Marriage Pass

Taking a Pass at Marriage

So I recently did something I’m not proud of: After a night of many, many, many, many drinks — and perhaps a few other components — I hit on my friend’s wife.

I only know I did this because I was informed of it, by her, the following day. The subject line of the email read “Last night,” and its body detailed my slurred attempts to make a play for this unsuspecting woman.

None of it was lecherous, just clumsy and extremely uncouth. I, of course, replied, offering my sincerest apologies and clarifying that, had I been anywhere in the vicinity of my right mind, I never would have thought of, much less attempted, such an insane venture. I sent my slighted buddy — her spouse — a text stating the same. He was cordial, though I suspect I won’t be invited to Thanksgiving dinner this year.

In the days following my faux pas, my conscience took very few breaks from tearing into me, which I was fine with. I deserved it. The last thing you do after taking a figurative whiz on a couple’s marital vows is look for sympathy. In under a week, I believe I had three marginal panic attacks, four sleepless nights, and a roughly 120-hour stomachache. Again, all of this was fitting penance for my incredible misstep.

While I was seeking counsel, some dear friends of mine, both male and female — incidentally, I refer to them as “dear” because they spared me the obvious “you fucked up” lectures — gave me open-minded guidance and advice.

They said, “You’re only human,” and “It happens,” and “This will pass in time.” Their kind words were appreciated, whether they meant them or not. My friends allowed me, and me alone, to kick myself while I was down, as they realized two pointed feet were more than enough.

But where was the lesson in all of this? What was the takeaway? Was it that, in a perfect world, you could betray a friend’s trust and he and his spouse might eventually just get over it? When posed with this question, my faithful companions should have responded with, “Get your brains out of your balls and stop looking for poetic meaning in making a pass at your friend’s wife.”

But nobody gave that, or any other, answer. So I continued to haplessly search for my own meaning in all of this and stopped pestering my pals for a life lesson in a complicated situation they didn’t cause.

This treasure hunt, at times aimless, at other times infuriating, eventually drove me to the greater realization I’d hoped for: Traditional marriage is not for me.

After years of stressing over my commitment issues, questioning my reluctance to settle down, and the idea of long-term relationships giving me the same sick feeling I had every night the weekend I headlined at a fish restaurant called Off the Hook in Marco Island, Florida, I finally understood that it wasn’t me. It was you, Marriage.

But what the fuck does this have to do with the shitty thing I did to my friend and his wife? I’d like to think there’s a profound connection. I haven’t been living my truth. Ugh, I hate that expression, even when it applies. But not living my truth led to not loving my life, led to not seeing my worth, led to not realizing my potential.

The undercurrent of discontent in my head, even though unrealized and unnoticed, is probably what caused me to attempt to sabotage someone else’s happiness, albeit inadvertently.

I’m not trying to put too fine a point on the matter. I get that sometimes we drink, sometimes we drink too much, sometimes we black out, and sometimes we hit on the wrong person: bosses, coworkers, a friend of your mom’s, a distant cousin, a less distant cousin, and so on.

But I can’t help but believe that the mom in A Christmas Story had a lengthy string of subconscious motivations that started well before she accidentally broke that leg lamp. The dad knew what was really going on. “You used up all the glue ON PURPOSE!”

The actual conception of marriage is a bit hard to pin down, but I do know its initial roots lie in legend. And that’s a fact. So it’s time I put marriage on the same shelf on which I’ve set other storied illusions to collect dust. I’ve previously let go of voting, belief in teamwork, faith in progressivism, and my chances of ever actually constructing a working light saber.  Wedded monogamous bliss must now join the aging pack.

Not to say I’ll pursue lovelessness and die alone. No way. I’m gonna get married someday. And as I ask you to wipe that “What the fuck are you talking about?” look off your face, I’ll state that I’m aware of my contradiction and, better yet, I have a solution for it: platonic marriage.

A healthy senior sex life is a nice notion if we all have the money and opportunity age like Christie Brinkley. Problem is, you’ll still end up having to fuck John Mellencamp.

Here’s how it works: A friend and I — neither of us having any interest in standard matrimony — will pledge to live and grow old together, through the good times and bad, without the bond being muddied by sex or romantic intimacy. I love the friend, the friend loves me, so we take care of one another and keep our respective boning out of the house.

To be clear, I’m not talking about a couple who swings and swaps. That lifestyle works well for certain people, but I want a union completely devoid of sex — nothing to do with making love, everything to do with sustaining it.

Besides, I don’t know about you, but I’m not exactly worried about getting laid into my twilight years. I’m tired now, for Christ’s sake. But if I really need to get some squish at eighty-four, I’ll go see a hooker … a much, much, much younger hooker.

A healthy senior sex life is a nice notion if we all have the money and opportunity to age like Christie Brinkley. Problem is, even if you do, you’ll still end up having to fuck John Mellencamp. If that’s the fate that awaits me, I’ll gladly keep my companionship separate from my coitus.

In the meantime, I’ll continue to recognize intercourse as merely a means to an end. There’s nothing sacred about it. That’s why it’s called “getting off,” as in, “I’m done here and I need to quickly abscond from this situation.” If sex were truly special, it’d be called “getting on,” as in, “I’m here for the full ride, the long haul.” When it comes to fucking, I don’t need a life partner. I need a brief cooperative.

And if you’re wondering about kids … don’t. For starters, I don’t want them. But if the unlikely day that I do ever arrives, there’s no shortage of ways to obtain them outside of the act of marital conception: laboratories, adoption, fostering, and more. Hell, I bet I could even find one abandoned on the street if I really kept my eyes open. However, in that situation, I’d do my research to be ABSOLUTELY CERTAIN the child had been legitimately discarded before I took it home.

I don’t want to deal with the issues that traditionally complicate a marriage. Do we want a big family or a small one? Are your sexual desires identical to mine? If not, do I really have to try that? Are you still attracted to me? Why do we always have to fall asleep to Top Chef?

None of these issues matter in a platonic marriage. All that matters is that I’ll be with someone dear to me — someone who’d give me advice like, “Get your brains out of your balls” — and we’ll have each other’s backs, unconditionally, till death do us part. And if someone tries to fuck my friend, I won’t care.

Also, I’ll no longer be acting out in the unhealthiest of ways. Instead, I’ll be (sorry!) living my truth.

Joe DeRosa is an L.A.-based comedian, writer, director, and actor (Better Call Saul and Louie). His multiple stand-up specials and albums can be found online, as well as his podcasts We’ll See You in Hell and Emotional Hangs. Because we were curious, we looked up marriage rate trends (via Dr. Google) just to see the results. Turns out marriage rates are less than half what they were in 1970, which probably comes as no surprise for a variety of reasons that we dare not delve into here. Divorces are near an all-time low over that period, though, which could simply mean that people are making better decisions. … Sure. Let’s go with that.

Talking up a Stormi

A Stormi Maya Conversation

All right. I’m here with our pet Stormi Maya doing a quick AVN interview. So what have you been up to since you were Pet of the Month?

Stormi: I have been doing a lot of things within my music career and Cinnamon Babe. We have some amazing collabs in the works. I actually just had a song release today with the band Varsity. Our song “Rain Check” just got premiered on Sirius XM Octane. So I’m really excited for the music of 2024. Unfortunately, there was an acting strike all last year, so I wasn’t able to film any new projects.

Well, before that there was a show, right? What show were you on right after being a Pet?

Stormi Maya Arriving for Conversation ... (no kidding)Stormi: I did lead my own show called Heaux Phase where I played a teenage mom and then I was in Irv Gotti’s movie called Made in America as a third lead. Right after Penthouse, I also was on the show Wu-Tang on Hulu and an HBO show That Damn Michael Che. I plan for a ton of new projects for 2024 too, now that the strike is over.

So last year I mostly focused on music. I did a lot of shows, and I collaborated with OTEP. …

Oh! That’s a big name…

Stormi: Now I have a song called “The MAN”

Were you able to film or record that in the studio with them…

Stormi: Oh, yes. We recorded together and then we did a music video together. And then she came out to one of my shows ‘cause I was performing at The Viper Room … me and Love Ghost – that’s who I perform with. We have a song coming out this year together as well. I have some great music stuff in the works, and I plan on going on a tour soon.

Nice. Is there anything you didn’t do? You did TV, then so much with your music. You had a baby…

Stormi: I had a baby in September. (laughs)

But you never stopped working, though, that whole time?

Stormi: No, I didn’t. I worked the entire time. I actually was pregnant when I went to Australia with Penthouse.

Oh, wow.

Stormi: I was eight weeks pregnant … I was dealing with some morning sickness on the 20 hour trip that left me tired…

And the time difference, too…

Stormi: I mean, I made it work, and I got through pregnancy. It made me a stronger person. And now I’m happily the proud owner of a baby boy. …

Oh! I’m in college now. I’m going for my bachelor’s in finance.

Nice. Okay. A pretty girl could do math.

Stormi: Yeah, I went to college already for two years for business administration. Focusing on, primarily, finance and marketing. Now I’m going for my bachelor’s in finance.

What’s the goal?

Stormi: You know what it is? I believe in it. I’m just not limiting myself. I like stacking on my accomplishments and showing what I can do, and I think that a woman like me who’s in this line of work … I think that it’s very empowering for someone like me to show that I also I’m intelligent, because I think one thing that gets used against us is that people in power think that we’re not intelligent.

They think we use our bodies because that’s a last resort. Instead of thinking, “Hey, maybe it’s a passion.” Or maybe we feel sexy, like, you know, we’re comfortable. We like it. We enjoy it. I think it’s a good representation for women like me that we’re multifaceted. I think that having a degree is a great backup plan.

It also helps you with critical thinking, and it helps you with your future, because who knows what you’re going to want to do down the road? People forget that like this is still a business, and it’s good to have a business brain while you’re in it.

People don’t realize the amount of marketing and branding, even the finance knowledge, that you have to know in order to…

In order not to get swindled…

Stormi: Exactly. It’s a business. A lot of guys think that we’re not smart women, but if you’re not smart in this industry, you’re going to get eaten alive. That’s what I’m doing now. … I have so many products in the works right now. For example, my AI clone just dropped today.

AI? Ok, add that to your accomplishments.

Stormi: Yeah, so I have this AI Clone where guys can speak to her 24/7, and a video version of her is coming soon as well. They’ll be able to video chat with her, and they’ll be able to request photos of her generated in any scenario. You can say, “I want to see Stormi naked in a Starbucks … I want to see Stormi naked inside of a football stadium or The Viper Room,” and you can have that created for you.

A lot of people criticized me for that decision too. They said, “why would you want to create a clone of yourself?” And I’m like, “AI is here. You’re either going to be a part of it or it’s going to get right past you, and you’re going to be begging to be on board after it’s already been gobbled up by everybody else.”

Or someone’s going to take advantage and do it without you.

Stormi: It’s going to happen one way or another. I’ve already Googled myself and have seen AI versions of me, so I might as well capitalize off it. It also kind of protects me because I have a contract signed with this company. They’re going to go after anybody that’s infringing on their rights. I sign over my likeness for the next two years to them, for AI, and so if anyone’s trying to replicate that, they’re going to go after them legally.

It actually, in a way, protects me because at least I’m going to get compensated for it. And they’re watching my back, and I’m in control of it. … Before the final decision with my AI, I sat down with the company. I got to tell them what I’m not comfortable with my AI doing and saying. She has my personality, and the things that she answers are accurate. If you ask her like, where were you born or what’s your favorite food … I gave that information to them. So you know it’s accurate.

I also have my own pocket pussy coming out.

You got molded, how was that experience?

Stormi: I got to do it privately. So I didn’t have I didn’t have an audience, luckily. I actually got instructions where I could do it myself. …

You didn’t have to go into one of those very sterile rooms…

Stormi: No, you get a kit. I was able to do it from home where it was more comfortable, and once again, I got to be on board with the packaging, how we’re going to market it, like that.

My followers are very excited about it. I’ve been thinking about adding some VR porn alongside with it, maybe some P.O.V. videos of me alongside of it would be hot.

Yeah. While they’re chatting up your AI bot…

Stormi: Exactly! You got your pocket pussy, playing the music … all the Stormi experience.

Then I also have my own hentai manga coming out.

No!

Stormi: Yes. Twenty-page short story of me as a giantess, and I’m having sex with all these regular-sized men.  I’m very dominant. It’s even hand-drawn. I hired a script writer, everything. It’s going to print and I’m going to have a limited edition starting off. … It’s awesome. They drew these designs of me with the big hair…

I tell my followers, “She’s willing to do things I’m not willing to do because I don’t do boy/girl scenes and stuff. So it was a way for me to kind of give my followers stuff without having to compromise, but I’m comfortable with it.

Like with the clone and like hentai, I can give them a version of myself doing what they want without having to do it myself.

You’re very creative. I love it.

Stormi: They can still have a visual of me in these scenarios, but I don’t have problems with that. And they love it. I like to stay busy, and I like to create things for my followers to get excited about. … Oh! And my calendar just dropped.

I tell people I’m very old school with the way I do things. I feel like a lot of girls now, they miss so many money opportunities. You work hard to have such a huge brand. You can sell your followers almost anything if it’s on brand. … I feel like some people missed the mark, where I like to capitalize off all of it.

If they love it, they get to have parts of me. I’ve been doing a million things, staying busy right now at home all day. I’m constantly thinking of new ideas.

The movie industry is slow right now, so following up with other things, keeping busy, making money, and I’m trying to make some more … I can’t completely call it passive, but the majority qualifies as passive, income. And you don’t have to like it.

I don’t have to wake up every day and work on the AI clone and the pocket pussy. Once I put them out there, people start buying them, then the company will send them out. I’m doing the front-end work, but then once it’s set in stone, I don’t have to get up every day and work on it. So that’s what I’ve been doing. I do all the porn star stuff without being a porn star. So, you know, it’s good.

Let’s talk about your haters on IG and Twitter. They’re always coming for you — women in metal. They are out to get you. Thank you so much for pioneering that war, because that’s really what it is.

Stormi: Oh, my goodness…  I think once you put yourself out there like a sex symbol … a lot of times, with any other lines you want to cross, they try to discredit you. They try discredit me as an actress … as a musician, as a businesswoman, anything … even as a mother. It’s like the Madonna whore complex, you know. Once you’re that whore to them, they can’t see you as anything else.

Because my messages are a little bit more radical and they’re deeper, they just can’t connect the dots. Like, “Why? How can this woman that shows her body also, you know, do anything else?”

It is sometimes funny balancing these different images of myself, like Cinnamon Babe. It’s powerful, strong, you know, that says whatever she wants. And then being like a man’s fantasy …  it’s funny balancing both, because you realize a lot of men’s fantasy comes down to just you shutting up.

I mean, not your fans. …

Stormi: I think they love me, too, because they like dominant women. I used to be a dominatrix. I think that a lot of people who are attracted to me, they like more of the dominant woman.

Empowered women. Strong women.

Stormi: I think my followers like that I’m a kick ass bitch, you know.

And you don’t stop. You just keep going…

Stormi:  When I was pregnant, I was doing content every day. I was livestreaming every day while I was pregnant. So I did a lot of pregnancy content … huge market for that, huge market for pregnancy and lactation. I definitely capitalize off of it.

Actually, when I was pregnant, I tried to hide it for a while because I was afraid of like how people were going to receive it. … You know, I lost like 50,000 followers on Instagram for it, and I did lose some of my OnlyFans people too. Honestly, it got me down at first. But then I thought about it a different way and decided to find people who like me the way I am currently. So I went out there and I marketed being sexy and pregnant, and I found my audience, and I felt very sexy while I was pregnant.

You know, I’m a sexy mama.

Okay, so you obviously were pregnant and then you lost followers when you announced it, correct? Do you think that when you can no longer do lactation videos, and now you don’t have the belly, that it’s going to flip back? Are you going to lose those followers and gain back other non-lactation mommy followers, or do you think they’ll stick with you?

Stormi: You know I try never to stress myself about who stays and goes. I have my big ones that stick with me no matter what, and I’ve had thousands of men who were with me from the beginning, and they were with me when I was pregnant, and they’re with me afterwards.

They’re loving me and all the versions that I come in.

They love you for you.

Stormi: I feel like I have more [followers] that I do focus on, not the flip floppers. I focus more on the ones that are dedicated to me. That’s where I keep my attention, you know? I can’t really get distracted by people who like me now but might not like me later.

I love that you’re so positive.

Stormi: Ha! … I try to be. You have to be. … You have to be. Being an entertainer in any regard, especially when you put yourself out there to the world, when you’re vulnerable with your body, it can be very mentally draining. Everyone’s going to comment on your most vulnerable self – you naked – and your body and how you look. You have to have a very thick skin for this.

I have that. I’m very tough, so the Internet doesn’t really faze me. I’m like, whatever…

I’m able to do what I love full time. I’ve been selling sexy for forever now, my whole adult life, really. I’ve been able to sell sexy since I turned 18 years old. I’m still selling sexy at age twenty-eight.

It’s keeping food on the table, so clearly I’m doing something right.

Clearly you are sexy.

Stormi: Thank you. I try. … I try. I really do.

All right. Do you have any last words or SOMETHING. Where should we be looking for more Stormi Maya?

Stormi: The AI will come from this company called me4u.ai where you’ll see my bot’s right up there. Um, the pocket pussy I will be releasing soon. Just follow on Instagram or any of my channels.  Then the manga will be coming out around March 2024. … I’m doing everything basically one at a time, so it’s not like all jumbled up together.

And are you releasing merch with your manga? Can we get some Stormi Maya t-shirts?

Stormi: That will be coming next. … I have a lot of stuff coming for y’all this year, and the 2024 nude calendar is already out there. I have so much stuff coming this year. It’s just going to be a marketing mama session.

I love you, Penthouse. Thank you for always being there for me.

We could not find the calendar available anywhere, so it could be sold out it seems. We did find Stormi’s Site, though, which has a very fun BTS video (available for free) of the calendar shoot. You can bookmark the page, and even though you may have to keep track of the date yourself, you can still come back and visit Stormi a lot. That’s our plan. … OH! And if you somehow missed Stormi the first time around, her Pet Page is free too.

Thirty-Eight Minutes

Thirty-Eight Minutes that Changed Lives

Thirty-eight minutes that will live in digital infamy.

In January, back when the entire continental United States was stuck in a cold snap that seemed like it was never going to end, the Aloha State went through a different sort of panic: the sudden destruction and ruin from above kind.

Pushed out on television and radio, as well as cell phone texts, the emergency alert was clear as day: BALLISTIC MISSILE THREAT INBOUND TO HAWAII. SEEK IMMEDIATE SHELTER. THIS IS NOT A DRILL

It wasn’t a drill. But it wasn’t real, either.

Within the hour, government and military officials would announce that there was no threat. It turned out that someone at the state’s Emergency Management Agency had pressed the wrong button.

Seriously.

(Tinfoil-hat brigade, this is your moment. Bring your best theories to next year’s Conspiracy Convention in Vegas, it’s going to be a competitive field.)

Thirty-Eight minutes … in paradise.

This is damn serious business, of course, stupid gallows humor aside. Personally, I’m less interested in how exactly this went down than how our fellow Americans handled those 38 minutes. Already the stories are coming out and they’re wrenching-the father who had to make a choice between which child to spend those final moments with. The surfer bro who said to hell with it, he was going to keep riding waves in Waimea Bay and die as he lived. The mother on duty at Hickam Air Force Base who called home and instructed her two young boys to take shelter in the bathtub.

For people around my age-born in the 1980s — reared in the 1990s — the return of missiles and nuclear weapons as active threats feels surreal. We grew up thinking we were beyond this madness, a relic from the Cold War era and our parents’ lives and generation. Well, well, that snow globe of preciousness done got shattered right quick. Between a volatile North Korean regime and Russian fuck-fuck games in the Baltics and North Atlantic, not to mention an American president with the moral depth and attention span of a gerbil, nuclear and ballistic warfare isn’t a bygone anymore. It’s everywhere, a dark possibility at any moment.

For decades, a century-plus really, “war” for Americans has doubled as destination. It’s something that happens over there, in other nations and parts of the world, in the backyards and neighborhoods of other people. We send some of our sons and daughters there, sure, and they sometimes return and sometimes don’t. But there’s always been a physical distance for the citizen’}’ at large, and a certain sort of psychological distance, too. That psychological distance has grown overtime. I mean, can you imagine a war-bond drive in 2018 America to better connect everyday citizens with the war effort abroad? It’s absurd to even consider.

Between a volatile North Korean Regime and Russian fuck-fuck games, not to mention a U.S. President with the moral depth and attention of a gerbil, nuclear and ballistic warfare isn’t a bygone era anymore.

I think what’s happening in the world now with North Korea and the like pops that psychological bubble. Talking to friends stationed or living in Hawaii reaffirms that. It wasn’t just soldiers and Marines affected by that emergency alert, but tourists, taxicab drivers, teachers, kids … everyone. Suddenly, war was very real and very present. The way it is for too much of the world, every day. Seattle. San Francisco. Los Angeles. Supposedly, even New York and D.C. are in play for some North Korean long-range missiles. These threats never went away, of course — they’ve been there, lurking like death itself, since America first developed the atomic bomb during World War II. So perhaps a “returned awareness” is a more accurate way to describe what’s happening. Readers of previous Embrace the Suck columns know I’ve long called for a more engage relationship to America’s military and our foreign wars by the American public.

This is not what I had in mind.

Meanwhile, according to reports in the New York Times and the Washington Post, the military’s shifting much of its tactical training to a potential ground war in Asia. This includes tunnel warfare, something unseen in American military doctrine since Vietnam. The change follows 17 years of fighting (mostly) low- intensity conflicts and counterinsurgency campaigns in places like Iraq and Afghanistan … conflicts and campaigns that won’t be going away, by the way, no matter what happens on the Korean peninsula or in the Balkans. As ever — not thirty-eight minutes, but — the Forever War endures.

As always, America’s young fighters stand ready on our behalf. It’d be nice if we could stop adding to their battle duties, though, just once this century. We can hope, I guess. But like every drill sergeant on the planet has reminded new privates, time and time again: Hope is not a method.

Matt Gallagher is a U.S. Army veteran of Iraq and the author of the novel Youngblood (Atria/Simon & Schuster).

AUTHOR’S NOTE (In less than thirty-eight minutes)

It would be hard to find a magazine that’s done more for modem war writing than Penthouse. Esteemed Vietnam author Tim O”Br1en wrote for these pages in the seventies. covering congressional meetings and testimonies about the outdated G.I. Bill. Southern Gothic icon Harry Crews wrote here about growing up in rural Georgia to become a Marine sent off to the Korean War. Iraq vet and bad-ass rocker scribe Colby Buzzell took to Penthouse to explore a possible return to military conscription over a decade ago now. And those are Just three names of many. Veterans. and veteran writing, owe this magazine much gratitude.

It’s all because of Penthouse founder Bob Guccione. Guccione’s known for a lot of other things, of course.

Being a fixture in the counterculture for decades will do that. But it was his commitment to getting the raw truth from the battleground. no matter how unvarnished or ugly. that I admire. A generation back, as the chaos of Vietnam swirled and swirled, that wasn’t always welcome in the publishing industry. Guccione didn’t care. He made a commitment then — a tradition that continues today, all these years later — to giving servicemembers and those close to them the space and platform necessary to tell it like it is. In a magazine devoted to the beauties of the human form, he was willing and committed to showing the darkness we possess, too. That’s legit.

Thanks, Bob. Be easy.

M.G.

While hesitant to tack on more than that fine tribute to our founder, we will once again suggest a reading of Matt’s longer-form books still available. These days you can also find him as an expert on many a news program, although they rarely give him the more than thirty-eight minutes he deserves. Mr. Gallagher happens to be one impressive person who spreads his message across many a media outlet. He has an impressive message too.

Wonderboom

BOOM-Chaka-Laka … Wonderboom

Back in the “before Wonderboom” days, my relationship with music got off to a pretty rocky start. I’m not sure if it’s just me, but I had no control over the radio growing up — that was strictly my mom’s domain. Sure, she meant well, but my young ears were abused by the Annie soundtrack ad nauseam in the early eighties. Shit got a little better a year later when the soundscape of the Aronowitz household was dominated by Flashdance, but not much. (Come to think of it, I can probably attribute my lightweight welding fetish to that movie, but I digress.)

I didn’t really understand the magic of music until I got my own system and was allowed to buy records, tapes, and (eventually) CDs with my allowance money. That’s when it hit me: Music is awesome. (Only certain types of music suck … like show tunes, and Chinese opera.)

And so it began: My youthful experiments with sound. The Art of Noise, Iron Maiden, Kool Moe Dee — blasting on my stereo. Helping me get through my homework, girl problems, and garden-variety teen angst.

But my newfound love affair didn’t really hit its stride until the advent of the iPod in 2001 — that clunky, wonderful, funny-looking device with shitty little headphones that forever changed my relationship with music. Not only was my catalogue now incredibly portable, but I could make playlists — monster mixtapes categorized by mood and genre. It wasn’t long, however, before I found myself wanting more. Needing more.

Even with the iPod, I was still forced to listen on headphones or by plugging into immovable sound systems. Then streaming came along and fucked everything up even more. My playlists were outdated, the iPod was all but obsolete, and I either had to spend a small fortune to feed my music fix through iTunes, or evolve and start all over with some uppity bitch called Spotify. And evolve I did, but something was still missing.

That’s when I met the Wonderboom portable Bluetooth speaker, the latest release from the Swiss geniuses at Ultimate Ears. Sure, she’s short, round, and stubby, but she fucking rocks! Not since the iPod has an invention so profoundly affected my life and listening habits. I bring my music everywhere — be it from room to room, indoors to outdoors, or around the globe. I am no longer a victim of crappy hotel docking stations, music-less pools, or silence in general.

“I now realize that I had an opportunity to see if the Wonderboom would pass the Pet Shower Test, but I fucked that one up as well.”

The Wonderboom may be small, but it has a full sound and bumps big, beautiful bass. It has ten hours of battery life and is waterproof, so you can take it pretty much anywhere. Plus, if you’re feeling kinda loose, you can tether two Wonderbooms together and live your life in full surround.

I would love to say that I road tested the Wonderboom in some type of demented Penthouse way, but alas, I was rather uncreative with it. I should have tested it at the Pet Pool Party we threw in early spring, but I didn’t. I should have experimented to see if “waterproof” also means “lube proof,” but I didn’t do that either. And I now realize that I had an opportunity to see if the Wonderboom would pass the Pet Shower Test (whatever that is), but I fucked that one up as well.

Instead, I paired two Wonderbooms with my iPhone and blasted music in my office while I worked. I closed the door and kept ratcheting up the volume to see if I could get these things loud enough for someone to complain… and it didn’t take long. Apparently, the art department needs to actually concentrate on whatever bullshit they do, and my Tuvan Throat Remix playlist was ruining their focus. Oh well. I lowered the volume and still enjoyed the big sound filling my big office all by my big self.

That is until Rhonda walked in. I forget what she was there for — perhaps to remind me that I suck, or give me the finger, or call me a loser… the typical Rhonda fare. But instead, she looked up at the speakers, smiled, plopped down on my couch, and tried to strike up a normal conversation.

What? I listen to music so I don’t have to listen to people… and one of the worst of them was actually trying to connect with me over what I was listening to and how amazing it sounded. I felt like I was trapped in a paradox, spinning in an endless Rhonda loop.

I guess that’s the only negative thing I have to say about the Wonderboom… that it attracts Rhondas who never leave your office… ever. In fact, I bet she’s in my office at this very moment. Sitting on my couch. Listening to my music. Stupid Rhonda.

Granted, given display at certain angles, the Wonderboom volume controls can begin to resemble some sort of a weird modern religious artifact, but maybe that was on purpose. We know for certain that viewing Emily Addison displaying them in the header image provides its own sort of religious experience, so that works. In furtherance of this reverent theory, we provide the following Emily gallery across a variety of fashion and location.

Since the publication of this article in the magazine, the Wonderboom has evolved to an even better experience. You can still stay current on their site and their general wonderness via the web, naturally. Perhaps more interestingly, Wonderboom has managed to hold its $100 price since 2018, and let’s be honest, a lot happened in between then and now. Oh, and for the record, there really was a “Rhonda” at our offices back then, and some of us still miss her a lot.

Museums … For Sanity

Museum … After a Day of Stupid …

Back in 1997, some Germans got an idea. For ease of reading, we’ll translate their thought process into English. It went like this: Hey, you know, we’ve got a ton of cool museums but after 5 P.M. they just sit there empty, a zillion marble-floored corridors and white-walled exhibition spaces without a single human being except janitors.

And since Germans are not a wasteful people, they came up with the notion of keeping museums open after­hours. That led to an even bigger thought. How about, they asked themselves, one night a year when a bunch of museums stay open late?

And so was born Lange Nacht der Museen. Long Night of the Museums. The Germans pioneered the concept but now all over the world museums stay open after dark.

The English even coined a term: Lates. One venerable London art museum, for example, promotes “Friday Lates at the National Gallery.” Less crowded, no school kids, and perks like booze, DJs, films, performances. Some museums take on a sexy nightclub feel, with fresh young things boogieing beside the paintings or bronze statues.

We rounded up ten art museums with great “lates.” We’re pretty sure our founder, art lover Bob Guccione, would have been down with this particular “Stupid.”

GEMÄLDEGALERIE (BERLIN)

You like Old Masters? Rembrandt, Titian, Guccione’s beloved Botticelli? You’re in luck. This museum bursts with them. Its octagonal Rembrandt room might have the world’s best collection by the Dutch master. Plus, you can catch Bruegel’s Topsy-Turvy World (1559), which features the Devil taking confession and a woman cheating on her hubby.

TATE MODERN (LONDON)

Housed in a former power station with views across the Thames to St. Paul’s Cathedral, the Tate Modern Museum offers a world-class collection of twentieth century and contemporary art. During “Tate Lates;’ you can sample art in the Switch House, Boiler House, and vast Turbine Hall, while DJs pump out music. Free admission, too. Open till 1 0 P.M. all Fridays and Saturdays.

LOUVRE (PARIS)

The world’s largest art museum, it began as a fortress in 1 202 and by the sixteenth century was a pretty sweet home for French kings. Pop by on a Wednesday or Friday evening and you can run around this treasure-house of 38,000 art objects like Tom Hanks in The Oa Vinci Code until 9:45 P.M. They even offer Code tours that recreate Hanks’s footsteps. [Also, almost anyone can get some really dandy photographs outside of the famous pyramid structure at the entrance too. — Ed.]

GUGGENHEIM (MANHATTAN)

Berlin might have the Long Night, but the City That Never Sleeps kicks ass all the time. Weekends at the Whitney: 1 0 P.M. Weekends at the Metropolitan: 9 P.M. The Museum of Modern Art: Fridays till eight. The Guggenheim takes the cake though. On select Fridays, you can drink and dance until midnight in the spiraling Frank Lloyd Wright-designed building on Fifth Avenue, surrounded by Picassos, Miras, and Manets.

ART INSTITUTE OF CHICAGO

Can’t get to NYC? Maybe you can hit this colossal lakefront gem and party in the Modern Wing until midnight. Live music, booze, appetizers, on special Friday nights. Thursdays, it’s open till eight. During the day, crowds can be crazy. Beat ‘em late….

THE ISABELLA STEWART GARDNER (BOSTON)

In 1990, thieves made off with 13 works of art worth $500 million-the greatest single heist of any kind in history. But copious art remains! Built as a Venetian-palace-inspired home, the Gardner museum is a great joint for a date once a month when it offers music, a cash bar, a courtyard, and, of course, works by Michelangelo, Degas, Matisse, and others.

DALLAS MUSEUM OF ART

The DMA gets it right both in terms of art (a whopping 24,000 objects, including works by Van Gogh, Renoir, Edward Hopper) and after hours: open till midnight the third Friday of every month. They even have a YouTube video detailing the nighttime fun to be had.

THE BROAD (LOS ANGELES)

Opened in 2015 in downtown L.A. beside the Frank Gehry­designed Walt Disney Concert Hall, the Broad (pronounced Brode, after the billionaire who founded it) Museum presents as a trippy white structure with a honeycomb look. Inside sits a marvelous collection of contemporary art. Catch a Basquiat, or a Baldessari, until 8 P.M. Thursday, Friday, or Saturday.

HONOLULU MUSEUM OF ART

As if Hawaii isn’t awesome enough, on the last Friday of the month — ten months a year — this dazzling museum, with more than 50,000 works of art, holds a party called ARTafterDARK. Sip cocktails on the beautiful grounds as the sun sets over the Pacific.

MILWAUKEE ART MUSEUM

You might think beer before art when you think of Milwaukee, but its lakefront museum is outstanding, and its Santiago Calatrava-designed addition is breathtaking (think huge white wings that move). Plus MAM After Dark, a ‘til-midnight affair, might be America’s best museum-at-night scene. Forget Tinder and meet your next match! MAM cheekily invites.

Conceptual Interpretation of The Broad Museum

To be clear, we put a firm artistic stamp in this conceptualization pictured. Whilel we cannot whole-heartedly accept the “honeycomb” description of the earlier editors, we did understand that given our proximity we really should include a photograph of The Broad museum in downtown Los Angeles. Any untoward puns resulting from this decision and our history would be purely unintentional, of course. Would we do that on purpose? Besides, we’re not nearly old enough to understand the joke.

Tahlia … Pet of the Year 2023

Tahlia Paris Wins the Surprise

In the decades since the magazine first hit newsstands, hundreds of the world’s most beautiful women have appeared on its pages. Sasha Grey was a Pet. So were Angela White, Nikki Benz, Lana Rhoades, Tera Patrick, and Jenna Jameson. Each year, thousands of Penthouse hopefuls submit in the quest to earn a spot on the magazine’s cover. Becoming a Pet doesn’t just come with a lifetime of bragging rights, it serves as an invitation to the Penthouse family — and for one lucky Pet, an opportunity to leave their mark on the Penthouse legacy by bringing home the coveted title of “Pet of the Year.”

Tahlia Paris POY KeyAs each calendar year concludes, Penthouse invites fans to weigh in on their favorite new addition to the Pet family over that time. Their votes — alongside the input of “POY Team Leads” and magazine execs, determine who walks home with the special platinum Penthouse POY necklace.

Waiting seems like the hardest part when you’re spending your days hoping to hear from the Pet selection Team, but it is especially hard (again) for Pets in the running for that “of the Year” title. So as staffers and Pets converged in Las Vegas for this year’s Adult Entertainment Expo weekend, company execs remained tight-lipped. Keeping the POY announcement hush-hush tends to be tough — especially when you consider that those most eager for a hint are often Penthouse Pets themselves. (We’re a hard group to say “no” to.)

It was a chilly January night as the Pets arrived at Las Vegas hot spot Drai’s. Tonight’s event, hosted by Penthouse, would include appearances from hip-hop artist T.I., and a DJ set by February 2022 Pet Tahlia Paris.

“It’s gonna be a little bit different than what I’m used to, but I’m super excited to get into a new genre of music” said Paris as the tequila began to flow in the club’s VIP area.

It would be her first ever hip-hop set and Paris brought a few close friends eager to cheer her on. Among them, Tahlia’s mom, a woman whom Tahlia describes as her “best friend” and “number one fan.”

It has been only two years since Paris moved to Vegas — and it appears Lady Luck has been on her side ever since. In February 2022, Paris was named Pet of the Month — the beginning of a whirlwind year for the young model, with appearances and DJ sets at Penthouse Clubs across the country.

“It was actually my first time being in Tampa and New Orleans,” says Paris of her travels, “and my shoot day itself was amazing — it was such a great day. I met so many great people because of it.”

Still a California girl at heart, Tahlia recalls the great lengths the Penthouse team took to capture what she’s all about. “We literally shot on the beach,” she recalls of the shoot. “I feel like it really fit my vibe and who I am.”

At 1:30 am, the Pets were asked to assemble for one final group photo op before Tahlia takes the stage. The VIP section pulsed with a flurry of flash photography, followed by the sudden illumination of LED light. The thumping bass paused while the screens lining the club walls suddenly shone with the strength of the sun, flashing from all directions; unable to contain their secret any longer: “Congratulations Penthouse Pet of the Year Tahlia Paris!”

Tahlia Paris had just become Penthouse royalty. The VIP area erupted as Paris screamed with excitement, images from her February cover shoot flooding the screens around her. Soon, Paris would be presented with her new diamond key necklace, a signature moment in the coronation of each new POY.

“It’s kind of like my little crown.” says Paris, beaming with delight.

As November ‘22 Pet Veronica Perasso fastened the glittering pendant around Tahlia’s neck, Tahlia’s mom looked on, phone in hand, documenting her daughter’s big moment. It was a feast of sparklers, hugs, champagne, and flash photography.

After only moments to celebrate, Paris slipped away to prepare for her set. Soon she took the stage, sending her Pet sisters into a frenzy. As the night drew to a close, Paris reunited with the ecstatic group, before returning home to celebrate with family, friends, and pizza. The next day, Paris would fly to Turks & Caicos — a trip previously planned to celebrate a girlfriend’s 30th birthday. As luck would have it, Paris would have plenty to celebrate herself.

“I’ve never really had a special moment like that before. I just felt very loved.” says Paris of the surprise announcement. “I’m very thankful to Penthouse for doing all that for me. I loved how all the girls were there to celebrate with me. It’s really kind of like a sisterhood — a second family.”

Should you wish to dig a little deeper into the Pet of the Year determination machinations which led to the Tahlia Paris success this year, Renee helpfully provided a link to the system in her article. Those scholarly types are used to footnotes, you know. … Should you wish to VOTE NOW — as of today, actually — on which 2023 model will wear the 2024 Diamond Key, we encourage you to do that. You can vote every three days from now until June 15th, so feel free to vote for a bunch of different people and really screw up the algorithm. Those Executives always think they have everything figured out. It’s fun to mess with them. As for one of those Executives, we leave you with a final image.

Xena @ 2:53 a.m. ... What could possibly go wrong?

Pop Shots Kelly Graval

Kelly Graval Pop Shots TitleThe Penthouse World According to Kelly Graval

For more than three decades, RISK has been making his mark — literally — on Southern California. He’s long since parlayed that into a career in fine art, and that aspect of his life is reaching a new peak with the opening of his Buckshot Art Gallery in Santa Monica. The exhibition space features urban art as well as fine art; the first show, which opened on October 17, consists of photographs from renowned artists as well as painted skulls.

For Pop Shots, RISK cast Brandy Aniston, Mia Malkova, Jessa Rhodes, and Penthouse Pet Courtney Taylor. Then he selected the perfect backdrop for the models: his own paintings. After that, it all came together quickly, and with absolutely gorgeous results. [Mia Malkova became a Pet in October of 2016, for the record. -Ed.]

You’ve accomplished so many different things in your career. How would you describe yourself?

I’m an artist. I’ve been doing graffiti for 33 years, or something like that. As much as I love graffiti, it’s just one genre in my life’s work. I’m one of those dudes who’s like, “Graffiti will never die,” but it’s not all about graffiti. To me, it’s all about art. And I was lucky enough to help pioneer this art form on the West Coast and try to make it a household name. I’m very proud of that and I love it.

How is it that a surfer kid Kelly Graval in Los Angeles got involved with graffiti?

I was a problem child who was surfing and skipping school. When I did go to school, I was drawing waves on my desk and writing “wipeout” and stuff like that. Some kid transferred from New York, and he was like, “Hey, what do you write?” I didn’t know what the fuck that meant. What do I write? What the fuck are you talking about? He goes, “What’s your tag?” And he taught me the whole subculture. He showed me pictures of trains. That shit was dope.

That day I stole two cans of red and two cans of white from some hardware store and went back to the school. I remember sitting there, waiting for it to get dark. Finally, when it wasn’t even dark yet, it was dusk, I was like, “Fuck it.” I jumped the fence and did this big piece. In my mind, I had visions of this awesome fucking piece, but when it was done it was so bad. It was terrible. But the next day, when everyone came to school, they had never seen anything all filled in like that, and kids were like, “That’s cool.” I kept going and going, and got a little better, and then I really started to seek out New York graffiti.

Of course it was terrible. You were using stock caps on the paint cans.

Oh, for sure. For years, even when I was doing pieces that I considered to be pretty good, I was using stock caps. And I’m glad I learned to paint like that. You can give me a can with a fucked-up cap and I’ll make it work because I had to adapt. I think that’s what old-school writers did. We adapted. Nowadays, there’s something like 27 different caps. Some of these kids know how to use all of them. That’s too much fucking work, man. I use the fattest and the skinniest, and that’s it. I use two caps. If you can’t do the job with those two caps, then you just can’t do the job.

Mia Malkova for Kelly "RISK" Gravel
Hmm. Must have been a smudge on the camera lens. How odd.

Did you start out writing “RISK”?

I was this surfer kid who adopted the tag name “Surf,” and I was doing New York–style graffiti in L.A. My style is very derivative of New York because that’s the only reference I had. It’s kind of funny that I’m considered this West Coast pioneer, because my style is very New York.

Why did you change from Surf to RISK?

I went to a bussing high school. Every­one was bussed in. It was a school in West Los Angeles, and I was one of three dudes in the school who surfed. The white dudes were definitely the minority; there were only about 100 of us in a school of about 5,000. I stood out, and it was pretty easy to figure out who was writing “Surf” all over the walls. Probably that white dude over there who surfs, you know?

And who has paint all over his hands.

Yeah. And who draws all over his desk. So they came after me. I thought I was pretty slick, too. I had a fake name: Cajun. I wrote it in my locker and in my books. Just enough so I wouldn’t get in that much trouble. When they’d come after me and ask if I was Surf, I would say, “Aw, man, I wish I was that dude. That dude’s up! I’m Cajun.” And they’d search my books and they’d see Cajun. But they knew. They were onto me. One day I got caught “bombing” the school, but they couldn’t prove it. I had to change my name.

You got caught but they couldn’t prove it?

Detectives came to my house. We were eating dinner. They were like, “We’ve got photos of you.” Well, let me see the photo. And they show me a photo of the back of me painting the front doors of the high school. They were like, “Just admit it. We’ll let you guys finish your dinner. You’ll do some community service and be done with it. But if you don’t admit it, then you’re going to jail.”

You’re going to artist jail for high school kids.

Yeah. And my dad was like, “Just tell them it was you and let’s get this over with.” I told my dad that it wasn’t me. And I knew they couldn’t prove it. I didn’t admit to it, and the detectives said they’d see me in court, but they never called. And then I knew the game. I changed my name to RISK, and I got a lot bolder. I started killing the shit. I was breaking into schools to do pieces. I was doing overpasses. I was doing trains. And I knew I wasn’t going to get caught because they couldn’t even prove that the longhaired surfer kid was Surf.

You never got caught?

Well, I got busted many times, but I never had any of the charges stick.

Did you ever think you would transition from graffiti to fine art?

One hundred percent. People ask me that all the time. Yeah, I did. Everyone expects you to say that you never thought it would happen, but I completely thought this would happen.

I mean, I’ve dedicated my life to this. I wouldn’t have if I didn’t think I could make something of it, you know? I always believed in this.

But did you ever think graffiti was going to lead to Kelley Graval directing a Penthouse photo shoot?

Ha. No…. Well, I’ve got to say yeah, and you know why? When you want something long enough, everything happens. And this is something that I wanted. When I got the phone call I was like, “Dope!”

Do you have a pretty clear vision of what makes a girl hot?

Besides the typical bombshell-type girl that I like, it’s the way that they hold themselves. The way that they carry themselves. Self-esteem. Being secure. Pride in themselves. The whole package.

How do you represent the Kelly Graval ideal woman in a medium where it’s difficult to convey the whole package?

It was easy, because my ideal woman is my wife. She is the epitome of the ultimate female to me. So when I was doing this shoot, I wasn’t trying to pick a chick who looked like my wife. I picked someone who was the quintessential centerfold instead. I picked a California lifestyle: blonde hair, big tits. That’s what I thought the shoot should be. It’s not necessarily my ideal girl, but it’s my ideal girl for this shoot.

I get it. But choosing a California girl still speaks to some type of real, natural attraction of yours. What is it about the California girl?

Well, when I reached puberty and had my first sexual experiences, that’s who I grew up idolizing. I’d be on the beach, and there were chicks in bikinis running around. You know, the first one always makes the impression no matter what it is. The first time you have some food that you love. That becomes your favorite food. And this was the first to me, the first stroking material, that blonde chick. That was the one. The whole California dreaming was romantic to me. California lifestyle has always been a huge part of everything I do. People think that I’m stuck in the eighties. I’m not so much stuck in the eighties as I’m stuck in the California lifestyle.

With the 1980s representing the heyday of that lifestyle.

Yeah.

As someone who communicates with paint, was it a stretch trying to communicate with photographs?

I completely over thought it in the beginning. I started thinking about all this complex stuff, like, I’m going to make letters out of the girls’ bodies and I’m going to do chalk outlines on the ground and all this shit. And literally right before the shoot I’m like, What am I doing? This is so not organic. This is so not refined. To me, it’s just my artwork in Penthouse with beautiful girls in front of it. So now you have the California lifestyle, and I got my artwork, and I threw some art supplies down and said, “Go with it.”

It was super organic and simple.

Do you have a favorite setup or shot?

The four girls in front of the “RISK” piece might be my favorite, because there was a girl for each letter and it glorified the piece so much. But I can’t say I have a favorite, because the shots with the girls down in the basement, I thought those were really cool. For the epitome of what a Penthouse shoot should look like, I thought they nailed it. I’m also excited to see the ones with the girls in the cubes.

Technically, the photographs in this layout came from Tommy O., under the Art Direction of our featured artist. As you might be able to tell from the interview, the vast majority of the “RISK” Kelly Graval took with this shoot ended up being with the women naked. Since we choose not to show that sort of image out in these easily-accessed places, we chose a few that showed off the art instead. Radical, right?

What was up with putting the girls in the box?

They’re supposed to be an object of beauty, a piece of art in the box. That’s it. The girl is the piece of art. And I put that in front of my art.

Framing that perfect California girl and showcasing her in front of your older, Wildstyle art?

Yeah, I felt like that was important. I had to take it back to the girl and to the era that was the most exciting. That was the time I most wanted to be in a magazine like this, when I was out there writing “RISK.”

RISK ... Kelly Graval

RISK has evolved the aforementioned Buckshot Gallery into Regime Contemporary and moved it from the beaches to downtown Los Angeles since Penthouse Magazine first published this article in September of 2015. He does maintain his own site as well, where he shows off all variety art which serves to both impress and humble we mere mortals. One can inquire about pricing for some of the finer art available, but we live by the old standard as a rule: “If you have to ask, you can’t afford it.” … One can find many more “reasonable” options via Compound Editions, though, so that might be fun. Now we just need to create more wall space around here.

Penthouse Pop Shots Logo

An AEE Virgin Journey

An AEE Virgin at the AVNs

I’d overpacked again. My snakeskin suitcase was impossibly heavy and my purse, hastily filled with last-minute necessities, threatened to leave a train of rhinestone pasties behind me as I squeezed down the narrow cabin of my flight to Vegas. Twenty minutes later and I was 10,000 feet in the air. The cabin buzzed with nervous energy — the aggressive chewing of pretzels; the rattling of ice in little plastic cups; bachelorette parties ordering seconds of airplane chardonnay; travelers unsure of what their trip might hold. I was three hours out from my first time at the AVNs, the “Oscars of Porn” and, to tell the truth, I didn’t know what to expect either.

This year, the AVNs were held at Resorts World Las Vegas, The Strip’s barely-legal new kid on the block. Hosted by adult mega outlet Adult Video News, the AVNs are a four-day event climaxing in a Saturday night award show.

AEE Virgin: Meet The Beginning

My flight touched down just before 8:00 p.m. Wednesday, too late to catch the action of Day 1 on the expo floor. I consoled myself in the nostalgic kitsch of the Peppermill Restaurant & Fireside Lounge, conveniently located just across Las Vegas Boulevard from Resorts World. It was still early enough to grab one of the coveted spots by the fire pit — the same booth I’d seen in Scorcese’s Casino; a sunken velvet fortress framed with gaudy brass rails — all seemingly plucked from the floor of a 70s strip club. I ordered a drink to work up the courage for the trip across the street.

It was easy to spot the AVN talent amid souvenir-clad tourists — e-girls in cat ears, Amazonian giantesses, and recognizable mainstream veterans posing for photos with fans. I followed the mesmerizing glow of neon body stockings toward the “AVN Party” signs until I dead-ended into a wall of event security staff. Before I could begin to beg for admission, I was waved in, badgeless and all. Exhilarating. A triumph.

The banquet tent was mostly empty when I arrived, save for a few civilian partygoers greedily staking out seating areas. Above a barren dance floor, lingerie-clad go-go dancers gyrated alongside a DJ playing Shakira’s “Hips Don’t Lie” and Usher’s “Yeah!”. I decided to make the most of it. launching myself onto the floor in a flurry of moves most frequently performed by drunken fathers of the bride. I disco danced, I dropped it low, and I performed a grossly underwhelming bachata. Eventually, I hit my limit and, breathless and slightly sweaty, I headed for the door just in time to watch the party begin to pour in. It turned out I’d arrived a bit early for the festivities — a move very on-brand for my whole deal. Partygoers filled the dance floor as I swam upstream through the crowd. I was tempted to stay and the tequila in my glass argued that more people needed to see me dance badly — but tomorrow would be a big day and I’d need to grab some rest. I didn’t want to miss a moment.

AEE Virgin: Meet The Throng

I acquired my AVN credentials the next morning and shrugged off the disbelief I felt seeing the title printed on my badge, “Renee Olstead: Penthouse Pet & Columnist”. It had been a year since my January cover hit newsstands and only months since I’d first started writing for the publication. I felt like the awkward kid that somehow managed to sneak her way into the cool kids’ party. This trip, I’d be shape-shifting between roles, journalist by day, Penthouse Pet by night — a real life porno Peter Parker. It was just before 11:00 am when I made my way to the casino’s lounge for my first interview. I’d chosen a white strappy jumpsuit for the occasion, a regrettable fast-fashion choice that collapsed midway through my first interview. I laughed it off, grateful for the pasties I’d chosen to wear that morning — nudity on the casino floor is grounds for removal. I quickly covered myself with my jacket and made a break for the bathroom, where I fashioned a top from a free t-shirt I’d grabbed off a swag table.

Five interviews later, I found myself amid the chaos of the AVN Expo, a gallery of performers and vendors crammed into a room the size of a high-school gym. Ring lights shone like little suns upon camgirls broadcasting the event to viewers at home. Slack-jawed fans in headsets demoed VR porn. Lingerie-clad performers signed autographs for fans on either side of cam site booths where streamers chatted enthusiastically with computer screens — a blend of the AVN legacy and a glimpse at what’s next.

I scanned the crowd for familiar faces, sharing hellos with Skye Blue, Tyler Cruise, and Lana Smalls. I stumbled through introductions with online mutuals like SexWorkCEO’s Melrose Michaels and Summer Hart, both fellow redheads and the latter a leader for Las Vegas mutual aid group SWAID. As Day 2 of the expo came to a close, I hurried to my room. It was time to change for the first party of my event itinerary, one I’d be attending as my hot girl alter-ego, Penthouse’s January ‘23 Pet.

Violet Summers, Renee Olstead, Lacy Lennon, Mia Ventura, Tahlia Paris ... Pets Aplenty

AEE Virgin: Meet the Party

It was nearly 11:30 p.m. and the Penthouse cohort would soon assemble at the MGM Grand. Tonight’s party was held at the casino’s popular nightclub, Hakkasan. I joined the Penthouse crew at a nearby casino lounge and added a tequila Red Bull to the company tab. I introduced myself to ‘20 POTY Lacy Lennon along with April ‘20 Pet Violet Summers and chatted with ‘22 Pet Tahlia Paris, a California girl three years into a move to Vegas. A few drinks later we we were led past Hakkasan security. I felt like a Trojan horse that had just breached the gates of hot girl Troy. A few drinks after that I was dancing on the back of a black leather booth front and center before the dance floor, grinding against some of the most desired women in the world — and then, it happened. Before I could stop myself, before my better judgment could beg me to reconsider — I started doing the Macarena.

I don’t know why I did it, but it was too late to save face now. I’d already revealed my true self, the redhead incapable of being cool, a rhinestoned vector of the universally undesirable Macarena virus. I braced myself for ridicule, but as I turned, I saw the unexpected. Violet Summers was dancing enthusiastically alongside me; left hand, right hand, cross, cross, hand on hips, butt wiggle. Then Tahlia Paris. Then Lacy Lennon. The ridicule I feared never arrived, just smiles, selfies, sisterhood — and more tequila. 

AEE Virgin: Meet the Other Party

The next morning arrived too soon. A whirlwind of interviews and photos hoots came ahead of another Penthouse event, this time at Las Vegas nightclub Drai’s. Tonight, T.I. would perform, followed by a DJ set from fellow Macarena conspirator Tahlia Paris. Tahlia and I agreed to meet first for drinks in the casino lobby. An hour later we were in the club, shouting politely over the noise of the crowd, dancing and — in my case — fleeing the all-but-obligatory tequila frequently handed out by club hostesses eager to clear their trays.

It was just before 2:00 am when all Pets were asked to assemble for a photo op. We posed together in the flash of cameras that blinded us to the wave of sparklers in the distance. As the lights enclosed upon us, manicured hands raised posters above the crowd — posters of Tahlia, the woman with whom I’d shared a quiet glass of champagne just hours before. Then 3,244 square feet of LED proclaimed “Congratulations Penthouse Pet of the Year Tahlia Paris!”

Photos filled the screen: Tahlia at the beach, Tahlia on the bed, Tahlia Paris, Penthouse royalty. I turned back to see my new friend. In her hands was a small black box that she pressed close to her chest. We all knew what was inside: the signature necklace that heralds the newly crowned Penthouse Pet of the Year. As Nov ‘22 Pet Veronica Perasso fastened the glittering pendant around her neck, we screamed and cried in celebration. Tahlia Paris was Penthouse’s 2023 Pet of the Year.

AEE Virgin: Meet the Awards Show

It was final day of the AVNs and I poured myself into a tight white dress in preparation for the night’s awards show. Last night’s party had given me new confidence. I flashed my badge for security and strode into the awards pre-show VIP section. More familiar faces; this time, nominees Vivianne DeSilva and ‘16 Penthouse POTY Kenna James. James was up for four awards this year, and her AVN schedule had been even more packed than mine — daytime appearances followed by late night feature performances at Vegas gentlemen’s club Scores. She was further scheduled to perform a final set after the conclusion of the awards, and Sunday she’d drive to LA to shoot a series of scenes. I admired her endurance as I shifted my weight back and forth against the event’s rental furniture — a futile effort to comfort feet I had abused for three consecutive days. James eyed my 7-inch heels, my calculated oscillation, and lifted the hem of her dress to reveal a pair of ballerina flats. A far wiser choice, Pet sister.

Our conversation was interrupted by a voice over the loudspeaker: the award show would soon begin. Popcorn in hand, I limped to my seat. Onstage, a video of half-naked models looped on a 40-foot-tall screen. 90 minutes after the show’s scheduled start, the stage’s topless screen saver faded into the show’s pre-recorded opening, a slideshow of “Hall of Fame” inductees and a somber “In Memoriam” segment. Two noticeably late additions had been added to the end of the segment, AVN Hall-of-Famer Jesse Jane and fetish legend Masuimi Max.

The stage burst into light and revealed Iggy Azalea, gyrating in neon green spandex amid a throng of dancers. Pre-recorded skits sandwiched between award categories like “Best Blowbang Scene” and “Best Female Mixed Age Movie” while demurely cropped clips, noticeably devoid of “money shots,” rolled on the screens surrounding the presenters. 

As the show came to a close, I couldn’t help but feel the AVNs weren’t nearly as lascivious as anticipated. The chain-smoking, tattooed starlets described in “Big Red Sonwere noticeably absent, replaced by a new generation of performers (some tattooed, many with vapes in hand). A lot has changed in the adult industry over the 32 years since the award show got its start, and AVN has done its best to roll with the punches. Seedy adult video stores have been replaced with tube sites, and mainstream studios now compete head-to-head with amateur creators, cam sites, and performer-produced content. It’s a change clearly visible on the expo floor and in the AVN award categories themselves, with awards for creators, podcasts, and collabs.

AEE Virgin: Meet the Conclusion

Perhaps it’s my proximity to the work that dampens the shock value, but for me, the event’s more explicit moments won’t be my greatest takeaway. Was my first time at the AVNs sexy? Sure — but what I’ll remember most is the acceptance I felt in a Macarena line of Penthouse Pets; the look on Tahlia’s face during her big moment. I’ll remember the conversations I overheard in casino bathrooms and the performers gracious enough to run the length of a casino floor for an interview amid a packed schedule. I’ll think about all that has changed — the webcam booths; the virtual reality chairs; the independent creators — and all that has remained constant: the fans, the community, the impressive staying power of the Lycra dress. Above all, my first time at the AVNs was special — the way you always hear a “first time” is supposed to be. I wouldn’t change a thing.

Renee has been an absolute joy, although her professionalism — and perhaps as she suggested her “proximity to the work” — made her a lot less shocked than any other AEE Virgin we had shepherded through the event. Honestly she ended up leading a lot more than she followed, which we found both refreshing and tiring at the same time, if you can relate to that.

Renee was absolutely correct with her insights regarding how the “AEE/AVNs” have evolved to reflect the current industry, and that continues to make the event both relevant and great fun, even to us aged, grizzled veterans. If we can be looking forward to next year while still being tired from this year, AVN has accomplished a remarkably good thing. … Although next year maybe we should all bring ballerina slippers.

AEE Virgin Renee Olstead with Experienced Friends Lacy Lennon and Violet Summers

Embrace the Political Suck

Political Suck … Now What?

The stench of star-spangled vomit lingers while the national hangover only now settles in. Whatever the hell it was that happened November 8 — liberal 9/11, Republican VE  Day, whitelash, demagoguery — we’ll be living with the consequences for a long time. No amount of painkillers and greasy food will quell it. The most cynical of impulses and ideas may be most directly implicated in what happened, but we all did this to the American body politic. Shamed, thrilled, and indifferent alike, we are all culpable.

You knowing readers are on the other side of 2017, and Trumpian America has begun in earnest. I’m writing this in late 2016 (production turnover time, you dig) and the country’s still coming to terms with the change.

I did not vote for Trump. My candidate lost when (like a lot of suckers) I thought for sure she’d win. WHOOPS. Election night was a strange, surreal few hours — descriptions my Trump-voting friends also use in between their messages of gloating and offers to send me a fascist red baseball cap.

We’re all trying to do our part to keep the dialogue going. For the sake of the American republic, if nothing else.

One parent who lived through the sixties said it’d been worse then, in terms of national disunity. The other parent said no, this is much worse. Both emphasized resolve, but also empathy. They’d lived through an era of Us against Them. Maybe it’s always Us against Them, true enough, but so much of the American experiment relies on the idea that it’s not. Even if that idea is nothing but pretense, is clinging to that idea and pretense in Trumpian America only the pursuit of a fool? Definitely maybe. But there are worse fates than the fool’s. [Political Suck accidental.]

Military Veterans voted fro Trump at about a 2:1 ratio, and, like it or not, he’s the Commander in Chief now.

As for the military and veterans communities: That we as a whole tend to vote Republican ain’t news, but I’d always ascribed that more to cultural backgrounds than set worldviews. Our formative years and social DNA stir within us all, even when — especially when? — we vote. But in 2016, after Trump bragged about not serving, after he’d slandered POWs, after he’d mocked generals and insulted a Gold Star family just for kicks, I really thought that might change. Honorable military service is supposed to be a sacred cow, and Trump had spat on that sacred cow and then melded it into a golden toilet for his own personal use.

I couldn’t have been more wrong. Military veterans voted for Trump at about a 2:1 ratio. And like it or not, he’s the commander in chief now. He’ll be my president. He’ll be your president. He’ll be our president. That’s how this damn thing works.

Maybe I’ve been living in soft hipster Brooklyn too long. Maybe the kid from Reno has lost touch with REAL heartland values (crippling addiction to meth not included). Maybe vets are just as full of shit as anyone else, but for the life of me I couldn’t understand how or why our service members and veterans voted for the draft-dodging, Putin-slurping, stubby-fingering, doublespeaking, racebaiting, richie-riching, hate-mongering, goofy-suiting, bankrupting, tax-evading, pussy-grabbing Lord of the Heel Spur.

So I asked. [Political Suck aside.]

Anecdotal data alert! I polled thirty Iraq and Afghanistan vets — some friends still in the military, some former soldiers I served with, some acquaintances I’ve crossed paths with over the years at various camo gatherings. It came in at about a third for Trump, a third for Hillary, and a third for Gary Johnson/none of the above. Keep in mind that A) this hardly counts as a scientific poll and B) the vets sampled here don’t represent the wider 2:1 ratio mentioned above. They’re younger, for one, as the “average” American vet is much older than our generation. Still, I received some interesting responses worth sharing.

“I just thought the country needed a change,” wrote an Army E-6 who’s seen three combat tours and is approaching retirement. “The Donald’s a fucking blowhard, don’t get me wrong, but he’s different. He’s no typical politician. And I liked what he had to say about (improving American) infrastructure.”

“It was Hillary,” an active Marine captain wrote. “She’s corrupt. I’d vote for bin Laden before her. And Al Qaeda tried to kill me. Twice.”

The anti-Hillary sentiment came out time and time again. “If I’d done what she did (with the private server/emails) I’d be locked up at Leavenworth,” complained a former Army corporal. But not everyone agreed, particularly non-white male vets.

“I’m heartsick,” a current Navy lieutenant commander said to me. “As a woman of color, with some of the things Trump said while campaigning…it’s not that he’ll be my boss. That’s part of the military, following orders from people we might not agree with. But that my country heard all that hate and craziness and still voted him in….”

But it wasn’t just minorities who voted for Hillary. “I’m a crusty old white dude, drive a pickup, own thirty guns, as redneck as they come and proud of it,” a retired Army first sergeant wrote me. “But America’s like the Army — we’re at our best when we’re together. We’re at our worst when we’re divided. Fuck Trump.” [Political Suck intended.]

After an election as messy and ugly as this one was, can the country come together again? Or are we doomed to perennial Red State vs. Blue State, middle America vs. coastal America, country vs. city, headed for a Rome-like implosion as too many historians and social scientists are beginning to compellingly argue?

Hell if I know. I just work here.

Something I do know, though: America’s been through tougher times. Made better from it, too.

The Union forever. Hurrah boys, hurrah. No political leader should change that. No political leader can.

Even amidst a horrible Political Suck, we would never tell you for whom you should vote. If we did that, you see, we’d be like all the other idiots out there screaming, “If you only appreciated my brilliance, you’d see how 100% correct I am and how the other side overflows with lunacy.” … We did choose March 25th to publish, however, because one of the (many, many) trials against the man who became President, and the subject of this article, was supposed to begin. Of course that got delayed, with either represents a great strategy to allow him time to get re-elected so that he can put the kibosh on (almost) all these clearly unfair persecutions, or it serves as yet another meal of frustration and disbelief that began sometime back in 2015 when almost no one even understood what might be for dinner. We will not to you how to vote, but we WILL tell you that it matters. You can hit up the DNC, or the Green Party, or the Libertarians, or the RNC – in alphabetic order, to be clear – to begin your search. Better yet, you can just check your local newspaper for issues and people that will certainly impact you more directly after the next election. We also hope you still have a local newspaper.

Political Suck - The White House, Washington DC
Yeah, that can’t be good.

Maybe the 1960s were just as bad. Maybe now it’s worse. We just know Political Suck still Sucks.

High Sobriety

High Sobriety Founder Joe Schrank

Joe Schrank has been sober for two decades, but he’s not annoying about it. In fact, he may be the only social worker in California who supports the use of pot without ever smoking it himself. A tattooed, six-foot-five former USC football player, Schrank graduated with a master’s degree in clinical social work from the University of Illinois, then got hired as a residential therapist at Promises, a Malibu detox center known for hosting addicted celebrities such as Charlie Sheen, Robert Downey Jr., and Lindsey Lohan. Later, Schrank moved to New York, founded the city’s first sober living home, co-founded the addiction and recovery website The Fix, and worked with local authorities to establish the first recovery program in an area high school.

The focus of Schrank’s graduate work was depression and substance abuse in college athletes, and here he drew on his own struggles. Son of an alcoholic Vietnam vet, Schrank turned to the bottle himself as a young man, “pouring alcohol on his depression,” as he put it to me. He responded well to Alcoholics Anonymous but watched others around him try AA and repeatedly fail to get sober. When a close friend of his overdosed and died a few years ago, it shook him into action. In 2017, Schrank founded High Sobriety in LA’s Culver City neighborhood, the first rehab facility to make cannabis a core element of its treatment plan for those addicted to alcohol and/ or opiates.

We caught up with Schrank to talk about High Sobriety and why he thinks cannabis could be part of the answer to America’s addiction problem.

What drove you to create an alternative to AA?

I think AA is a great organization for many people. I don’t have an objection to it. I have an objection to the idea that it’s the only solution to a drug-abuse issue. With 22 million people in need of some kind of chemical dependency treatment, labeling all people constitutionally incapable with a need to pray-it’s just not logical. lt doesn’t address the problem. The recovery rates haven’t moved. Think of dentistry and the vast improvements in the last 15 years. Why is it that chemical dependency treatment hasn’t changed and, some might argue, is getting worse? lf someone has a drug problem and the only thing they are told is, “You have to go to AA,” and that’s wrong. There are other options like medication, or what I do at High Sobriety, which is harm reduction.

How does harm reduction guide the High Sobriety approach?

My vision of harm reduction is to create enough room for an individual to make decisions about their own life-to respect their right to self-determine without judgment. In other words, “You want to smoke pot? Okay. it’s not my business:” Some people give up cannabis and move to total abstinence, but you don’t have the option to do that if you are dead. This is where I often get myself into trouble, but I don’t believe that total abstinence is the best solution for everyone with drug-use issues.

For some people, no drug use as the only option for a problem is wrong. These young guys who have trauma-you kind of want them baked. They have a tendency for violence and other issues that are helped by drug use. We all benefit from drug use-even if it’s simply aspirin when you have a cold. The idea of a drug-free America is fantasy. Abstinence-only drug education is just as ineffective as abstinence-only sex education.

Why does weed have attraction as a rehab tool?

[I like cannabis] because there is no lethal dose. The truth of the matter is that if you look at the data analysis, fully-formed adults are pretty safe using cannabis. As a social worker, my interest is in the safety of the individual, the potential harm to self or others. Dangers reduce when people replace their drug use with only cannabis: sexual assault, violence between partners, emergency room visits from accidents, and so on. Do you want to give people a loaded gun or a nerf sword? I think they are safer with the nerf sword.

But some people don’t like pot, or get paranoid smoking it. There’s a reason they prefer Percocet.

At High Sobriety, we don’t believe that everyone is a viable candidate for harm-reduction cannabis replacement. We don’t have the magical solution to an addiction problem. What I learned about cannabis is that the strain matters, and you need to consult with someone who knows their stuff, like a doctor. I don’t know this stuff, which is why we have people on staff who do. The route of admission matters, whether it’s an edible, a vape, or flower.

Weed also isn’t what it was 40 years ago. It’s strong as hell. My initial idea was naive-“No one dies from weed, so go smoke weed instead’.’ Part of it was the enticement to get opioid addicts treatment. Many people are shocked to find out they can smoke weed in our rehab. I give them all the parameters: You have to see the doctor, the doctor has to qualify you, the pot must be dispensed from a reputable dispensary. It’s not just a bunch of people sitting around smoking weed. For example, we had a kid in here with Crohn’s disease. The doctor got him off opioids and onto a pretty low-THC strain of cannabis that helps the kid with his pain. Great. I believe he is better off using that pot than opioid painkillers.

We are still on a learning curve, but what I do know from years of doing this is that when someone leaves a sober-living facility, it’s eyebrow raising. Be careful. Go to meetings. All this sort of stuff. We don’t know what that person is going to do once they leave sober living. A portion of them return to active using and die. That’s not the case if we have supported them into limiting their drug use to cannabis. A 22-year-old kid-and we get a lot of those-who is an injectable heroin user, then six months later is a medicinally dispensed cannabis user? Weil, he may give up cannabis at age 25.

I can talk to a 22-year-old cannabis user about returning to school, military service, or their drama with their relationship, but you can’t talk to a heroin user. It’s very hard because all you ever talk about is for them to stop using heroin. I had one kid tell me that his girlfriend didn’t like the weed-smoking. Well, do you like the girl or the weed more? Point being, when that kid [arrived] there was no girlfriend. All he had were a bunch of infected injection sites, smelled like a dead hooker, and was nodding off during conversations. Look, you can clean people up. I think people can have functional lives as cannabis users.

In AA, success is being substance-free and happy. What is success for High Sobriety patients?

Our metric of success is a bunch of different things: the ability to hold employment, civic responsibility, returning to school, disentangling from the legal system. Our metric of success is not a clean or dirty urine screen. That is a data point, but it doesn’t tell you the whole story about somebody’s life. We know that our [patients] will test positive for THC. lf you look at a 30-panel urine screen and the only screen that is positive is THC-diazepam is negative, methamphetamines are negative, opiates are negative-1 think that’s awesome. AA and 99 percent of other rehabs out there would see that as a total failure.

At around $42,000 a month out of pocket, without insurance, the program’s not exactly cheap.

With insurance, we can get out-of-pocket costs down to around $5,000. Look, as a socialist I hate the class system of drug use in America. I don’t like that we only get the white kids from Brentwood and Connecticut. It’s not that I don’t like the white kids, it’s that they are not the only people with [addiction] problems. I don’t know how to diversify this issue besides winning the lottery. My proposed solution is taxing alcohol at an appropriate rate and designating that money toward treatment and recovery options for people. The state of California has not raised taxes on alcohol in 25 years. Really? Just do a quarter a six-pack. Who does that hurt?

Imagine the uproar that would cause. It’s a pretty radical idea.

The recovery community is not organized as a voting constituency, right? As a guy who hasn’t had a drink in 20 years, why do I have to pay for puke on Venice Boulevard and broken glass and all the mess that alcohol causes? The consumer should pay it. There should be a user tax for damage, just like there is a tax on your car for the environmental effect. The user pays. You don’t like it? Don’t drink it.

Why do you think addiction recovery hasn’t advanced like other fields of medicine?

Think about it this way: We have a housewife from Brentwood in a bubble-gum pink track suit who takes pills and a kid with a skateboard and his jeans below his ass and we are telling them they require the exact same treatment for their addictions. Ten years ago, there was only ovarian cancer-now we have discovered subsets of ovarian cancer. We need to have subsets of addiction and addiction treatment if we are going to address our national problem. Culturally, we have never seen anything like the current opiate crisis, which means the solution isn’t going to be like anything we’ve seen before either.

And cannabis could be part of that solution?

My thing as a social worker-and as a follower of Jesuit philosophy, is that people have the right to self-determine. We’re there to serve them. I have an obligation, from an ethical perspective, to provide options for people. Same people go to AA and do really well. Not everyone does. Only five percent of people achieve total abstinence and do well with that. You want to join a system where you have a five percent success rate? Go ahead. You may be in that percentage.

High Sobriety is harm reduction, and harm reduction is all around us, whether it’s a bike helmet, the airbag in your car, or a condom. I think that cannabis is harm reduction for addicts and can be successful. Think about it: 88,000 Americans drink themselves to death per year, while 1,800 college kids die from alcohol-related causes. No one smokes weed to death. All drug use has risk. Five hundred people a year overdose and die from Tylenol. I don’t think that cannabis is blameless, holy, or without risk. However, I think the risk is mitigated. It’s pretty low. I like your odds of getting through the evening after you’ve smoked a joint compared to drinking half a bottle of vodka.

Originally published this month in 2018, we’re bringing back some fine work by one of our favorite former editors. People move on in life, but that does not mean those of us left behind cannot celebrate her insights. Joe Schrank still excels in his service as well, and we continue to marvel at his success. We also still lament that it costs big money to help with a sickness that hits the poor as significantly as it does. Joe’s whole “with insurance” angle hits a broader social issue as well. Good thing we try to avoid broader social issues.

Mistress Domme

Mistress, Love, and the Proper Domme

November 1993 Penthouse VariationsHe had just finished paying me a great deal of money for a dominance session, and we had hit it off, so to speak. So we chatted while he had a glass of wine, put his clothes back on, brushed his hair and donned his jacket.

I was curious about his motives for answering a “De Sade” ad in our local adult paper, The Spectator, and for negotiating for a paid scene. It seemed to me that a man who was this good-looking, intelligent, and sensitive could have found a lady who loved him enough to cater to his not-very-outrageous. submissive needs. So, I asked him a few tactful questions.

No, he did not want to know where he could go to meet other people in “the scene.” The idea that there were social groups for adults who liked bondage and discipline, or fetish costumes, seemed to frighten him. Yes, he had a girlfriend — they were engaged to be married. Had he ever talked about any of this (I gestured at the dungeon) with her? “Absolutely not!” he blurted. “I have to go!” And, like a bunny with a tail wind, he went.

As I packed up my gym bag (yet another heap of lingerie to rinse out, the spike heels too high for a walk to the bus, my makeup kit, tit clamps, a suede whip, Tanith Lee’s latest book and a wire brush). I wondered which part of our encounter was too dreadful for him to share with the woman he apparently planned to share the rest of his life with. Was it simply kneeling? Confessing to having wicked thoughts and daydreams? Was it the lipstick? The feel of warm, oiled, heavy chrome beads being inserted carefully, one at a time? What consequences did he imagine would follow such exposure?

On my way home to the woman who is my lover, I kept thinking about all the men (and the occasional woman) who responded to my ad. Most of my clients seemed to assume that S&M was something you could not do with somebody you loved, somebody who might also love you. The ideal mistress had to be a stranger. Why? There are many motives for seeing a professional. Very few people have elaborate dungeons in their own homes or an extensive fetish wardrobe. Some people are erotically excited by exchanging money for pleasure. Some of my slaves had wives who were ill. Others felt they were too old or disabled or just too busy to find a partner they did not have to pay. But most of them were simply ashamed of themselves and didn’t want anybody else to know their dirty secrets.

None of my clients got as many scenes as they would have liked. Very few of them ever found a mistress who was compatible or genuinely interested in their needs. Most of them hopped from ad to ad, hoping that every time a new domina opened shop, she would somehow work the magic that nobody else had successfully performed.

What could possibly make the guilt, isolation. frustration and the tiresome chore of living a double life worth it? Respectability. I suppose. Male privilege? Or perhaps heterosexual privilege? Denial? — of course.

This is not solely a heterosexual problem. Many same-sex couples who want to explore bondage and discipline have broken up because they assumed that they could never play rough with the person on the next pillow.

A good S&M or fetish scene isn’t simply a matter of acting out a passage from Story of O or duplicating the latest Kim West ad. There is no such thing as a generic B&D fantasy. All the participants have to be comfortable and familiar enough with their own erotic trigger-points to describe them to each other. It may seem easier to communicate this embarrassing or risky stuff to a stranger. But I believe it actually damages one’s self-esteem. over the long run, to feel that one’s innermost self is so beyond the pale that it can only emerge in a brothel or an alley. Dominance and submission is, after all, a form of sex. And romance makes all kinds of sex so much belier. When you know your loved one sees the truth about you. your secrets and fears, and that person’s love does not fail, it eases some of the loneliness we all carry around inside our skulls.

A good S&M scene requires the same qualities — trust, honesty, safety, risk-taking, creativity, personal growth, mutual respect and affection — that a good relationship possesses. Commercial S&M often takes the form of obsessively trying to create one perfect scenario. Since each new mistress or master doesn’t quite get it right, you demand the same impossible fantasy from the next person you hire. But a committed partner will try harder to give you what you want, and you will be more inclined to forgive any imperfections. You don’t have to do the same scene over and over again; you can build on it. And it becomes chapter one of a long and surprising book. It’s the difference between hiring somebody to help you jack off and making love.

So how does one create this sort of relationship? It takes patience to get from missionary-position coitus to corset training and crop kisses. Try thinking of your partner as a novice rather than as a hostile, disapproving obstacle to your gratification. You didn’t wake up one day with a head full of bondage positions and verbal abuse. It took you time to put it all together. Your partner might need some general sex education and loosening up.

Try sex manuals, erotic videos, massage classes and field trips to fetish shops to introduce new ways the two of you can express your desire for one another. Always respond positively to your partner’s curiosity, answer questions and treat fears with respect. Remember that we are all much more likely to try something new if it looks fun, easy and rewarding. If it isn’t clear to your partner what she or he is going to get out of all this a little reluctance is understandable.

This means that you probably have to be the top, at least in the beginning. You can’t expect somebody to automatically know what to do with those handcuffs and that riding crop. And don’t be lazy — don’t do exactly the same things to your partner that you wish some hooded icon of your libido would do to you. Tailor your experimental efforts to your lover’s fantasies. Try not to scare the less experienced person. Make sure your partner knows that if she or he doesn’t like it, you’ll stop at once.

An initial scene that includes a little bit of kink and a lot of really good vanilla sex will probably make your partner eager to learn more. A little further down the line, you can mention that you’d like to return the gift of submission and completely serve his or her pleasure.

Sometimes, despite all your efforts, your lover or spouse will be indifferent or negative to your need for imaginative sex. But that need not be the end of the relationship. A neutral partner might be willing to oblige you occasionally or trade some of your favorite activities for some of theirs. If the two of you are determined to remain together, your partner may allow you to seek out casual playmates for S&M. But remember that the essence of this sexual specialty is consent. If your partner really finds S&M repellent or silly. Don’t manipulate or coerce. It won’t work, and it isn’t fair. Separation may be the only sensible solution.

When a man and woman, or two men or two women, who already own leather jackets and shackles engage in courtship and mating rituals, they still have to decide how to integrate S&M into the rest of the relationship. Very few S&M relationships resemble the fantasy ideal. Both partners might be bottoms (or, more rarely, tops). Even if your role preferences are neatly polarized. it’s possible for a bondage bottom to find herself or himself paired with a top who is mostly interested in, say, flagellation. Being a feminist, I am offended by the notion that the dishes must always be done by the bottom, although I must confess that if I ever found a slave who would really do all the housework, I might consider wearing my leathers around the clock. And you wonder why S&M educators talk so much about negotiation and communication skills!

Personally, though, I am not excited by the reality of having a full-time submissive. It’s the change in status from autonomous adult to shivering, restrained, helpless flesh that I find exciting. If somebody is already down on the floor. I don’t get to have the fun of catching them and wrestling them down. I don’t like what usually happens to bottoms who never get out of role. Although it’s difficult to generalize, I’ve seen quite intelligent men and women become unable to keep a job, make the simple decisions involved in shopping for groceries or maintain good grooming habits. Often they start drinking too much. And they usually become boring and selfish in bed. The subconscious reasoning seems to go like this “I’ve given up my independence, so you owe me complete and instant fulfillment of all my S&M fantasies.” Constantly harnessing your will to another’s inevitably creates resentment that erupts in provocative. Rude, even violent behavior.

For myself, I would rather do heavy, hot sessions with an eager masochist once a week and walk out of the playroom with both of us feeling very pleased with ourselves, than to constantly supervise an incompetent dependent and punish her for being rebellious three times a day. I’ve never had a bottom who didn’t need to be punished once in the course of our relationship. But if I need to punish her again, either we’re not compatible or she is incorrigible. Rather than correct the bottom again, I’ll send her away. S&M that is always scripted as serious punishment, as opposed to playful discipline or cathartic, erotic humiliation, makes both partners feel bad.

And I don’t like what happens to me when I try to become full-time mistress or daddy. I become rude to waiters, find it impossible to wait my turn in line, don’t listen, don’t ask questions, can’t accept help and can’t admit I’m ever wrong. “Top’s disease” is so unattractive. I don’t feel very believable as a dominant when I’m so rigid and brittle that the smallest inconvenience or demur makes me furious. The same skills that make an S&M scene hot don’t really work when you have to pay an overdue telephone bill in person.

Besides, I’m not 100 percent top, and I don’t know any honest masters or mistresses who are. All of the people who wear their keys on the left like to switch from time to time, although very few of us will talk about it. Bottoms who are scandalized by this fact are going to have a hard time keeping any top happy. Do you really want to go under for somebody who has no idea what son of emotional and psychological state they are putting you in? Do you really want to let somebody hunt you who has forgotten (if they ever knew) what a quirt or hot wax feels like? If you really love your owner or your sadist, don’t you want her or him to be happy — even if that means occasionally rolling over? Or is your devotion such a fragile thing that it can be shattered by any evidence of your top’s humanity?

Finally, I can’t maintain my sobriety if I lie about what I want. Sexual dishonesty will lead me straight back into the destructive habit of abusing drugs and alcohol. Owning my own submissiveness and my sadism — not letting anyone make me feel guilty about either one of them — is a major pan of the program I have to work to stay clean. I can’t be in a relationship with somebody who doesn’t validate this. It’s too dangerous for me.

My favorite S&M scenes are based on what both of us want right now, not what we think we should want or can get. This keeps me from falling back on a rote scene (first you’ll kneel and strip, then I’ll tie you to the bed, then I’ll use the soft rubber whip, then I’ll use the soft leather whip, then I’ll get out the cane, then I’ll turn you over and go for the clothespins, etc.). This means that the onus is not entirely on me. If my panner has read an article on removing hair with hot wax and is intrigued, she’d better say so. It also gives me room to enact my own agenda, instead of simply acting out a script the bottom hands me.

My best relationships run in a similar fashion. One night. I might want to be served dinner and then given a back rub and pedicure by a pretty slave girl. On another night, I might want to be a teenage boy who is going to tie up the local cock-tease and have his way with her. Or I might be a stem leather daddy showing his boy how to take it like a man. I might want to put on my spike heels, step on somebody’s throat and cane them until my arm is tired. On the other hand. I might also want to put on my flannel jammies and watch Bringing Up Baby. If I can’t have my evenings off with cocoa and animal crackers, I don’t want to be your Bitch Goddess.

Couples into S&M can have the same problems keeping the sex intense that vanilla people face. Running a household and making a living can be so time-consuming that by the end of the day, lacing on a PVC jumpsuit or getting into those leather jodhpurs seems like just one more awful chore. Since I work at home, it’s especially important for me to close the office door and force myself to get out of worker-bee mode. I have to eat, shower and then lay out my toys and the evening’s outfit. The ritual of gelling ready for a scene becomes a kind of foreplay. By the time my boots and gloves go on. I’m ready lo kick ass.

I also need to remember to take vacations with my lover. Getting away from the telephone and the television allows us to remember why we fell in love. Perhaps because I write so much pornography, I tend to forget that I can be inspired by other people’s work. If I feel that I’m gelling too predictable, I may give myself homework. For example, this week my assignment might be to find a place to do a quick scene out-of-doors or figure out how to do bondage in the kitchen instead of the bedroom. Or I might put away the six toys I always reach for and make myself use less familiar equipment.

Having an open relationship also keeps things from going stale. If my partner catches some other top’s eye, she is free to return that person’s wink. The thought that some other pair of tender, downy buttocks might get my attention certainly makes her think twice about using her safe-word too quickly. If we meet somebody we both like, we might set out to seduce her together.

We’re not immune to jealousy. But I never had a monogamous relationship where I wasn’t accused of wanting to sleep with other women anyway. If I’m going to have to go through the trauma and drama, I’d rather get some nooky, as well. Of course, we insist on safe sex with outside partners, and there are certain people who are off limits to both of us, simply because they don’t respect our primary bond with one another. I expect to be asked for permission before my property lays down under someone else’s sadistic touch, and I think bottoming for anyone besides my current girlfriend would be asking too much. When my lover comes back to me after having a date with somebody else, I want to hear all the details. I’m enough of a voyeur to find it arousing, and I’m proprietary enough to want to rise to the challenge and take her back again.

Our arrangement may not work for other couples. The point is, you don’t have to set up your relationship according to other people’s rules. You can learn a lot by playing with other people in the community. A lot of S&M history, traditions, customs and techniques are passed on orally. Most competent mistresses or masters acquired their skills by apprenticing to a more experienced top or bottom. And playing with other people need not be a painful or threatening experience. It can be an exciting way to make new friends. It’s tricky to figure out what limits you need to set — for example, no sex, no romance, no overnight stays — but if both parties follow the rules, non-monogamy can bring you much closer together and give you a new erotic charge.

Just as I allow a submissive lover time on her own to build a career, go to school, spend time with her family and maintain her own life, I want to be left alone to do my writing, schedule speaking engagements and workshops, cope with the bills, telephone my mother and vacuum the rug. I don’t expect her to polish my boots when she’s got the flu and I don’t want to rise from my sickbed to administer six of the best and a punitive clyster. Taking care of each other when we’re ill, depressed or in trouble is as much a part of loving each other as getting a new leather uniform shirt for Christmas or organizing a very elaborate birthday spanking.

I need that affirmation because I live in a world that tells me S&M is aberrant, sick, violent and hateful. It is increasingly illegal to depict my sexuality in photographs or movies. S&M literature is always being confiscated, banned or burned by government officials or prudish, politically correct gay or feminist activists. My ties to blood relations are usually strained to the breaking point. If you are publicly identifiable, you face job discrimination, street violence and the loss of custody of your children. That’s a lot to deal with. It’s why every S&M publication, every leather organization or event and every kinky man or woman I recognize on the street is invaluable to me. I need all the evidence I can get that I’m not completely alone, not despicable, not crazy.

Someday we will all realize we have more to lose than we have to gain by remaining fearful of one another and hidden away. Before we can even think about changing the negative stereotypes of S&M or creating a better, safer, bigger social space for ourselves, we have to find one another. For us, the act of creating a satisfying, healthy S&M relationship is as politically radical as AIDS activists chaining themselves to a pharmaceutical company’s delivery truck. To amend a once popular lesbian slogan “An army of lovers in latex cannot fail.”

Oddly enough, “remaning fearful of one another” seems to be the primary tactic from both major parties in our current political climate. Perhaps we could all benefit from a Congressional Mistress put to appropriate use. … This article originally published — as you may have guessed by the cover picture used above — in Variations magazine back some 30+ years ago. Still today many people could benefit by at least becoming aware of the diversity of humans.

Mr. Eight-Eighty

Call Him Mister Eight-Eighty, Then

As long as humans have traded cash for goods and services, there has been a smaller, sneakier subset of schemers in the background, deciding it’d be easier to fake the stuff than to work hard and long enough to earn it cleanly.

Counterfeiting is far from a dead trade. An estimated $220 million of fake money was in circulation in the U.S. in 2012. And counterfeiters continue to pop up in all shapes and sizes: Earlier this year, a library in Massachusetts reported a surge of people trying to pay their overdue fees with tokens from Chuck E. Cheese. (Hey, you can’t knock the hustle.) But in the annals of counterfeiting, one of the weirdest stories in American history also happens to be one of its most infamous. Back in the 1930s, the Secret Service spent an entire decade tearing its own hair out, trying to pin down the identity of a New York City man known only as “Mr. Eight- Eighty.” The fact that this man eluded agents for so long is all the more impressive, considering he only ever counterfeited one-dollar bills.

Also, he was incredibly bad at it. We’re talking didn’t-knowhow- to-spell-Washington levels of ineptitude. After using his first phony bill at a cigar store in 1938, he was launched. But unlike most counterfeiters, Mr. Eight-Eighty — so nicknamed because that was the number on his file — never went to the same place twice. Nor was he in a rush to spend his fake bills; he only seemed to go through one or two each day. These factors, along with the fact that the $1 bill is so ubiquitous that most people don’t look at them too closely, meant that the Secret Service had almost no leads to go on. In that first year, Mister Eight-Eighty successful distributed nearly 600 bills, and almost 3,000 in his first five. Some even slipped past the banks, recirculating to places as far away as Atlanta and Seattle.

Now, the Secret Service obviously had bigger fish to fry. But Mr. Eight-Eighty, frankly, drove them nuts. And no detail of the case was more infuriating than the sheer sloppiness of the counterfeiting itself. An internal memo about Mr. Eight- Eighty’s work described the paper as “cheap,” the portrait “poorly executed,” the etching “faulty,” and some of the letters “illegible,” “misshaped,” and “otherwise crudely outlined.” Over time, the fake bills somehow got worse: Soon the Secret Service started coming across bills with George Washington’s name actually misspelled, under the portrait, as “Wahsington.” Still they couldn’t catch him.

It wasn’t until 1948, nearly a full decade later, that fate intervened, in the form of a fire on the top floor of a brownstone tenement on the Upper West Side of Manhattan. While putting out the blaze, firefighters threw the contents of the apartment — mostly junk, they figured — out the window into the vacant lot next door. That’s where a group of neighborhood kids came across some printing plates and what they called “stage money,” and which one of their dads later realized were actually counterfeit bills. When he reported the money to the Secret Service, however, the man couldn’t believe how excited they were. “You’d have thought I was Dick Tracy calling in a hot tip to the chief,” he said.

So, who was Mr. Eight-Eighty? As it turned out, he wasn’t a mastermind. He wasn’t even a career criminal. No, the man who kept the entire Secret Service on its heels for almost a decade turned out to be a toothless, elderly widower named Emerich Juettner (better known as Edward Mueller). A superintendent turned- junkman, Mueller started counterfeiting in order to make ends meet after his wife died and his children moved out. He lived a simple lifestyle, and mostly used the fake cash to buy groceries and dog food.

When the Secret Service confronted him about all this, Mueller cheerfully admitted his crime right away. He was sentenced to a year and a day in prison and ordered to pay a fine — of one dollar.

This article originally appeared in the December, 2017, issue of Penthouse, where Michael Hingston was a writer based in Edmonton, Alberta. He was our Executive Editor’s kindergarten boyfriend, according to that article. … And who says we do not know how to suck up in style around here? Anybody can buy treats or do extra work, but throwing out some love to your boss’s boyfriend at the age of five demonstrates some real pizzazz, right?

Perhaps most interesting in our research on “Mr. Eighty-Eight” was the fact that they apparently made the story into a “gentle romantic comedy” which earned a Best Supporting Actor nomination from the Academy Awards for Edmund Gwenn. You probably know Mr. Gwenn as Kris Kringle in “Miracle on 34th Street,” though. Since perhaps no better movie exits which enourages us to believe in magic, someone in the art department was filled with inspiration upon learning of our intent to reference it, and thus created this. …

We always stay legal, but we really excel at tender.

Or they could have just been desperate to have some fun with something that does not include naked people as a primary focus. Sometimes that happens.

Revel in Fabworks

Fabworks Rock ‘N’ Roll Cages

Making your ride off-road ready shouldn’t require you to sacrifice your style. SMP-Fabworks marries form and function for even the most monster of trucks.

Serious rough riders will want to upgrade their bumpers, add lights, and maybe even throw in a roll cage. Hell, even urban cowboys may want to renovate to achieve a more one-of-a-kind ride. And for L.A.’s weekend warriors and devoted daredevils alike, there’s no one better than Steven Parks, SMP-Fabworks’ master craftsman.

“I used to stay late and use the high school facilities to build stuff for people and make money,” he explains. “I’d work till two in the morning in the shop and come to school the next day and go through my classes and then work on stuff during my class and use all their equipment, which was really cool. It was a good opportunity.”

Now, Fabworks has become known for giving clients everything from sleek customizations that would be at home on Rodeo Drive to badass extras that would make off-roading in a zombie apocalypse a piece of cake.

“I hate to do the same thing twice,” he says, noting that every build requires some out-of-the-box thinking to combine form and function in any customer’s budget. “I’ve never been one of those guys who I consider a fake. Like, [guys who can make] it look good, but it ain’t going to do what it looks like, you know? And second, I think what they like to come to me specifically for is the fit and finish and the styling.”

A quality custom vehicle can cost upwards of $400,000, Parks explains — peanuts for some of his Hollywood clientele, but a bucket-list purchase for the rest of us. But most of his clients, he says, start out smaller. A bumper, a roof rack. Then they work their way up to a roll cage. And the next thing he knows, they’re back for more, with a bigger budget and more creative requests.

But even those looking to keep their tires solidly on the asphalt have found results at Fabworks irresistible. They’ve rebuilt classic cars and a particularly badass ’67 Ford Bronco that even the most eco-conscious urbanite would want to tool around the desert in.

For those hoping to up the ante on their own cars, Parks says the first thing to understand is the time it takes. “Most people, they don’t buy a car because they want to change it,” he says. “They buy a car and then want to enhance it. And that kind of work takes time because of all the little details. Those details that make it good take time.”

It’s important to be open to change, too, Parks notes. “I [design] as I build, and there are things you just don’t know until you see it right in front of you,” he says. “There are things that look good on paper but then in real life, it doesn’t work.”

So, if you’re ready to take your dream car out of the ether and into your driveway, and keep an open mind, maybe you’ll luck out and Parks will create the perfect car you never knew you always wanted. 

Up to now, we’ve pretty much put in the story as it appeared in Penthouse Magazine. The topic tweaked the interest in one of our own budding off-roaders — currently possessing substantially less than $400K to play with, to be clear. We contacted Steven who agreed to contribute answers to a few follow-up questions.

What has been your most “fun” Fabworks project so far?

Jamie's 1963 D200Fabworks: My most fun project thus far has to be Jamie’s 1963 D200. The build turned out to be a non-stop, 1-year-straight adventure. It honestly required a complete meshing with my team to contribute to the overall perfect build. Jamie, the owner, has a very keen eye for styling and brings his own visions as input. Usually most customers come to me and just let me do me, but when you have a customer with specific vision it really makes it challenging. Obviously as a professional I always respect this input, channeling it as competitive motivation. Quite simply in this case, I just wanted the build to blow his mind and really show off our Fabworks skills. Probably the best part of building for someone would be surpassing the expectation.

What has been your most challenging?

Fabworks: The most difficult build I have had recently has to be a 1975 International Scout. I’ve never wanted to bail out of a build more than I did on this one; I can say that. First off, the customer bought this truck sight-unseen at auction. They had zero idea what they were getting into. They just loved the look, and sadly they paid a lot for it. To add to the tension, I wanted to please a higher-end customer of mine, just wanted to make everyone happy, but the more I peeled the truck, the more stuff I found that was very bad.  I bought a bunch of parts to redo the suspension prior to seeing the rig, and although the frame was decent. The rust in the body was terrible. The worst part of it all was that the previous so-called “builder” just covered all the rust with their work. Long story short, every time I went to fix one thing or section, I’d find ten more. I found myself in an uncomfortable circle, constantly having to make “bad news” phone calls. Luckily the client had a budget that allowed me to save the Scout, but only at a cost extremely over the value of the truck. Our time on the build turned out to be triple what I could have ever guessed.  I saw more messed up, half-assed work on this rig than all the other projects combined through my years. I don’t know how he didn’t die just driving it to the shop. At least we finished, and now you can scope the final product…

Without naming names, can you tell us about your most difficult client?

Fabworks: So I can’t say I’ve had terrible clients, but I have had many that you have to baby. It can be extremely difficult to give them insight on why things cost what they do or to have to explain how bad someone screwed them prior to Fabworks, and they’re going to need to spend more with me to fix it. Giving clients too much info also has backfired on me as well.  Explaining steps in a large build to a person who’s never built a thing can end up being a hard bridge to mend. The absolute worst happens when we’ve  gone out of our way to educate a client on why something costs what it does, and then the customer ends up going somewhere else, paying more, and getting crap work.  Luckily, like I said from the beginning, I usually don’t deal with bad clients, but I’ve certainly had my fair share of unfortunate build processes.

Do you have something you have never worked on that you’d like to try?

Fabworks: I’d really like to try a combination of super car and off-road! I love the world of high end European cars, so to build something with superb handling but can take the off road abuse would be a challenge. I’ve always loved the e30 BMW, for example. I think it would be a great platform for a Baja-type build. It would be fun to somehow integrate all-wheel drive tech in there!

How do you envision the evolution of Fabworks?

Fabworks: The evolution of my business has always been a challenge for me. I’ve always dreamed of having a big shop and many talented employees, but over the years I’ve come to believe that this would be a dire need. I honestly enjoy the small mom and pop shop. My build process with clients ends up being more intimate and meaningful. Everything does not have to be just about the money. I enjoy the build. I like to be in there with my own hands, not spend all my time just managing others. I have found I really like to be a small shop that builds against the best. As far as the future of the shop, I’m at the stage of my life where having children is reality, and the most I can wish for is sharing all my knowledge with them and creating the start of a legacy to continue.

After reading about the accomplishments and goals of Fabworks, it seems like maybe the editors did not give them enough credit with the title. “Cages” seems severely limiting when it comes to their expertise. Should you want to start with letting your mind expand as to possibilities, we would encourage you to take a Fabworks visual tour, even if you do not live in their immediate area. Naturally they have an Instagram option too. If nothing else, have some fun, and get your growl on. It doesn’t cost anything to dream.