the point now where people are harassed and booed out of restaurants for believing the “wrong” thing. It almost makes me want to back off more and more and more. I want to participate less. It gets exhausting. It’s such a soulless genre to be involved in. Pure politics turns you into a monster and I do not want to be a monster.

Blair White through Viewfinder

Have you had any public attacks?

I’ve been doxed, which means that your personal information has been made public online. I’ve had to deal with the FBI over this. It was very serious. I’ve had legitimate threats against my life. I’ve been in gay clubs and all of a sudden been surrounded by people who want to beat me up. On the flip side, the overwhelming majority of the reception I get is positive, whether it’s at the gym or on Hollywood Boulevard.

If it was pure hatred, I’d have to rethink some things.

How did the trans discussion become inherently tied to leftism? The trans conversation is new. We wouldn’t be sitting here talking like this ten years ago.

In some ways, it was easier to be trans ten years ago. No one knew what it was and you could just live your life after transitioning. Don’t get me wrong, I’m aware of the fact that a lot of my success is tied to me being trans. I’m not denying how it has helped me. But there’s also a misconception that being trans is political. That it’s tied to leftist politics, feminism, or any ideology. But it’s biological, neurological, and physiological. I felt trans when I was a kid at four or five years old. I think that because a lot of people on the left are the ones who end up speaking up for trans people, it becomes conflated. Trans people can be purple-haired San Francisco feminists or gun-slinging Southerners. Ninety percent of the people who speak up about trans issues are not trans. They end up controlling the conversation instead of letting trans people talk. I think that if we controlled the narrative, people who don’t understand us would start to.

I think this is also a product of social media. Everyone has their opinion and can share it. How do you feel about social media, seeing as how it’s a big part of your career?

I guess my relationship with social media has changed in the last two years since it became a job. Sometimes I love it. Sometimes I hate it. It really depends on what scandal I’m dealing with. [Laughs.]

There have been studies that show how detrimental social media can be to one’s self-esteem and self-worth, but those studies are done on people who log on during their lunch breaks, between classes, etc. They don’t do the studies on people who do social media for a living. I can’t complain. Social media has given me everything and it’s why I’m here right now with you.

Let’s talk about baby Blaire. Obviously, you were not born with boobs. How did you become the Blaire White sitting with me now?

Like I said, my earliest memories involved gender dysphoria. I felt like no one saw me the way I wanted to be seen. I didn’t fit into male activities. I could not live up to those gender standards. I had no idea what “trans” was, but I understood that there was something wrong. My dad would ask me why I talked, walked, and acted feminine. I’ve always been feminine. My voice never dropped! The signs were there really early. It wasn’t until I became an adult that I could get on hormones, get surgery, and make it happen. However, people are transitioning very young now. Transitioning is hard. It fucks with your mind and your body. The thought of going through that as a kid is pretty crazy to me.

When did the reality of becoming a woman actually happen?

As I got older, the feelings of gender kept increasing. I was experimenting with my look as a teenager, which was a mess. At that time, I’d met someone who ended up being my best friend for years, and I saw a lot of myself in him. We both realized, around 16 years old, that we needed to transition together. When we were about 19 or 20, we started our transition. We were roommates. I had just ended a relationship and moved back to California from Michigan. However, the friendship ended. She didn’t agree with my politics, which is sad, because we went through something very intense together. I knew I had to transition to be happy.

I started my transition, then my YouTube channel, and I finished my transition on YouTube.

Why did you want to put your surgery videos on your channel?

I decided to vlog my surgery for my own keepsake. I still watch it sometimes. I was on copious amounts of painkillers. I don’t remember too much. This was the first really personal video that I did, which opened the door to talk about my life a little more. Before that video, my content had been strictly political.

Can you describe the surgeries you underwent?

I had multiple at one time. I got my breasts done and a few different things on my face. I had rhinoplasty and a brow-bone shave.

What’s a brow-bone shave?

All biological males have a ridge on their forehead right above their brow line. You would never really notice it unless you knew it was there, but you can feel it. This ridge makes a difference when you scan a face. People subconsciously notice it when you’re figuring out which gender someone is. Basically, what they do is cut your skin off at your hairline, pull the skin down, shave the bone until it’s flat, then staple you back up. The recovery for that one–again, painkillers–but from what I remember, it was terrible. But now my ridge is gone. I’m flat as a pancake.

Why the hell did you do all those surgeries at once?

I know. I’m nuts. But my mindset was to get it all over with. I’m terrified of surgery and I never wanted to go through it again, so I just figured I should do it all at once. I’m glad I did it that way. I was able to get back to work not long after.

Speaking of work, which videos have been the most controversial and what was the backlash?

I did a video where I criticized the extreme elements of the Black Lives Matter movement. This was during the summer of 2016, and there was a lot of rioting around BLM. I prefaced my criticism by stating that BLM started with good intentions but had somehow gone haywire. After I published that video, I woke up the next day to a storm. I had been doxed. I had hundreds of thousands of people attacking me online, and eventually, the FBI got involved.

Can you get the police involved when someone doxes you?

It’s not taken seriously. If you make a living online, and you’re a social media influencer, having your address leaked online is extremely dangerous. It’s not leaked to seven people, it’s leaked to thousands. One of my fans found the woman who had doxed me. She admitted to doxing me. Then my fans took it upon themselves to start harassing her. They hacked into her mother’s bank account. They hacked into her school information. I do not condone this kind of behavior and I even made a statement saying that.

But also, like, don’t fuck with me, because my fans will protect me. [Laughs.]

Penthouse was actually slut-shamed out of the SlutWalk. Which is pretty anti-slut for a bunch of alleged pro-sluts. But I digress. What happened when you went?

I went to Amber Rose’s SlutWalk out of curiosity. I wanted to talk to the people who were participating and see why they were there. I met a lot of fans, barely any haters. I took Joey and my friend with me as bodyguards, but I didn’t even need it. I interviewed so many people at SlutWalk, and almost every single person had no idea why they were there. I am not against the SlutWalk; I just don’t think it has cohesive politics. There was an ideological component that was missing. One woman said to me, “I’m here because little boys are taught to rape little girls.” That’s a pretty vague statement. She couldn’t elaborate.

Blair White in Studio

You have one video where you read emails from LGBT people in the Middle East who are living in hell. Do you have a lot of people reaching out to you?

I get messages from people all over the world, whether they are LGBT or not, but more LGBT. A lot are from Middle Eastern or African countries where you cannot be trans, let alone gay. It’s against the law. It means the world to me that people trust me with their stories and want to share with me. I have made videos highlighting their stories, which I think is important because so much of the conversation here ignores their plight. I think it’s common knowledge how gay rights suck in other countries, but I don’t think people realize how extreme it is: You can be killed or jailed. I’ve had people email me from African countries who tell me that there are government-funded magazines with hit lists of gay people, detailing their names and their personal information. It’s like a “Wanted” list for gay people. And half the time, these people are not even gay but happened to be standing too close to another man or whatever the case.

Once you hear these stories, it’s hard to forget them. America is not perfect, but we have it pretty good, and we have to remember these other people who are struggling in a way we’ll never understand. I never want to live my prissy life in Los Angeles oblivious to the brutal situations in other countries. One of my life goals is to create a foundation that helps get these people out of their countries and their bad situations.

I have no structure or plan, but I will figure it out. For now, I do what I can, but I want to do something bigger.

It’s truly brutal, what they’re facing.

People forget: Laws shape the culture. If you’re living in a country where it’s illegal to be gay, no one is going to have a neutral view when it comes to gay people. Gays are villainized. They are treated like pedophiles, though in some of these countries, it’s standard practice for a 40-year-old man to marry an 11-year-old girl, and this is supported by both families, yet being gay is illegal. That puts it into perspective. It’s fucked.

That seems so archaic.

People use the phrase “stuck in the past,” but no, literally, these countries are stuck in the past. These places are culturally fucked. And when discussing this, “culture” will be used as a shield. Oh, it’s their culture. Sorry. Some cultures are fucking shitty.

Let’s talk about your “Make American Great Again” hat video. I haven’t watched it yet.

I love when people say they haven’t watched it yet. It’s my craziest video! I can’t even do it justice. As a social experiment, I thought it would be interesting to see what happened if I walked around Hollywood, where I live, wearing a MAGA hat. Los Angeles is very liberal, and I wanted to see the kinds of reactions I would get. I was assaulted twice in the video. We happened to walk by a protest, which was not planned. It was an anti-Trump protest. I had no idea what the protest was for. I saw a cop and asked him what the people were protesting, and he didn’t know. We figured it out pretty quick.

The first assault I received was from a male protester in a pink pussy hat who came up and snatched the hat off my head as I was taking a selfie. I tried to chase after him and get it back. I fell, and he stomped on my hand and broke my acrylic nail. I was bleeding everywhere!

He stomped on your hand with his foot?

Oh yeah. It happened so fast.

Did you punch him?

No, there was a cop right there trying to separate us. We left that area and I was really upset and wanted to go home. I decided to film the outro of the video, “Hey guys, I’m heading home, this was crazy, etc.” And as I’m filming, this person runs up from behind Joey and throws a bottle of alcohol in my face. It was the cherry on top of a shitty sundae. I’m not even a Trump supporter. I’m very levelheaded about Trump. I appreciate when he does good things, and I criticize him when he does bad things. I judge him issue by issue, policy by policy.

I did the hat thing as an experiment because the red MAGA hat is so symbolic now. You can’t wear one in L.A.

I can’t believe the man stomped on your hand!

Yes, a man in a pink pussy hat. I had no idea it was going to be that intense. Even when I realized it was an anti-Trump protest, I never imagined I would be physically assaulted.

You were assaulted for your accessories.

It’s crazy. There’s another awful story about a girl who was wearing a red hat, people mistook it for a MAGA hat and beat her up. Lesson learned: Don’t wear a red hat in a liberal area.