Tips from a Male Prostitute

“I had a system,” he recalls earnestly. “I could carry a couple of dozen papers under my arm, band them, and throw them all in the same stroke. Saved me a couple of hours a day.”

There is a strange, almost wistful pride in Frank’s voice as he talks, and he seems to be completely unconscious of the irony built into that modest little piece of brass. For yesterday’s Boy of the Month is now, and has been for the last five years, a male prostitute, a man who has grown used to taking his pride from a wholly different sort of performance. But it is easy to see both these people in Frank the eager, overachieving newsboy with the soft eyes and open demeanor; and the relaxed, almost self-consciously sinuous whore who even in these unprofessional circumstances wears a black shirt open to the navel.

Frank is a couples specialist, a man who makes his living by being a professional numero trois in an almost dizzying variety of amateur ménages. “I’ve done hundreds of them,” he says with an all-in­a-life’s-work shrug. “It’s gotten to be almost routine.”

A far cry, though, from the routine that occupied the greater share of Frank’s working adulthood. He holds a master’s degree in business administration from a southern California college, and up to the point of his entry into what he calls “the life” he made his living as an accountant.

“I had been married for seven years,” he says. “My wife and I had separated, and I took a trip to South America so we could think things out. When I got back we decided to divorce. At that point I had more bills than I could pay, so I found a part-time accounting job. Well, those jobs don’t pay much.

“One day I happened to read an article in a men’s magazine about a guy in Massachusetts who had advertised in underground newspapers as a ‘masseur.’ Apparently he’d gotten a lot of response from those ads. So I decided to put an ad in the paper, just to see what would happen.”

His first ads—”Rocky had just come out, so I wrote, ‘Call the Italian Stallion,’ something stupid like that”—were for females only, but he quickly found out that “you don’t get rich doing that unless you have contacts.” So he put in an ad for females and couples, thinking that “maybe there are some guys out there who are kind of weird, who would want something for their wives.”

Well, his first responses were from men, but not from the sort of men who tend to form the better halves of couples. In fact, Frank’s first few clients were exclusively gay.

“I was totally passive,” he says. “I needed the money desperately, and I just wanted to find out if I could respond without cringing. Well, I found that I could, that I could get into a fantasy trip, just close my eyes and forget the whole thing.”

“The thing is, I hadn’t had that much sexual experience. Some, but not a lot. My sex life with my wife was not good. So I really didn’t have much idea of what I was getting into. Mostly it was just a matter of seeing if I could do these things at all. When I found that I could, it was like a form of success, and that made me happy.”

Happy, but not rich. “I still didn’t know what I was doing,” he says. “I didn’t even know how to tell people there was a fee.” But after a few “successful” gay experiences, Frank eventually got his first call from a couple.

“The guy called, gave me some cockamamie story about having a bad back and having a hard time functioning with his wife. He said he wanted to try something new. Well, I still didn’t know what to charge, so I had to call some of the ads in the Advocate and ask some of the other guys. Finally, we settled on $35.”

“I went out to their house—they lived way out in the sticks, on a farm or something—and I was surprised to find that they were both pretty nice-looking,” he continues. “He was actually better-looking than she was, but she wasn’t bad. Now he had claimed on the phone that he wasn’t going to watch, but I figured he was or he wouldn’t have brought me out there in the first place. I mean, what’s he going to do while I fuck his wife, watch TV? But I’d never done anything like that. I didn’t even know if I could function with somebody else watching me.”

“Well, he got undressed first and I gave him a massage while his wife watched TV in the other room. Then he called her in and coaxed her into taking off her clothes. She was really shy about the whole thing. Then he walked out, but I knew he was watching through the door. So I started massaging her, trying to get into it, figuring if I can get excited and do this, it’s going to be great—it means I’ve succeeded. Again, it was a matter of can I do this or not. So anyway, I found that massaging her like that kind of turned me on. I was able to get an erection and fuck her. In the middle of it, I turned my head and saw that he was looking. I was afraid that might wilt me, but it didn’t. It didn’t turn me off.”

After a while, the client revealed he could not come, but Frank sure could.

“But I didn’t collapse on top of her or anything—I didn’t think that would be very professional. Then we got dressed, he paid me, and I left. On the way home I was really happy. It was a big kick to realize that I’d just been paid to fuck somebody. I was thinking, gee, maybe I can really make some money at this. In fact, I was so happy that I stopped at the record store and spent the whole thing on records.”

A brief lull followed this first session, but soon business began to pick up. “After I put ads in three papers,” Frank says, “the phone started to ring. And once you start seeing people occasionally, unless you’re a complete nerd you’re going to start getting repeat business. So it was just a natural progression.”

As part of that progression, Frank began to develop a modus operandi, a style. “I like to be friendly and open. Put people at ease. You know, talk to me, say whatever you want. Ask questions. Feel free to do what you want and let’s have fun. Let’s be relaxed. Don’t look at me as a professional on a pedestal.”

He also developed a get-down-to-business technique of breaking through the inevitable first-session jitters. “I used to sit down with them, have a drink, talk for a while until they got comfortable. But after a while, I found it’s much better to just get into the bedroom, get their clothes off, and start in with a massage. If they can lie there and feel my hands on them, that’s going to be much more relaxing than sitting in the living room having a drink and getting all uptight about what’s going to happen ten minutes down the line.”

Unless a couple has something definite in mind—which is rare, Frank says—he will usually take the lead. “I do it whether they’re experienced or not,” he says. “I try to do the sorts of things I think they might enjoy and hope that if there’s something they want they’ll feel relaxed enough down the line to say, ‘Oh, let’s try this.’ If they don’t, I just continue to take the lead. If I’m fucking her brains out and he’s off to the side or something, I might say, ‘Hey, would you like to join in, or let’s switch positions—anything to try and get him to take part.”

Of course, the question arises (pardon the expression): how does one manage to unfailingly, day in and day out, get an erection on cue in the company of total strangers? “Sometimes I’ll fantasize about something,” Frank says. “A movie I’ve seen, or a photograph, something in my mind that’s been a turn-on. But usually I manage to get genuinely sexually excited. It’s very hard to just make your dick rise on command. Maybe it can be done, but usually I’m not the type who can pull it off. I have to be sexually involved.”

Even when the women are unattractive? “I’ve been really lucky,” Frank says. “Maybe unattractive people aren’t kinky, maybe they’re embarrassed to call somebody, but most of the people I see are at­tractive, or at least average. Some of them are surprisingly nice-looking.”

But there have been exceptions. “I do have some fat, unattractive customers that I see. I can still do it, but to me it’s hard work. I remember one couple: I walked in and there was this guy with a beer belly. Well, fine, sometimes you see a beer belly and there’s a beautiful woman next to it. So I walked into the other room, and there’s this elephant in a muumuu. I can tell she’s not a slim woman because her face is out to here, but I still don’t know what she’s really going to look like because the muumuu is hiding everything. So we go into the bedroom. She lies down on her back and her husband takes the muumuu off. The first thing that flops out are these big, watermelon breasts. Then there’s this huge stomach that looks like the whole watermelon patch. So she’s lying there and all I can see are these big breasts with this enormous mound under­neath them.”

He chuckles.

“Well, what can I do? I can’t say ‘barf,’ or ‘yech’—I have to be cool. And what’s really on my mind is there’s no way I can screw her on her back—how am I going to get between her legs, get an erection, and then find it through those gobs of skin? Well, thank God her husband turned her over and fucked her first. While he fucked her she gave me head, good head. The lights are low, her stomach has disappeared underneath her, and she’s giving me pretty good head. So I manage to get into a fantasy trip and get an erection.”

“But I still had to find her cunt through all that flesh,” he continues. “At first I couldn’t find it. So I’m starting to panic, and when you panic you’re going to lose the erection. So I start searching and poking, searching and poking. Finally, luckily, I found it before the erection disappeared, so I was able to fuck her. But I don’t know what would have happened if I hadn’t been able to find it.”

Getting it up, of course, is only half the battle. Once achieved, that sometimes elusive erection has to be maintained at all costs. “The minute you panic or tense up,” Frank says, “you lose everything. You have to force yourself to keep a relaxed attitude, keep your fantasies in mind. If you don’t, the erection will go. The whole thing will be ruined, and you’ll feel terrible about yourself.”

Although this hasn’t happened to Frank in years, one incident that occurred early in his career remains etched in his mind.

“The first time it happened I think I was actually affected by the guy. He was a very macho New York-style guy, and for some reason, he had an effect on me and I couldn’t seem to do anything. He would give me head, I would have a nice erection, but when he said to fuck his wife, for some reason I couldn’t hold it. To this day I don’t know why. I even offered to give them their money back, but they wouldn’t take it. They were very nice about it. In fact, she even called me back the next day and said, ‘Gee, I’m sorry you couldn’t get into it. You seem like a nice person. That made me feel a little better, but I still felt like shit.”

It’s equally important, of course, to hold one’s mud, to come only when requested. “If you come too much,” Frank explains, “you’ll become totally disinterested. During these five years, I’ve just trained myself not to.” For Frank this is apparently a matter of mental discipline, a sort of zen mastery over the process of reproduction itself. “Obviously,” he says, “I have to get excited to a point. But I have to know where that point is, and I have to avoid going through that point. Otherwise I’ll come, and I’ll blow the whole thing.”

Even then, when he goes over that thin line between delight and depletion, Frank has learned how to cover himself. “For example,” he says, “there are times when I haven’t come completely but I’ve reached a physiological state in which I’m going to go down before I come back up. In those cases I have to muddle through for a while before I can come back up. Maybe I’ll use my mouth, or my hands, or get the guy to come in and take my place. But I usually don’t admit it when it happens, because then they think, Oh, it’s all over.”

“Muddling through” is not the only technique Frank has developed to deal with ticklish situations. On occasion the deceptions can be comical, almost ludicrous.

“There was a doctor who I used to see all the time with his secretary. We used to do it right in his office—not with the stirrups or anything, but on a couch in his office. His thing was to watch us do it until we both came and then go down on her afterward. Well, once I couldn’t come. I just didn’t feel like it. And it turned out that time that she wasn’t in the mood either. So we both faked coming, and he didn’t know the difference.”

“After that she and I developed a signal system. She would either pinch me or wink at me when she’d had enough, and I would fake an orgasm. You know, all the noises and everything. I would fake the come, withdraw, and get off. Then he would come in and go down on her. He was completely satisfied. To this day I don’t think he knows the difference.”

Frank’s good doctor was easily satisfied, at least in part, because he seemed to know what he wanted. This, it turns out, is rare, particularly in working with couples. “It’s very hard for a lot of people to tell you what they want,” says Frank. “They just can’t verbalize it.” Generally, though, it’s the man who supplies the motivation. “Usually it’s the guy goading the girl,” Frank agrees. “The women are usually shy, at least initially. I think a lot of them have doubts about why their husbands or boyfriends have called me. They wonder if the guy’s going to turn it against them, or use it as an excuse to go out and start fucking other women.”

Men’s motives, Frank has learned, can run the gamut, from a simple desire to have their women brought to orgasm to the satisfaction of deeper and sometimes darker longings. “A lot of guys,” Frank says, “are just sexually lazy. They just don’t want to take the time to turn a woman on. Their idea of a sex life is, I’ve got a hard-on, let me stick it inside you till I come. But they think they’re nice guys. They say, ‘You want to get off? I’ll take you over to see Frank. He’s a professional.'”

Occasionally the motive can be sexual competition, in which the man uses the bedroom as a sort of Superdome and Frank as a worthy adversary. “I had a black couple once,” says Frank, “where it looked like the guy was using me to compete with him. His wife took a long, long time to come, and it turned into a sort of sexual Olympics, like who could fuck her the longest and who would be in the game when she finally got off. But I didn’t really get into the competitive aspect of it. To tell the truth, I got really bored. I was saying to myself the whole way through, Geez, is this going to go on all night long?”

Some couples seem to want to use the threesome as a forum for their own arguments—two shrews in need of taming.

“I remember one couple: the guy was a voyeur, and the girl was an out-and-out fox. I started out massaging her, and while I was doing it he kept saying, ‘Why don’t you suck him? Grab his cock?’ And she started arguing back, saying, ‘Why don’t you?’ Well, he couldn’t get it up because he needed to see something happening, and nothing can happen because they’re sitting there arguing. I’m off to the side thinking, What the hell is this? And I’m having trouble getting it up myself.”

“Finally she gets really mad. She looks at me and says, ‘Okay, let’s do it.’ Well, she wasn’t really ready for anything. She was completely dry because of all the arguing. But somehow we managed to do it, and afterward she warmed up a little bit. I think she was trying to rub it in with her husband by being nice to me.”

Occasionally Frank works for couples whose needs fall at the loonier end of the spectrum.

“A girl calls me one night and says, ‘My husband wants you to come over and fuck me.’ Well, fine, it’s nice to have people be really straight with you on the phone. Then she says, ‘Well, it’s kind of strange—he’s going to be under the bed.’ So I think, Oh, he must be an audio freak. He likes to listen to the sounds. So when I get there she tells me, ‘Okay, we’re going into the bedroom and there’s going to be a hole in the bed. He’s burned this hole in the bed, and he wants you to place me over the hole while you do things to me.'”

“Well, sure enough, there’s a hole in the bed, and this guy’s underneath it somewhere. I can’t even see him. Now, in the process of making love, I like to move around and change positions because it’s more fun that way. Well, naturally, if I move around she’s going to leave the hole. So I guess he must have moved over and stuck his head up from under the bed to see where we were. Right at that moment, I happened to put my head down, and I stuck my thumb right in the guy’s eye. I hear this huge ow!, and then his wife and I start to giggle. I mean, she thought the whole thing was ridiculous anyway. We got to giggling so bad that we just couldn’t go on.”

“Amazingly, the guy asked me to come back. The second time he says, ‘Look, all I want you to do is put her over the hole and fuck her.’ So I said, ‘Okay, fine.’ I get her in bed, over the hole. We’re fucking away, and all of a sudden the bed breaks! It just caves in, falls right on top of him. So that was the end of that experience. I have no idea what happened to the couple, but it was probably the craziest thing that ever happened to me.”

In at least one case, the “craziness” of the husband took a turn toward viciousness and violence. Frank remembers it vividly, and with at least a hint of shame. “It was a couple from somewhere in the Middle East, someplace where the man is the absolute boss. The woman had just gone through a hysterectomy. I really don’t know why this guy wanted to do it, because his wife was still recovering from the operation. But he wanted someone to fuck her. He wanted it badly. Well, the woman wasn’t interested and I really wasn’t either. I mean, I didn’t want to hurt this woman.

“It seemed like I was there for a long time, I guess because of all the tension. We finally put her in a chair, and then he used me as an instrument to rape her. That’s really what it amounted to. I mean, I didn’t hurt her; I was as gentle as I could possibly be, but that’s basically what it was. I was an instrument he used to rape his wife.”

“Afterward, when he went out of the room, I told her I was sorry. I know it was a little late for that shit, but I had such ambivalent feelings about what was going on. But she kept telling me it was okay, so I felt a little relieved. When I left there I remember thinking, Gee, this couple is doomed.”

If Frank is willing to perform such marginal and potentially dangerous acts as rape by proxy, the question then becomes: where does he draw the line? What does it take to get him to say no? Are there any entrees on the sexual menu that he finds disgusting? Apparently, the question comes up far more often with men than with women. “I won’t fuck a guy in the ass,” he says, “and I won’t allow myself to be fucked that way. Also, whatever I’m doing, I always stop short of injury.

“Other than that, I’ve never really passed the line on anything. I’ve spanked guys, fist-fucked them, pissed on them, I’ve gone through oral trips with guys who wanted to be berated or dominated in some way both verbally and physically. . . But nothing was ever disgusting, okay? There have been things that I thought were hard, like kissing guys, but nothing was ever disgusting.”

On the brighter side of things, there are times when Frank actually seems to be doing a social service, when he functions not only as a paid stud but as a sort of amateur sex therapist. “A lot of women,” he says, “just want somebody to talk to. They can’t talk to their husbands for whatever reason, so they use me as a sounding board. They think that I’m the guy with the experience, so they ask me the questions. Sometimes you have to do a lot of soothing.”

But it’s not only the women who are in need of comfort and assurance. “I’ve had to soothe an awful lot of men,” Frank says, “who could not get it up when they thought they should. I know how I would feel in a situation like that—here this other guy’s fucking my wife’s brains out, and then it’s my turn and I can’t get it up. So I say, ‘Hey, this happens all the time. You’re not used to having another guy with your wife, you’re not used to having somebody watching, and there’s a lot of pressure on you.’ So I just try to build their egos back up a little bit.”

Basically, though, Frank is well aware that most of the couples who come to him are struggling through a difficult period in their own relationships. “There’s something wrong,” he says, “and they’ re ex­perimenting in the hope it’s going to save their marriage.” The women, in particular, seem confused, perplexed. “Sometimes the girl will call me back the next day. She realizes that her relationship is not what she wants it to be, and she doesn’t know what to do about it. She just wants someone to talk to.”

Occasionally Frank’s sympathy moves past the talking stage and becomes downright intervention. “If a guy’s really obnoxious,” he says, “when he leaves the room I’ll try to see if the girl realizes that she doesn’t have to put up with all this. I mean, I don’t come out and say the guy’s a schmuck—you can’t do that—but I might say something like, ‘Hey, you don’t have to do this. He’s just a guy, and there are billions of us around.'”

This approach has on at least one occasion produced a surprising twist, in this case with an unmarried couple.

“One woman called me and asked me if she could see me on the side. I said sure. I mean, business is business. So I saw her a number of times by herself. Then one day she called me up and told me she had married her boyfriend. She said, ‘Well, he keeps asking me and asking me, so I finally gave in and married him.'”

“Well, she wanted to go on seeing me on the side. So we talked about it, and I said that maybe it would be a good idea if she put her energies into the marriage and see if it’s going to work before she starts seeing me or anybody else. I mean, why get married if you’re just going to turn around and get divorced?”

In the end, it seems, very few of these troubled relationships survive, and Frank is ultimately rather uncomfortable with his role as an extemporaneous sex therapist. “I’ll always talk to them,” he says, “but I’m not a trained sex therapist. I always tell them that they shouldn’t accept anything I say as the word of God, that I’m only speaking from my own experience. Actually, when you get right down to it, I feel kind of foolish in that role.”

It’s not hard to see why. Frank himself has to struggle to preserve the one truly important relationship in his own life, a two-and-a-half-year live-in arrangement with his girlfriend Jessie. (Actually, they share two apartments—one where Frank does his work, the other where he avails himself of a family life with Jessie and her son.) To make matters even more complicated, Jessie herself was once a working prostitute on the streets of Philadelphia. But she has left “the life ” with a vengeance, and now regards it with all the zealous distaste that one usually associates with reformed drunks.

“Jessie does not like my work,” Frank says simply, “despite the fact that she used to do it herself. She can handle it better than 99 percent of the people, but she still gets upset. She seems to think that I don’t give her enough sexually. I think she gets it in her head that I’m giving my customers something that I don’t give her. It’s not true, but that’s what’s in her head.”

The central problem revolves, as these problems often do, around orgasm. “There are times,” Frank explains, “when I just don’t feel like coming. I’m more excited and more pleased just holding Jessie, kissing her. If we’re having intercourse and she comes, that’s fine with me. I don’t have to go on. But she seems to think that if I don’t come I haven’t enjoyed it.”

Jessie also has a complaint that’s more standard among the wives and girlfriends of professionals: her man can be called away from her side at a moment’s notice. This can be particularly annoying when he is called from her bed to the bed of someone else’s wife.

“Jessie was upset yesterday. We were in bed in the morning, and I got a call from a couple. Well, it was Sunday morning and we had invited some friends over. We had to clean up the house, make rigatoni … All of a sudden I’m gone, and we both know it’s going to be longer than fifteen minutes. Naturally, she’s going to get a little upset.”

These episodes, which can happen as often as twice a day, put extra pressure on Jessie, and she often turns that pressure back on Frank. “She’s very direct,” he says. “She wants me out of the life.”

Bizarre customers. A disapproving girlfriend. A limited future (like athletes, a prostitute’s career is very much a function of age, and Frank is now thirty-six). Danger (he’s been busted twice). With all these negatives, what is there about this work that keeps Frank going? The satisfaction he delivers to his customers is obvious, but where are the satisfactions for Frank himself?

Apparently, it’s not the sex. “If I wasn’t in a relationship with a woman,” Frank says, “I might be getting my sexual yah­yahs from my work. But since I do have a relationship with somebody that I really love…”

There is the money, of course. Although you’d never know it by his low-key lifestyle (he lives in a nondescript, vaguely funky apartment and drives a Japanese sedan), Frank does very well by most standards. Figure-shy for understandable reasons, Frank will admit to working an average of twice a day at a minimum of $50 a crack. Sometimes the fee with “bonuses ” can run as high as $500. This means a minimum income of roughly $25,000 a year, with the real take probably much higher. Not bad for an out-of­work accountant.

Then there are the social benefits. Frank is a genuinely friendly, gregarious sort, and he likes to meet people. “Some of them are very interesting,” he says. “They are well-to-do-poor people can’t afford this sort of thing—and sometimes famous. I’ve met a few celebrities, sports figures, music figures, and that’s kind of a kick. But mostly it’s the idea that each time you meet someone and go through a sexual experience with them, you’re growing also.”

But more than the money, more than the contacts, it’s the freedom and mobility that keep him interested. “I know,” he says, “that there’s probably not going to be another period in my life when I’m going to have this much freedom. I’m free to wake up when I want to, go to sleep when I want to. I can take vacations when I want to. For example, this summer I went to Russia just because I felt like going. The thing is, I can do that. I don’t have to go to my employer and ask permission.”

And when all is said and done, how does this ex-accountant, this onetime Newsboy of the Month, assess himself in light of what he has become?

“I’m certainly a different person than I was five years ago. For one thing, I’ve matured sexually as I’ve gone along. With all this on-the-job training, I’ve become sexually confident in a way that I never was before.

“I’ve grown up pretty fast. I’ve had to realize that it’s not all peaches and cream, and I’ve had to learn to be careful. I mean, there are strange people out there—you have to look out for cons and bullshit. So you open yourself up to the possibility that things like that can happen.

“But I’m still very tolerant. You have to be tolerant to put up with people’s foibles and fantasies. When you’re working in an intimate situation with people, it can be very difficult. You have to have a lot of pa­tience with people, you really do.”

There is a realism, an almost self-deprecating maturity about Frank’s evaluation of himself and his work. Certainly he does not think of himself as either a bedroom Freud or the world’s greatest lover.

“It would be easy to sit down and say, Wow, I’m really doing a service. But hey, you know you’re just somebody’s sexual fantasy, and if you can’t satisfy them, they’ll satisfy that fantasy somewhere else.

“You know, when I first started doing this I thought, Wow, I’m getting paid to fuck women; I must be really good. But as you continue doing it, it becomes a job. It’s still work, no matter how pleasurable. And when you leave that couple behind, you’re still there by yourself. You know you haven’t done anything fantastic. You’ve done the job you were hired to do and that’s it. Hopefully you’ve done it well and hopefully you’ve given some satisfaction. But you’re not going to change the world.”

And what of the future? What does a thirty-six-year-old professional prostitute do when he finally hangs up his spike?

“I don’t know,” Frank says. “I do know all this is going to end and I’m going to have to go back to work. I’m just trying to milk this period of my life for all I can. When it ends, it ends. But I’ll keep doing it. At least, as long as the phone keeps ringing . . . “

Why Some Scandals Dominate the News and Others Fade

Whereas before a simple denial or apology would have been enough to allow a man to return to public life relatively unscathed, now there are real consequences for accusations of mistreating women.

Donald Trump, who was accused by 19 women of varying degrees of sexual misconduct, is almost assuredly the cause of this moment of reckoning. Horizontal action is the name for a concept that can be seen in oppressive authoritarian regimes. If people realize they can’t do anything about criminals in positions of major power—like a dictator—they begin to redirect their anger and sense of injustice toward those in their own lives. Since Trump was elected president, American women have been angrier than ever. Thus, #MeToo—started in 2006 by activist Taran Burke as a movement seeking “empowerment through empathy” among women of color who have survived sexual abuse—was reinvigorated by celebrity feminists.

#MeToo scandals are a lot like snowflakes. Some dissolve quickly on wagging tongues and others join their fellows, gathering mass and momentum until they wipe out an entire village. Just like snowflakes, no two are exactly alike. But the difference is seemingly at random. Why do some fade away and others gain momentum?

Enter the Elements of Scandal. This comprehensive, scientific, and completely accurate theory can predict with 100 percent surety whether public accusations will ruin a man’s reputation. Note: The man’s reputation will almost certainly be ruined by any accusation, but this system will allow us to figure out exactly how ruined that reputation will be.

Here are the categories in which you can score:

  1. Multiple Accusers (MA): One allegation is usually all it takes, but when more people get into the mix is when things get really real. Al Franken might have been able to survive a single allegation of groping a woman, but definitely could not survive the steady drip-drip-drip of allegations after Leeann Tweeden came forward with her initial allegation.
  2. Famous Accusers (FA): The Harvey Weinstein scandal really only took off after some of his most famous alleged victims—Ashley Judd and Rose McGowan among them—told their stories. The reason this is key is that we are conditioned to believe famous people and because famous people are seen as having less to gain by coming forward with their stories. They’re already famous, the thinking goes, so they don’t have the traditionally ascribed motivation to women coming forward: That they’re only in it for the fame.
  3. Perceived Hypocrisy (PH): These scandals have been particularly bad when it seems like the man has taken strong feminist positions in the past. Obviously, nobody was going onstage in mid-2017 saying, “I think rape is actually good, and I’m proud to say that I would totally do it.” But especially bad are the people that had previously made names as feminist champions, like Aziz Ansari.
  4. Strong Imagery (SI): Matt Lauer seems like a run-of-the-mill creepy boss. Sure, he liked to bang interns and put people in uncomfortable situations with insistent advances. That’s bad, and it’s obviously bad to do when young women are trying to learn how to work in television. But the thing that made his scandal really pop was the now-infamous button that closed and locked his office door. Of course, it’s now common knowledge that every executive office at NBC had that button and that it didn’t lock the door from the inside, but people hear “rape button” and something breaks in their brains.
  5. Leaving a Trail (LT): There’s nothing people love more than playing detective. Whenever a celebrity is accused, the first move is always to comb through their past work to find hints or clues that the accused celebrity had a guilty conscience and was trying to tell us all along—through their art. This happened to Louis CK. Louie dealt explicitly with non-consensual masturbation in the “Pamela” arc and with consent in several other episodes. His I Love You, Daddy was recast as a sick attempt by Louis to explore his deviant fetishes, while we all paid money for the privilege.
  6. Open Secret (OS): If people are telling jokes about your accusations before they appear in the New Yorker, then you have an Open Secret. Think about Seth Meyers’ joke about Harvey Weinstein at the Oscars or the Family Guy joke about Stewie running naked through a mall yelling that he had just escaped from Kevin Spacey’s basement.
  7. Cover Up (CO): Any effort made by the celebrity to stop people finding out about his alleged crimes means that the Cover-Up multiplier comes into play. Think about Harvey Weinstein hiring ex-Israeli intelligence through Black Cube to spy on potential accusers. Creepy, right? The old saw is true: The cover-up is (almost) always worse than the crime.

Confused? Don’t be! We will walk you through some scandals and show you how all of these categories apply.

Harvey Weinstein: 7 Harveys

There’s a reason Harvey is the one to kick-start the #MeToo movement. He was exacting with the filmmakers that worked for him and held himself to equally high standards when it came to becoming the most notorious alleged sexual predator in modern American history. Weinstein hit all seven categories about as hard as it’s possible to hit them: MA, Weinstein ended up with more than 80 accusers when all was said and done; FA, the New York Times’s initial report started with an accusation by Ashley Judd and he was later accused of misconduct by Uma Thurman, Penélope Cruz, Gwyneth Paltrow, Rose McGowan, and others; PH, Weinstein won humanitarian awards and was an outspoken advocate for Hillary Clinton; SI, we are left with the indelible image of Weinstein chasing actresses around the Beverly Hills Peninsula Hotel wearing only a towel; LT, on-the-record stories of Weinstein’s anger were legion, though often presented as indicative of his exacting standards; OS, “Congratulations,” Seth Meyers joked while presenting the list of Best Actress nominees at the 2013 Oscars, “you five ladies no longer have to pretend to be attracted to Harvey Weinstein.”; CO, when you hire something called Black Cube to investigate your accusers, and that comes out, you are fucked. Weinstein was such a perfect spark to light the tinderbox of public allegations because he hit every category possible. Congratulations on your win, Mr. Weinstein.

James Toback: 2 Harveys

Why did director and writer James Toback not reach the same heights of scandal as did Weinstein? The answer is simple: He didn’t score nearly as many points. Though Toback was accused by 310 women of misconduct (MA) and featured Selma Blair, Rachel McAdams, and Julianne Moore among his accusers (FA), he didn’t leave as much of a lasting impression. There was no PH, his alleged MO was seemingly standardly creepy casting-couch fare, so there wasn’t any SI and he didn’t go to nearly the same lengths as did Weinstein to cover up his alleged crimes. So although he was debatably four times as prolific a creeper as Weinstein, we mostly forget about him in the story of the #MeToo year.

Louis CK: 6 Harveys

My wish for you is that you one day love anything as much as Louis CK allegedly loved beating off in front of uncomfortable women. Though Louis’ alleged crimes are orders of magnitude less severe than Harvey Weinstein’s, he’s often mentioned in the same sentence. Why? Well, because Louis scored a shocking 6 Harveys. The first reports about him included five women, notching him an MA. Though none of them were famous, they described Louis masturbating, which he often pantomimed in his comedy, scoring him an SI. He presented himself as a champion of women, including an executive producer credit on feminist comedy series Better Things and Tig Notaro’s Amazon series—PH. He also scored in LT and OS, with constant references to semi-consensual situations in his comedy and writing career. His manager, Dave Becky, reportedly threatened legal action against some of his accusers, which counts in the CO category.

Aziz Ansari: 1 Harvey

There’s a reason that this is often described as a tipping point in the #MeToo movement—he only scores a couple of Harveys. Feminists were upset at his perceived hypocrisy, but he only ever had one accuser and seemed to immediately take responsibility both in texts to her and after the allegations surfaced. It was easy to dismiss Ansari’s behavior as a one-time mistake, and he didn’t really lose any gigs. His name pops up in these discussions because the allegations are such a flashpoint, but he will definitely be able to bounce back.

Matt Lauer: 5 Harveys

Lauer earned his place on this list because of alleged long-running predatory behavior at NBC. Though there seemed to be little in the way of a cover-up, Lauer’s case checked boxes for SI, PH, MA, LT, and OS. The “rape button,” though it turned out to be a normal feature of NBC executive offices, left such a strong impression that his office was straight up demolished rather than gotten a new occupant. Video also surfaced of Katie Couric telling Andy Cohen on Watch What Happens Live that Lauer would regularly pinch her ass. Lauer scored hypocrite points for grilling Bill O’Reilly on-air about sexual harassment, all while allegedly doing much the same himself.

Asia Argento: 4 Harveys

The list’s only dual entry comes as Argento became both the accuser and the accused during the #MeToo moment. She accused Weinstein of raping her, though acknowledging they subsequently had a long consensual sexual relationship. She took her place at the vanguard of the #MeToo movement until August, when the New York Times published news of a settlement she had reached with her own accuser, Jimmy Bennett, who said she had sex with him when he was just 17 and she was 37. Argento met Bennett when he was 7 and they filmed The Heart is Deceitful Above All Things, which she also directed and helped write—that’s LT, especially since he plays his mother in the movie. Her major PH was buttressed by the SI of a photograph of the pair in bed on the night of the alleged assault. The $380,000 payment to Bennett in exchange for copyright of the image qualifies her for CO. That’s a 4-Harvey total, which puts her in the middle of the pack of #MeToo celebs. 

Kevin Spacey: 4 Harveys

Though the fall from grace was swift and severe, Spacey’s scandal wasn’t as spectacular as some of the others on this list. His FA, Anthony Rapp, accused him of attempted sexual assault when Rapp was just 14. Subsequently, the Old Vic theater in London received 20 additional complaints of sexual misconduct (MA). Spacey’s statement, which focused mainly on the actor’s closeted gay sexuality, was close enough to PH that it only fanned the flames.

Design by Camile Mariet

Carter Cruise

In the summer of 2015, 24-year-old Carter Cruise summoned me to Los Angeles’s Line Hotel.

Sitting on an oval-shaped café couch, Carter was beaming. She had just won AVN’s Award for Best New Starlet and Best Actress — a feat accomplished only by Jenna Jameson — and she’d recently hired a publicist.

In the hip, gentrified Koreatown neighborhood, Cruise’s hoodie and dirty blonde hair contrasted with the straight bangs and acid-washed jeans of the girls around us — born-and-raised suburbanites who had sought refuge in L.A. Carter, too, was a migrant (in her case, from suburban North Carolina), but she had fled the South for sunny California to shoot porn, not to record acoustic ballads about cigarettes and coffee.

Carter, though, believed she fit in with the hotel hipsters. “I’m gonna slowly transition out of porn and become an EDM DJ,” she said between sips of late-night coffee, using the acronym for electronic dance music. “You should write about it!”

I wavered, telling her I had heard this tale before: Girls who were going to transition from porn star to stand-up comedian, YouTuber, and/or feminist blogger. Porn, they all claimed, was “a stepping stone to launching a brand.”

Within a few months, though, they were always back in front of their laptop’s webcam, masturbating for cash. Carter assured me she was different — after all, she had revived the coed look while filming porn in college before Duke porn star Belle Knox went viral. I told Carter she was wrong.

But this time I was wrong, because three years later, I’m standing in the foyer of Carter’s new home in southwest L.A., watching her prepare for her latest sold-out DJ tour — a first for the girl who starred in the porn series Teens Love Huge Cocks.

Wearing her hair in a bun, dressed in a rainbow shirt which reads KEEP AUSTIN WEIRD, Carter lugs in part of a huge delivery of water bottles. (Ravers need to keep hydrated.) “I nearly missed my delivery!” Carter says in a raspy voice reminiscent of Lindsay Lohan. As she picks up more bottles, her tucked-up hair reveals a “Call Me Daddy” tattoo on her neck. “It’s not an issue unless I’m in line at Starbucks, hungover, and a family sees it,” she says. “I get self-conscious. They must think, Who is this ratchet girl in front of us?” Then she giggles.

She laughs again as she recalls being on the road all year, DJing two to ten times a month. Whereas most porn stars attempting to go mainstream disavow their past, Carter has used hers to promote her gigs the way other porn stars use skin flicks to advertise their escort business. “I knew it was gonna be part of the spin,” Carter says. Although she declines to reveal how much she gets paid per show, she says it’s more than the $800 to $1,500 she makes for girl-on-girl porn shoots. This is because her bread and butter are DJing frat houses. Frat houses, she says, are the Venn diagram of porn and EDM. The boys equally love loud bass and bouncy boobs.

“I bring my boyfriend. We relive our college days,” Carter says. “I see a photo of him between two girls flashing their boobs and say, ‘So this is what you’re doing while I am DJing!’”

Most college dudes are polite, she says, even when inhibition levels are lowered after drinking copious amounts of beer from plastic cups. If one fraternity brother makes any sort of trouble, a fellow brother will typically have her back. Then there was the night Carter followed a group of them to an afterparty in a house unaffiliated with Greek life. One boy opened his bedroom door and yelled, “Slut! You’re a fucking slut!” then slammed it shut. Carter knocked. Locked. She grabbed a broom, walked outside, and smashed his porch lights. The frat boys watched in shock. “Don’t tell anyone,” Carter told them.

“Nah, we won’t,” one replied.

“Greek life gets a bad rap, just like porn,” Carter says. “But there are a lot of good people in it as well.”

Carter Cruise Publicity Shots

Carter sees intersections between porn and many parts of life. When I ask about her childhood, she recalls spending her days hiding in Barnes & Noble’s sex section, flipping through books about the Kama Sutra.

“I was very sexual even as a child, very attuned with fantasies… I always had fantasies of BDSM, very young, early on,” Carter says. “I’ve been sexually inclined as long as I can remember — I knew it was something I shouldn’t feel. So I kept it a secret.

“I have this theory: Because human sexuality is so repressed, a lot of our first sexual experiences [stem from activities] we are ashamed of — we masturbate, we experiment with a friend, we have a teacher fetish. Taboo things are fetishized because we are taught to fetishize shame. If you are with someone and you see someone else you want to have sex with, it’s taboo. You repress this till you cheat. [Stepsister porn] is not about incest. It’s that it’s taboo, wrong, and dirty. That we should feel ashamed turns us on.”

Carter’s parents were middle-of-the-road. Dad worked in finance while Mom taught school, but many locals preached conservative values. “There’s regular racism, sexism, and homophobia [in North Carolina],” Carter says. Her childhood sex obsession, she believes, was connected to her surroundings. North Carolina was an insular world of shopping malls and social traditionalism, but Carter believed she was bigger than her bubble, destined to accomplish something bolder.

Frat houses are the Venn diagram of porn and EDM. The boys equally love loud bass and bouncy boobs.

Her parents sent her to theater classes, and she acted in community musicals. But just as she secretly fantasized alone in her bed at night, Carter dreamed of something beyond performing in local Rodgers and Hammerstein musicals.

“Take me to L.A.,” she recalls saying to her parents one day. “I am going to be a child star.”

“Sit down,” her dad told her.

Craving thrills and prone to mood swings, Carter says she concluded that local theater was about as good as she could do in her town. She started telling herself that if she really wanted to head to Hollywood, no one could stop her, not even her dad.

Finances, though, proved to be an obstacle. After graduating from high school, she didn’t have the money to chance a move out west. So she took out loans and enrolled in East Carolina University in 2009, determined to study theater.

During her freshman year, Carter decided to join a sorority. She wanted to make friends, but she also discovered that the idea of sorority initiation rituals triggered those childhood BDSM fantasies.

“I was into the whole idea of hazing,” Carter says. “It’s extreme, it’s pushing your limits, it’s proving you should be a part of something. From all the BDSM stuff I’ve [thought about], I am someone who loves extremes, pushing myself. I picked my sorority because I [heard] they had hazing.”

At her entry ritual, though, her sisters declined to haze her. “What?” Carter responded. “I am ready to be hazed.”

Joining the sorority, she became a regular on the Greek life circuit. If you went to frat parties in North Carolina during the second Obama administration, Carter says you probably knew her name.

But by junior year, she was bored with sorority life and began reading about sexuality on Tumblr. “I felt trapped,” she says, alluding again to the traditionalism around her.

Then one day, Carter watched an online porn movie starring Jessie Andrews and was captivated by its lush colors. This is so beautiful, she thought. I could do that. Between the artistic porn and feminist sex Tumblrs, Carter believed she was witnessing the start of the second sexual revolution.

“I wanted to be on the front of that wave,” she says. She decided that if a young woman like her — a college girl raised in the suburbs — shot porn and was open about the experience, maybe it wouldn’t seem as taboo to people.

Sitting in her sorority house, Carter drafted a ten-year plan: She would make porn movies, write about her adult career on a sex-positive Tumblr, transition into electronic dance music, and then move into mainstream acting.

When she called her parents to tell them her plan and explain why she was starting with porn, her father listened patiently, seeming to view his daughter’s decision as another example of her need for excitement, for pushing her own boundaries — and those of others.

And so, Carter Cruise (a stage name) shot her first film. The distributor released it her senior year, and she became the hot topic in North Carolina Greek life. As she sauntered through frat parties, boys hit on her. She was the only porn star they knew, and she seemed dateable.

But not all the attention was positive. One Christmas Eve, Carter says a former sorority girl messaged her, “I hope your dad is [so] ashamed of what you do that he kills himself.” Carter found the girl’s in-laws on Facebook and sent them screenshots of the girl’s messages. “You might not agree with my life choices, but the message she is sending is very negative,” Carter remembers writing.

Experiences like this made Carter realize that porn — the foundation of her ten-year plan — could destabilize her future goals. She decided she wouldn’t mention porn on her social media accounts, and it’s still her online approach today. Look at her Instagram and you’ll find Carter in millennial pink hats, Carter in black boots at Coachella, and Carter eating pizza. She could be any Instagram celebrity.

One day Carter watched an online porn movie starring Jessie Andrews and was captivated by its lush colors. This is so beautiful, she thought. I could do that.

“Myself on my social media is different from my porn-star persona,” she says. “I don’t cam. I don’t sext. I want people to understand when I go do porn, I am playing a character, like ‘crazed slut who can’t wait to suck cock today.’ I don’t want people to think they can treat me a certain way. I don’t post sexual things. People aren’t following me for free porn. I had the end goal in the beginning.”

Carter Cruise Happy

When Carter moved to Los Angeles in 2015, her plan went off-course. A porn production company refused to pay her, and she struggled to meet her $2,500 monthly rent. So she moved to a cheaper one-bedroom, a cute but “old and dusty” apartment on Sunset and Western in Hollywood. Carter fucked the same actors over and over again and got bored. She decided to stop shooting boy/girl porn and move toward another phase of her plan: DJing. At first, she could only book one or two low-paying gigs a month. For a yearlong stretch, Carter says she only made around $25,000 and was forced to liquidate her porn-boosted savings.

Desperate for cash, she found herself crying on her apartment floor. What have I done? she thought. I used to make more money. She contemplated returning to boy/girl porn or maybe taking up camming. Then she told herself, No, I want this. I just have to keep DJing. She hustled on.

Two years ago, the tide turned. Squads of young fraternity brothers googling “porn star” and “frat” stumbled on Carter’s 2014 interview with TotalFratMove.com (Gawker for Greek life devotees). The interview got widely circulated, creating a wave of new collegiate fans. More and more frat boys started emailing Carter, and she realized there was a lucrative DJ opportunity before her: frat parties.

“People like that I’m a regular chick,” Carter says of her appeal. “That’s why they liked me in the porn industry. You can meet me at a bar.” She ruffles her shirt. “I don’t have big tits. I come early to frats and stay late.”

The frat parties bring in good money, too. Carter and her boyfriend now rent an expensive new house, sharing it with three fun-loving housemates. When I walk in, a few skull statues sit on an otherwise empty marble counter in the kitchen.

To support her lifestyle, she continues to shoot girl/girl scenes. Because just as porn can promote a performer’s escort business, the work attracts young men to Carter’s DJing. “Porn is a way to make fans,” she says matter-of-factly. She knows some of the frat-party gigging could go away if her porn name vanished.

“Some girls try to deny they’ve ever done porn [when they seek mainstream work],” Carter continues. “I don’t want to name names, but they lose fans. I want to respect the adult industry. That’s why I always speak up for sex-worker rights. I built a fan base that wanted these things.” Thanks to the frat-party success, she now scores additional DJ gigs at clubs and raves.

But porn is still porn, reputation-wise. Recently, a promoter canceled a gig after he learned of Carter’s porn background. Then there are those who label her as nothing more than another “model DJ” — a pretty girl who presses “play” on a laptop and pantomimes DJing, her name adding value to the event flyer. But given her first career choice, she’s used to criticism and shrugs it off. “After you shoot porn, you think, Fuck it.”

Still, the stigma attached to porn rubs Carter the wrong way, because so many girls are flashing their tits and asses on Instagram, proudly declaring themselves “thots” — that ho over there — while critiquing porn stars.

“People like that I’m a regular chick. That’s why they liked me in the porn industry. You can meet me at a bar.”

“People reclaim ‘thot’ and ‘slut,’ but not ‘porn star,’” she says. “I have friends who say they would never do porn, but they have private Snapchats where they post porn. I just saw a female DJ on social media talk about how she used to strip, but then she said, ‘I would never do porn!’”

Hoping for a shift toward a new sexual revolution, Carter has instead watched porn get caught up in a new kind of culture war. She points to politicians who want to force porn stars to wear condoms, but then refuse to meet with sex workers.

“We need [their help],” she says. “People who are behind [these laws] are antiporn, antisex, people like Bernie Sanders or Kamala Harris, who support FOSTA [Fight Online Sex Trafficking Act]. The people behind that legislation are not behind sex workers at all. [Democratic senators] didn’t talk to us. They think they are doing something good for people, but they don’t know because they don’t talk to people [in the industry]. How can you help someone if you haven’t asked what they need?”

Carter Cruise Sunbathes

Believing this new, rising platform outside of porn work — her DJ touring — might chip away at the anti-porn bias a bit, Carter has also started producing music while continuing to embrace her porn-star role. She’s released remixes and some of her own songs, and spent the past year and a half writing and recording an EP called Sin Music.

“I’m not trying to be a singer,” she says. “I just want a personal project. It wasn’t about having a banger to play at shows. It was a passion project. I wanted to show I wasn’t just a model DJ to put on a flyer. I spend so much time working on my sets, working to make each unique and special. Also, there’s nothing wrong with model DJs. I have friends who are more model/Instagram types who play Sephora openings. That’s dope! But that’s not what I wanted to be. I want to have my own show. I want to have dancers. I want to have a whole visual thing. Model DJs don’t get that.”

Seated in her fine new home, plunging a spoon into a protein shake, Carter admits the ten-year plan she dreamed up in college hit a few bumps along the way. But she also knows she’s beaten the porn odds.

“I could have a more comfortable life with a regular job, but this is the life I wanted,” she says. “I didn’t do porn, or start DJing, for money. I wanted to have a cool life with experiences. It’s not the happy life you always see on social media. It’s a struggle. They don’t see me crying on the bathroom floor.” Again, she laughs. Then she adds, “I’ll take the lowest lows for the highest highs. That’s just the part of the process.”

The Fun Page Begins

Penthouse Comics for the enjoyment of all. (Although honestly some people would enjoy this more than others. Think about the first people fired. They’d be on the bottom of this pile, and that cannot be comfortable.)Penthouse Comic

And they you’d have guys like Steve Bannon. Some poor schmuck would have to go all the way to the start of line and dig him out, because suddenly he was a buddy again.

And the Moral of the Story? … You need to careful picking your contractors, because they can cause a lot of hassle down the line.

Editorial comments by someone much less talented than Todd Francis, but he was quite economical.

Blaire White

Blaire White never thought she would end up making a living from YouTube. The 24-year-old Northern California native just needed a place where she could talk about her political views, which were becoming increasingly unpopular with her progressive, social-justice-warrior friends.

White was 20 years old and regretfully studying computer science at college. Frustrated by the lack of political diversity on campus and by the militant brand of feminism that was taking over her peer group, she decided that if she couldn’t debate with her friends, she’d talk to her computer. She made a short video criticizing feminism, uploaded it you YouTube, and thought nothing of it.

Cut to a few years later, and White has become a provocative and popular voice in the political conversation between self-made commentators like Dave Rubin of the Rubin Report, Ben Shapiro of the Daily Wire, comedian Joe Rogan, and YouTuber Laci Green. White is young, fringe, and no-holds-barred, a strong millennial voice brave enough to address the culture war and question the narrative. And though there are many people who love her, there are just as many who hate her.

On her YouTube channel, White mostly sticks to politics. She’s criticized Black Lives Matter (the backlash was so intense the FBI got involved), feminism, transgender politics, fat-acceptance, and rape culture. She debates other YouTube stars who disagree with her views, often uploading the unedited two-hour debates for her fans to watch. But most recently, she started branching out from politics and doing personal videos. The debut? A vlog detailing the intense round of plastic surgeries she had to complete her transition to becoming a female. Did we not mention that White was born a dude? (Yeah, I know. We could hardly tell either.)

With a documentary being made about her life for WAG TV, her recent engagement to boyfriend Joey, and her growing number of followers, White is at the top of her game. Welcome to the wild, wonderful world of Blaire White.

How has YouTube changed your life?

YouTube has changed my life in more ways than I probably even realize. I started my channel two years ago, and in that time so many things have happened. I was a broke college student with four roommates that I never should have been living with, and I started YouTube on my little 4 ADP webcam. I had a light from Target as my professional lighting. It really just took off. Everything that has happened is very surprising. I never thought this would be my job.

What compelled you to do the first video?

My first video was a criticism of feminism.

I made the video because, at the time, I wasn’t in an environment that would accept my opinions. I couldn’t openly talk about that without backlash or losing friends. I mean, I’ve lost friends over my YouTube channel, but now I have a new set of friends and peers. But at that particular time I was a college student, and in addition to my peers disagreeing with me, my professors did, too. I really used YouTube as an outlet to discuss my politics without being made to feel like an outcast. It paid off. So, thank God.

You don’t really fit into the right or the left, but you say you lean right. At one time though, you were a far-left, progressive social-justice warrior. What changed?

[Laughs.] It was the year before I started YouTube that I began to come into my own thoughts and beliefs. Before that, I was on the complete opposite side of the political spectrum. It was being young and not having the willpower, desire, or ability to build my life from the ground up, which is what I have done now. I didn’t know how the world worked. I’m sure I will have more ideological or personal changes in my lifetime, but this is where I’m at now.

Where were you at in your transition when all this ideological change was happening?

Interestingly enough, the further along in my transition, the further I changed politically.

Why do you think that is?

Because being trans you have to do shit yourself. I realized that where I wanted to be and what I wanted to be was not going to be handed to me. I had to go after it myself. That informed a lot of my options outside my transition. Self-determination, accountability, and personal responsibility became really big factors in my success. When I was younger, I saw things I could not overcome as obstacles instead of challenges. I don’t see obstacles anymore.

You’ve had success. You’ve proven to yourself that you’re capable.

I completely shocked the fuck out of myself with the number of things I’ve done. I look at my life even two years ago, and I’m now living a completely different life. I’m engaged. I have a career. I have a movie coming out soon.

What’s the movie?

I’m currently being filmed for a movie about my life story with WAG TV. They do all the shows on the Discovery Channel. We’ve had cameras in our home for a few weeks now. It’s been kind of hard. [Laughs.]

One thing I like about you is that you can’t be put in a box. Why do you think so many people can’t handle that?

I think a lot about why I’m considered controversial. I feel as though I don’t say things that crazy, and my fans and everyday people on the street wouldn’t consider my views controversial. I’m just saying things that most of us think but won’t say out loud because of the fear of retaliation. I guess someone has to get the slings and arrows that come with that. I’ll take it.

You wrote a tweet that said, “Stop ending friendships over political differences. It’s an immature and shitty thing to do to someone just because you disagree with them.” And people got upset by this. I don’t see what was offensive about that statement.

I’m at the point now where I can predict the reaction to certain statements I make. But that one got virally dragged! Hundreds of thousands of people coming at me for that. It was one of the tamest things I’ve ever said!

Objectively, I don’t see what’s wrong with it.

I don’t either and I never will. I have thought hard about it. People have called me racist over that tweet. [Laughs.] How is that racist? Look, people have allowed religion to become their politics. People like me show that this is a reality. On my channel, it’s a pretty friendly place. But any time I’m posted somewhere else, it’s an extreme amount of hate. People like me put a spotlight on that vitriol just by existing and speaking our minds.

When is it going to end?

I don’t know! [Laughs.]

We are in a culture war.

Oh, yes. We are at the point now where people are harassed and booed out of restaurants for believing the “wrong” thing. It almost makes me want to back off more and more and more. I want to participate less. It gets exhausting. It’s such a soulless genre to be involved in. Pure politics turns you into a monster and I do not want to be a monster.

Blair White through Viewfinder

Have you had any public attacks?

I’ve been doxed, which means that your personal information has been made public online. I’ve had to deal with the FBI over this. It was very serious. I’ve had legitimate threats against my life. I’ve been in gay clubs and all of a sudden been surrounded by people who want to beat me up. On the flip side, the overwhelming majority of the reception I get is positive, whether it’s at the gym or on Hollywood Boulevard.

If it was pure hatred, I’d have to rethink some things.

How did the trans discussion become inherently tied to leftism? The trans conversation is new. We wouldn’t be sitting here talking like this ten years ago.

In some ways, it was easier to be trans ten years ago. No one knew what it was and you could just live your life after transitioning. Don’t get me wrong, I’m aware of the fact that a lot of my success is tied to me being trans. I’m not denying how it has helped me. But there’s also a misconception that being trans is political. That it’s tied to leftist politics, feminism, or any ideology. But it’s biological, neurological, and physiological. I felt trans when I was a kid at four or five years old. I think that because a lot of people on the left are the ones who end up speaking up for trans people, it becomes conflated. Trans people can be purple-haired San Francisco feminists or gun-slinging Southerners. Ninety percent of the people who speak up about trans issues are not trans. They end up controlling the conversation instead of letting trans people talk. I think that if we controlled the narrative, people who don’t understand us would start to.

I think this is also a product of social media. Everyone has their opinion and can share it. How do you feel about social media, seeing as how it’s a big part of your career?

I guess my relationship with social media has changed in the last two years since it became a job. Sometimes I love it. Sometimes I hate it. It really depends on what scandal I’m dealing with. [Laughs.]

There have been studies that show how detrimental social media can be to one’s self-esteem and self-worth, but those studies are done on people who log on during their lunch breaks, between classes, etc. They don’t do the studies on people who do social media for a living. I can’t complain. Social media has given me everything and it’s why I’m here right now with you.

Let’s talk about baby Blaire. Obviously, you were not born with boobs. How did you become the Blaire White sitting with me now?

Like I said, my earliest memories involved gender dysphoria. I felt like no one saw me the way I wanted to be seen. I didn’t fit into male activities. I could not live up to those gender standards. I had no idea what “trans” was, but I understood that there was something wrong. My dad would ask me why I talked, walked, and acted feminine. I’ve always been feminine. My voice never dropped! The signs were there really early. It wasn’t until I became an adult that I could get on hormones, get surgery, and make it happen. However, people are transitioning very young now. Transitioning is hard. It fucks with your mind and your body. The thought of going through that as a kid is pretty crazy to me.

When did the reality of becoming a woman actually happen?

As I got older, the feelings of gender kept increasing. I was experimenting with my look as a teenager, which was a mess. At that time, I’d met someone who ended up being my best friend for years, and I saw a lot of myself in him. We both realized, around 16 years old, that we needed to transition together. When we were about 19 or 20, we started our transition. We were roommates. I had just ended a relationship and moved back to California from Michigan. However, the friendship ended. She didn’t agree with my politics, which is sad, because we went through something very intense together. I knew I had to transition to be happy.

I started my transition, then my YouTube channel, and I finished my transition on YouTube.

Why did you want to put your surgery videos on your channel?

I decided to vlog my surgery for my own keepsake. I still watch it sometimes. I was on copious amounts of painkillers. I don’t remember too much. This was the first really personal video that I did, which opened the door to talk about my life a little more. Before that video, my content had been strictly political.

Can you describe the surgeries you underwent?

I had multiple at one time. I got my breasts done and a few different things on my face. I had rhinoplasty and a brow-bone shave.

What’s a brow-bone shave?

All biological males have a ridge on their forehead right above their brow line. You would never really notice it unless you knew it was there, but you can feel it. This ridge makes a difference when you scan a face. People subconsciously notice it when you’re figuring out which gender someone is. Basically, what they do is cut your skin off at your hairline, pull the skin down, shave the bone until it’s flat, then staple you back up. The recovery for that one–again, painkillers–but from what I remember, it was terrible. But now my ridge is gone. I’m flat as a pancake.

Why the hell did you do all those surgeries at once?

I know. I’m nuts. But my mindset was to get it all over with. I’m terrified of surgery and I never wanted to go through it again, so I just figured I should do it all at once. I’m glad I did it that way. I was able to get back to work not long after.

Speaking of work, which videos have been the most controversial and what was the backlash?

I did a video where I criticized the extreme elements of the Black Lives Matter movement. This was during the summer of 2016, and there was a lot of rioting around BLM. I prefaced my criticism by stating that BLM started with good intentions but had somehow gone haywire. After I published that video, I woke up the next day to a storm. I had been doxed. I had hundreds of thousands of people attacking me online, and eventually, the FBI got involved.

Can you get the police involved when someone doxes you?

It’s not taken seriously. If you make a living online, and you’re a social media influencer, having your address leaked online is extremely dangerous. It’s not leaked to seven people, it’s leaked to thousands. One of my fans found the woman who had doxed me. She admitted to doxing me. Then my fans took it upon themselves to start harassing her. They hacked into her mother’s bank account. They hacked into her school information. I do not condone this kind of behavior and I even made a statement saying that.

But also, like, don’t fuck with me, because my fans will protect me. [Laughs.]

Penthouse was actually slut-shamed out of the SlutWalk. Which is pretty anti-slut for a bunch of alleged pro-sluts. But I digress. What happened when you went?

I went to Amber Rose’s SlutWalk out of curiosity. I wanted to talk to the people who were participating and see why they were there. I met a lot of fans, barely any haters. I took Joey and my friend with me as bodyguards, but I didn’t even need it. I interviewed so many people at SlutWalk, and almost every single person had no idea why they were there. I am not against the SlutWalk; I just don’t think it has cohesive politics. There was an ideological component that was missing. One woman said to me, “I’m here because little boys are taught to rape little girls.” That’s a pretty vague statement. She couldn’t elaborate.

Blair White in Studio

You have one video where you read emails from LGBT people in the Middle East who are living in hell. Do you have a lot of people reaching out to you?

I get messages from people all over the world, whether they are LGBT or not, but more LGBT. A lot are from Middle Eastern or African countries where you cannot be trans, let alone gay. It’s against the law. It means the world to me that people trust me with their stories and want to share with me. I have made videos highlighting their stories, which I think is important because so much of the conversation here ignores their plight. I think it’s common knowledge how gay rights suck in other countries, but I don’t think people realize how extreme it is: You can be killed or jailed. I’ve had people email me from African countries who tell me that there are government-funded magazines with hit lists of gay people, detailing their names and their personal information. It’s like a “Wanted” list for gay people. And half the time, these people are not even gay but happened to be standing too close to another man or whatever the case.

Once you hear these stories, it’s hard to forget them. America is not perfect, but we have it pretty good, and we have to remember these other people who are struggling in a way we’ll never understand. I never want to live my prissy life in Los Angeles oblivious to the brutal situations in other countries. One of my life goals is to create a foundation that helps get these people out of their countries and their bad situations.

I have no structure or plan, but I will figure it out. For now, I do what I can, but I want to do something bigger.

It’s truly brutal, what they’re facing.

People forget: Laws shape the culture. If you’re living in a country where it’s illegal to be gay, no one is going to have a neutral view when it comes to gay people. Gays are villainized. They are treated like pedophiles, though in some of these countries, it’s standard practice for a 40-year-old man to marry an 11-year-old girl, and this is supported by both families, yet being gay is illegal. That puts it into perspective. It’s fucked.

That seems so archaic.

People use the phrase “stuck in the past,” but no, literally, these countries are stuck in the past. These places are culturally fucked. And when discussing this, “culture” will be used as a shield. Oh, it’s their culture. Sorry. Some cultures are fucking shitty.

Let’s talk about your “Make American Great Again” hat video. I haven’t watched it yet.

I love when people say they haven’t watched it yet. It’s my craziest video! I can’t even do it justice. As a social experiment, I thought it would be interesting to see what happened if I walked around Hollywood, where I live, wearing a MAGA hat. Los Angeles is very liberal, and I wanted to see the kinds of reactions I would get. I was assaulted twice in the video. We happened to walk by a protest, which was not planned. It was an anti-Trump protest. I had no idea what the protest was for. I saw a cop and asked him what the people were protesting, and he didn’t know. We figured it out pretty quick.

The first assault I received was from a male protester in a pink pussy hat who came up and snatched the hat off my head as I was taking a selfie. I tried to chase after him and get it back. I fell, and he stomped on my hand and broke my acrylic nail. I was bleeding everywhere!

He stomped on your hand with his foot?

Oh yeah. It happened so fast.

Did you punch him?

No, there was a cop right there trying to separate us. We left that area and I was really upset and wanted to go home. I decided to film the outro of the video, “Hey guys, I’m heading home, this was crazy, etc.” And as I’m filming, this person runs up from behind Joey and throws a bottle of alcohol in my face. It was the cherry on top of a shitty sundae. I’m not even a Trump supporter. I’m very levelheaded about Trump. I appreciate when he does good things, and I criticize him when he does bad things. I judge him issue by issue, policy by policy.

I did the hat thing as an experiment because the red MAGA hat is so symbolic now. You can’t wear one in L.A.

I can’t believe the man stomped on your hand!

Yes, a man in a pink pussy hat. I had no idea it was going to be that intense. Even when I realized it was an anti-Trump protest, I never imagined I would be physically assaulted.

You were assaulted for your accessories.

It’s crazy. There’s another awful story about a girl who was wearing a red hat, people mistook it for a MAGA hat and beat her up. Lesson learned: Don’t wear a red hat in a liberal area.

Kathy Keeton

In a 1973 advertisement for the short-lived Penthouse spin-off magazine for women, Viva, it shows a portrait of Bob Guccione’s wife and executive partner, Kathy Keeton. “Who is this woman?” was the question printed in bold white letters below Keeton’s thin hand, covered in chunky rings.

Keeton was born in South Africa but moved to England to study ballet at the London Royal Ballet Company. After eight years, she left and started dancing in nightclubs and in films. This was when Guccione first heard of Keeton. In the second issue of Penthouse magazine, they printed a scathing review of her exotic performance based solely on a press release.

“Her manager called me up,” Guccione told New York magazine. “Screaming down the phone about ‘How could I be so crude and so insensitive about such a fine artist?’” So, Guccione sucked it up and went to see Kathy’s show.

Regardless of whether he was impressed with her dancing or not, it was her dressing room that won him over. While all the other performers had horoscopes and pictures of pinups taped to their mirrors, Keeton’s dressing station was bare, except for a stack of Financial Times newspapers and a few science books.

Guccione offered her a job in ad sales for Penthouse, promising her ten pounds a week.

Keeton soon proved herself to be a business-savvy powerhouse who protected her partner and his company. She rose to the position of chief operating officer and president of Penthouse General Media, becoming one of the highest paid women in the world, making $335,000 a year at the time.

Guccione and Keeton shared a love of knowledge, science, and art. Besides Viva (where she hired future Vogue editor-in-chief Anna Wintour), Keeton also founded the wildly successful OMNI magazine in the late seventies, and Longevity a decade later, and was the author of two books: Longevity: The Science of Staying Young and Woman of Tomorrow. Like Guccione, Keeton was a strong, ambitious leader who devoted herself entirely to any project she took on.

In the nineties, Keeton was diagnosed with breast cancer and given six weeks to live. She refused chemotherapy and instead relied on hydrazine-sulfate therapy, an experimental treatment discovered by a scientist whom Penthouse had been supporting. Kathy lived two more years before passing away after surgery complications in September of 1997, at age 58.

The loss hit Bob Guccione harder than anything he’d ever faced. For 32 years,“they were as one,” his son Tony recalled. “It was a kind of ‘us against the world’ mentality that soldered them together.” Kathy Keeton was Guccione’s rock, and with her gone, the Penthouse founder was left to face the tumultuous times to come, for his life and business, alone.

Kathy and Bob at work

Bob Guccione, founder and publisher of ‘Penthouse’ magazine, with his wife Kathy Keeton, December 1993. (Photo by David Montgomery/Getty Images)

Jam Not Preserved?

Pop music has always been about sex, but it’s never been as up-front about it as it is today. Thanks in part to pop listeners’ migration from radio to censorship-free streaming services, songs overtly sexual enough to have earned invitations from a congressional committee back in Tipper Gore’s day routinely hit No. 1 without anyone blinking an eye. Browse through Spotify’s agenda-setting Rap Caviar playlist and you can hear tomorrow’s crossover superstars describing, in diagrammatic detail, sex acts that weren’t even common in mainstream porn when 2 Live Crew was battling federal courts for the right to distribute their music.

Pop’s newfound unconflicted, hang-up-free sexuality is a testament to free speech and sexual expression, not to mention the amount of ground that free speech advocates have gained in the course of the past three decades of culture wars with conservatives. But as pop has shed its modesty, it seems to have also lost touch one of the greatest outlets for its erotic urge.

When was the last time you heard a truly sensual R&B ballad? Not just a song about sex, but a song about lay-you-down-by-the-fireplace, put-your-phone-on-airplane-mode, light-some-candles-and-bust-out-the-massage-oil sex? I guess what I’m asking is, when was the last time you heard an unforgettable fuck jam?

I bet it wasn’t while you were listening to pop and R&B radio. The airwaves used to be as dense with fuck jams as America’s plains once were with bison, from the unbuttoned-shirt virility of 70s soul seductors like Barry White, Isaac Hayes, and Teddy Pendergrass to unabashedly sexual female performers like Aaliyah, Missy Elliott, and TLC who ushered pop’s sonics and sexual identity into the new millennium.

These days, tuning into throwback-loving “strictly for the grown and sexy” urban adult contemporary radio like Chicago V103 and L.A.’s 94.7 The Wave can feel like looking at one of those old photos of huge piles of buffalo carcasses from a railway hunt and marveling that they were ever so plentiful. Out of the 100 songs on Billboard’s year-end Hot R&B/Hip-Hop Songs list for 2018, only the Weeknd’s “Call Out My Name” and SZA’s “The Weekend” really qualify, and coming in at No. 43 and No. 85, respectively, they didn’t exactly light the world on fire. Ella Mai’s smash “Boo’d Up” is sweet but not sexy. Ty Dolla $ign and Jeremih are continuously pumping out brilliant sex music that can’t seem to connect with a mass audience, while Spotify’s popular Are & Be playlist is continually full of emotionally intelligent but chaste quasi-bohemian bops like Pink Sweat$’s “Honesty.” I’d argue that the last truly fuck-worthy song popular enough to get any randomly selected group of intoxicated people to sing along with it–the ultimate marker of a pop classic–is Beyoncé’s “Drunk in Love,” and she put that out in 2013.

Shug

True, there are plenty of songs out there racking up Spotify spins by the multimillions that have all the sonic characteristics of a fuck jam. They’ve got the slow tempos, lush arrangements, even the right kind of lascivious mood, at least here and there. But they’re not really fuck jams because they’re not really about fucking.

About a decade ago, R&B-ish hip-hop records like Kanye’s 808s & Heartbreaks and Drake’s So Far Gone and hip-hop-ish R&B songs like Rihanna’s “Umbrella” and Beyoncé’s “Single Ladies” knocked down the last crumbling bits of the wall between the two genres. Rappers, emboldened by Auto-Tune and swimming in promethazine cough syrup, got slower and more sing-y. R&B artists who’d been raised on hip-hop started to emulate rappers. They started writing songs about the things rappers wrote songs about: ambition, material wealth, grudges. And crucially, they stopped making music for the bedroom and started making it for strip clubs, which are all about status and public displays of extravagant consumption, and only a little about sex.

The merger of hip-hop and R&B has been more successful than anyone could have imagined a decade ago. Now only has it swallowed the pop charts almost entirely, it’s produced some of the most adventurous artists to come out of the soul tradition since the seventies heyday of Curtis Mayfield and Marvin Gaye. The Weeknd has introduced a chilly postpunk atmosphere and gothic melodrama to a genre that in the past often felt stiflingly glossy. Rihanna has proven herself to be one of pop music’s most agile stylistic acrobats by putting her instant-platinum stamp on everything from bubbly EDM-pop to hard-edged trap music. Drake, who’s spent his entire career shape-shifting around any attempt to pin him down as either a rapper or a singer, has given us some of the decade’s most indelible melodies and become one of the biggest forces in all of popular culture in the process.

But sex is rarely the main focus of their songs, and when it is, it’s usually not as a source of pleasure unto itself. Most of Drake’s songs are about Drake, and sex for Drake is something to be accumulated, shown off, compared to his peers in an endless game of competitive status anxiety. He delights in his ability to attract sex, and describes the emotional and power dynamics of sex in intimate detail, but doesn’t spend much time talking about the act itself. His sexiest songs aren’t even about fucking. “Passionfruit” is about long-distance obsession. “Marvins Room,” whose title explicitly references Marvin Gaye, is addressed to an ex-lover but is almost entirely all about her new boyfriend.

Same thing for rap and R&B’s other reigning sex icons. Rihanna uses sex for fun and power. Future, possibly hip-hop’s greatest sensualist, uses sex–and slow jams like “Rich Sex”–as an excuse to inventory all the high-end jewelry he wears while he’s having it. The Weeknd used to write about sex as a compulsion on par with his enthusiastic substance abuse, presenting a dark flip side of the archetypal R&B sex fiend that was intriguing until it was done to death by nearly every R&B singer to follow him (along with the emo-inspired SoundCloud rap movement as a whole). These days he’s mostly channeling most of his erotic energy into his automobile collection, which he’s eroticized to the point of paraphilia on songs like “Starboy,” where his lovers are easily outnumbered and outshined by the small fleet of sports cars he lovingly lists. (Weirdly, it’s a trait that he shares with Marc Bolan from T. Rex, whose most iconic songs are all pretty much about how badly he wanted to fuck a car.)

It’s maybe fitting that consumption’s replaced fucking as the object of obsession in soul music’s modern-day descendants. The single-minded focus on grinding toward a particularly materialistic ideal of self-actualization hasn’t only spread to R&B artists–it’s become the defining worldview for an entire generation. The fragmentation of the American job market, the rise of the gig economy, and the way social media has blurred the lines between our personal and professional lives has turned us all into rise-and-grinders desperately hustling to secure our various bags. When you’re trying to stay ahead in a round-the-clock rat race that touches every aspect of your life, your sex life is naturally going to suffer. Today’s young people, the bread and butter of the pop market, are having less sex than previous generations, and voting with their Spotify streams for music that matches their priorities.

And the kind of sex they are having doesn’t exactly fit with the whole slow-jam paradigm. Hookup apps have made sex not just plentiful beyond what past generations of slow-jam sexual connoisseurs could ever have dreamed, but so convenient that we often treat it as just another order-in staple on par with Thai food. By their very nature, fuck jams depend on sex being a big deal–such a big deal that you can only adequately express it through orchestral string sections, sky-high poetic metaphors, or pornographically intricate blow-by-blow reports of exactly how it’s going down. I’ve had fun on Tinder hookups, and even some genuinely good sex, but nothing I’ve been moved to write a song about after.

Maybe fuck jams just aren’t the permanent form we once assumed they were. Maybe they’re like rap skits or hard-rock power ballads, features of the pop-music landscape that seem eternal, right up until they day you look around and notice they’ve disappeared.

It could happen. Surviving R. Kelly seems like it’s going to finally topple the undisputed modern master of the fuck jam, a figure so integral to the past two decades of its evolution that his downfall could manage to bring the whole genre down with him. I suspect that one of the reasons so many people were so resistant to hearing that he’s a sexual predator is that deleting him would mean erasing a huge swath of their personal sexual discography. I wouldn’t blame a listener who feels gun-shy about getting so intimate with a singer again.

Or maybe we’re just in a drought.

There are still some very good songs coming out that don’t promise eroticism only to deliver a catalog of luxury watches. Frank Ocean, who almost everyone agrees is on course to make the era-defining album of his generation, showed on Blonde that he’s got the Prince-like ability to turn any song, in any possible mood or style, into a fuck jam. FKA Twigs is probably on more sex playlists than Sade at this point, and she’s overdue for a return to the spotlight. Tank’s recent single “Dirty” deserves recognition for the sheer depth of its lyrical depravity, including the line “I’ll violate all the meat on your bones.”

And then there’s Ian Isiah, a singer blessed with an angelic falsetto that maintains its strength and suppleness even at stratospheric heights, as well as a polymorphously perverse sensuality that permeates his music. Raised in his family’s church band, he’s a gospel singer with an operatic sense of soaring drama that he uses to elevate the fuck jam into the celestial sphere. His recent Shugga Sextape (Vol. 1) wafts out of speakers on a cloud of diffuse, prismatic horniness that comes as close as music can to capturing the feeling of being on really good, really pure MDMA. The music, arranged by Kanye-approved producer Sinjin Hawke, is seductively futuristic, as is Isiah’s kinky-glam androgynous style, but his reverence for the sacred power of the erotic runs straight back through the entire lineage of seductive soul music, and hints at a connection much older than even that. If the fuck jam as we know it is crumbling, this is what’s going to crawl up out of the rubble and take it somewhere new.

The Dakar-Peru Road with Penthouse | Episode 4

AND KEEP GOING!

Penthouse Gets Dirty

Sadly, we could not find one person in this big office who speaks the language being spoken here. The Team sent these short clips across, however, so we did feel obliged to include the update. If it helps any, we’re pretty sure they’re saying, “Yep. We still have an engine, and golly do I need a hot bath. By the way, does anyone know where the nearest car wash might be?”

A slight chance exists that we might be off just a tad in that translation.

The Unholy Alliance

Big Sister is peeking into your window to find out whether you’re reading anything “sexually explicit which subordinates women.” The men holding up the ladder Big Sister is perched on are none other than the Reverend Falwell and his gang of anti-feminist Moral Majoritarians. And if Big Sister catches you reading any objectionable stuff, she is going to report you to President Reagan and Ed Meese — who have sworn to defeat the Equal Rights Amendment, who regard all abortion as murder, and who consider homosexuality a felonious sin.

No, this isn’t a Saturday Night Live takeoff on an Orwellian nightmare. It is an all-too realistic representation of the crazy-quilt coalition that concocted the recently enacted Indianapolis anti-por­nography statute now under challenge in the courts.

The Indianapolis statute—which was drafted by a feminist law professor named Catharine MacKinnon and a radical man-hating author named Andrea Dworkin, and enacted by a conservative city council with the support of a right-wing preacher—goes further in censoring magazines, books, films, and even museum paintings than any law in recent history. It defines pornography to include “the sexually explicit subordina­tion of women, graphically depicted, whether in pictures or words.” Nor does the term “sexually explicit” narrow the prohibition; instead, it broadens it to include nudity like “uncovered exhibition of the genitals or buttocks.”

The ordinance’s drafters readily acknowledge and even boast that it is not limited to the hard-core porn of the peep show and the X-rated variety. (Much of that already has been banned by laws approved by the Supreme Court, though these laws are often not fully enforced.) Rather, the new law is aimed at the mainstream and Main Street media that offend some women: Penthouse, cable television, A-rated movies, and sexist fiction.

The Indianapolis statute empowers “any woman” aggrieved by a book, magazine, movie, or painting to file a complaint with a government agency. If the agency and a court agree that the material is covered by the ordinance—that is, if it contains nudity and subordinates women—the agency may issue an order against it. Simply put, that means a censorship board may ban it, even for reading or viewing by an individual in the privacy of his or her home.

Nor does the ordinance exempt books, films, and paintings with serious literary or artistic merit. Indeed, one of the drafters argues that the more serious and acceptable sexist art is, the more dangerous it is to women.

The specter of feminist censors roaming through bookstores and museums and filing complaints against books like Lady Chatterley’s Lover, or paintings like The Rape of the Sabine Women, may be farfetched, but it surely is invited by the ordinance’s broad language. And all it takes is one aggrieved woman to start a censorship proceeding.

The current court challenge may well end up in the Supreme Court, as cities throughout the country line up to enact their own versions of the feminist censorship statute.

This “new approach” to censorship seems politically unstoppable. A Wall Street Journal columnist observed that if this ordinance had been drafted by the Moral Majority, it would have been “laughed out.” But since it has the backing of thousands of feminists—including some otherwise responsible leaders—it is being taken seriously by big-city politicians anxious to do something about smut without exposing either their left or right flanks.

It used to be that the perennial pre-election prattle about how smut is destroying our moral fiber would be greeted by sustained applause from the right and a collective groan from the left. Now things are different. The right is still applauding, but the left is in disarray. Many loyal opponents of censorship are unwilling to alienate their friends and allies in the feminist censorship movement. The result is a juggernaut which politicians in cities ranging from New York to Detroit to Madison and Wichita will find hard to resist.

The good news is that a growing number of sensible feminists are becoming appalled at their censorial sisters. Anti-censorship coalitions are springing up around the country. Groups such as the Feminist Anti-Censorship Task Force have recently emerged in New York, Berkeley, Montreal, and other cities. The women in these organizations are pointing to the dangers inherent in granting the power of censorship to those who regard sex as a dirty word. They are reminding their sisters of earlier episodes in feminist history, as when nineteenth-century American feminists joined with their conservative enemies to enact legislation raising the age of consent for girls, criminalizing prostitution, and closing the saloons. Eventually these early feminists felt used when they were thrown out into the street by their strange bedfellows. As one anti-censorship feminist has put it: “In all these cases, conservatives ultimately exercised more power in determining how laws, once enacted [by the coalition of conservatives and feminists], would finally affect women’s lives—more power than the feminists then imagined.”

History may well repeat itself if shortsighted feminists conspire with their archenemies to deny us all the freedom that nourishes equality. If together they succeed in closing the porno bookstores, the Moral Majority will turn on the feminist censors and start closing feminist bookstores, gay bookstores, pro-choice bookstores—and finally all bookstores except those that sell the gospel according to the radical right.

When I recently debated the leader of the Moral Majority in New England, I asked whether his organization would, if it had the power, ban the writings of Andrea Dworkin—the coauthor of the Indianapolis statute and an occasional user of four-letter words in her books and speeches. He answered without hesitation “We would most certainly ban such ungodly writings. It is not necessary,” he reasoned, “to use pornography to illustrate its evils. It is only necessary to read the Bible.”

The Dakar-Peru Road with Penthouse | Episode 3

GO!

Honestly, the Team seems to be rather busy, what with trying not to die in the desert, and all, so our updates from South America tend to be in visuals rather than words.

Olga Shooting the Cameras Shooting her

Olga jumping, ready to race

At first glance, we just hope they brought water with them. We’ll keep you posted (in theory). For right now we’re all headed out for a nice frosty beverage.

The Dakar-Peru Road with Penthouse | Episode 2

Get Set

Hanging with Stormy Daniels

“I have a wonderful and long-standing relationship with Penthouse and I love to travel so needless to say I jumped at the chance to head to Peru to help promote the Penthouse car at the Dakar Rally Race,” Daniels said. “The trip was even better than I hoped it would be. I had so much fun meeting the race team, posing with the car and interviewing our badass driver Olga!”

The world-renowned off-road endurance rally which is held from January 6 to 17 in Peru, is a 10-stage race that will feature a variety of off-road vehicles in four classes and covers 3,100 miles of sandy dunes, rocky terrain and intense desert heat from start to finish. Rouckova is one of 17 female competitors in the race comprised of 334 racers in total. Although a traditionally male-oriented event, the 2019 Dakar Rally hit a huge milestone with the most female drivers to date, empowering women around the world to showcase their competitive skills.

“We were excited to have Stormy, a female pioneer of challenging endeavors, on location to support Olga. It is a great opportunity to focus on the achievement and great potential of all women who challenge the status quo,” said Catherine Brandt, COO of Penthouse World Media LLC. “The Dakar Rally is a grueling and difficult race and we’re honored to support Olga who is the epitome of courage, beauty, determination and talent. She is a great ambassador for PENTHOUSE and its free-thinking, unstoppable spirit.”

As sponsors, Penthouse World Media LLC, the leading adult media brand and publisher of PENTHOUSE magazine, and Penthouse Clubs Worldwide LLC provide financial and promotional support to Rouckova, by way of marketing and advertising as well as media opportunities during the race.

“I am thankful to PENTHOUSE for their faith and support and to Stormy for sharing her star with us on this exciting day,” Rouckova said.

Born in the Czech Republic, Rouckova is an accomplished quad racer with her four-wheeled motorcycle-like vehicle, having participated in a number of competitions like the FIM BAJA Europe for 3 years finishing every race on the podium, the Merzouga Rally in Morocco, along with obstacle races such as the Spartan race, Army Run, Gladiator Race and many others.

We actually did create a darned impressive gallery of the preparation day for Dakar this year, so feel free to SEE THE GALLERY HERE should you wish. Rest assured that as our journey progresses we will continue to move toward professional as slightly as possible.

Women of the Gun

With flawlessly manicured dark-red fingernails, @Kayotickat’s thumb softly grazes the steel frame of a single-action Browning 1911-22 pistol.

It’s an archaic gun with a tobacco-colored grip, yet it looks vogue in her hand. The close-up photo, posted on Instagram, gets its charge from a traditionally phallic pose (a gripped pistol) feminized by Kayotickat’s dangerous flirtation, like the femme fatale handling a cold piece of twentieth-century engineering.

This juxtaposition is the future of gun advertising for younger Americans raised on the internet—those millions who don’t read gun magazines and never visit a newspaper stand (if they even know where to find one). Instagram is where you’ll also find a photo showing an attractive young woman in a floral-print skirt that she’s lifted to reveal her thigh—and the Sig Sauer P238 holstered tightly to it.

The Sig appears in several photos taken by shooting-range safety officer Lisa Brianne, who executes yoga positions with the pistol, uses the gun as a lingerie prop, and holsters it on over her patriotic leggings—all while using hashtags like #GunPorn. These images are politically provocative. Brianne’s sexualizing her relationship with her firearm. She’s inviting you into her bedroom to play with her gun. And she’s how I’m familiar with the Sig.

Peruse the latest issues of gearhead-focused gun magazines, and you’ll find an austere, industrial, mostly sexless aesthetic. The masculine-feminine power dynamics of gun culture are muted in publications like American Handgunner, which favor centerfolds showing stand-alone firearms and their accessories (though a recent rise in concealed-carry permits secured by women has produced the occasional photo of a midriff-baring woman holstering a Glock).

There have been vivid exceptions to this hardware-centric approach, like the photos of syndicated radio host and Second Amendment activist Dana Loesch in a black dress and goth ankle boots, wielding her AR-15 in the pages of Guns & Ammo in 2015. Loesch was the first woman to appear on the cover in 54 years. But this is not the norm.

Glossy gun magazines cater to their most reliable demographic—traditionalists in flyover country who view guns as self-defense power tools or recreational toys. Loesch, a right-wing vamp wearing Alexander Wang, simultaneously appeals to both Midwestern moms and heavy-metal fanboys. She’s a cultural bump stock in a movement that’s inspired conservative women to transform into gimlet-eyed Bond girls. These dark, icy, and chic spitfire dames are the future of Second Amendment activism.

Trinity Merrill is one of the millennials redefining the “gun gaze” on Instagram. She’s a plucky Second Amendment activist who poses in front of the flag and models for pro-military brands like Warrior Flasks. She frequents shooting ranges in Ozark, Missouri, on “Tactical Tuesdays,” wearing cutoff denim shorts with sponsored safety glasses and earplugs. She’s a gun-rights pinup girl, happy to scandalize those liberals who view guns with prejudice and paranoia.

Defiant women like Merrill, who has 125,000 followers on Instagram, are featured on wildly popular Instagram channels like @bassbucksandbabes, @pretty_girls_with_guns, and @country_bombshells.  The bombshells account boasts 273,000 followers, an apparel line, and an endless stream of photographed conservative amazons who lift weights and comfortably handle the dead carcasses of big game.

Joining Merrill in contributing to this increasingly influential universe of girls-with-guns online imagery is the expert archer and outdoor enthusiast Katie Van Slyke, a gun-holster model who can be seen on Freedom Holsters Instagram page with a teal Glock 42 holstered safely near her crotch, an image accompanied by the hashtag “Glock Porn.”

The pose is an act of social rebellion. One like it was widely mocked by liberals in March when Fox News’s Tomi Lahren posted a photo of herself with a 9MM tucked into her leggings. “Not Your Average Gun Girl,” read the hashtag. In the case of Lahren, a blonde conservative woman with a prominent media profile, she would have known how much flak the image would receive—and was ready to revel in the outrage.

Kirsten Joy Weiss commands the most-watched female guns channel on YouTube. While just as physically striking as Tomi Lahren, Weiss is more of a gun gaze’s Ronda Rousey. She’s a gifted trick shooter and multi-title champion whose videos—like a YouTube Annie Oakley—show the sporting side of firearm partisanship. Weiss is a woman able to outshoot most of her male competition. Rather than flirting with gun rights like Lahren, Weiss is demonstrating her prowess as a sharpshooter—the best argument to counter the liberal bias against Americans who engage in shooting sports.

Gun Porn Women

Instagram, the digital playpen of the prized millennial demographic, is the unintentional industry-leader of gun porn. There’s no data on what sort of impact these photos have. The vagaries of gun statistics in the U.S., especially on the internet, make them increasingly irrelevant, but we know that more women are engaging with firearms. We know that more women are frequenting shooting ranges, and acquiring those concealed-carry permits. We also know that more woman are photographing themselves in defiant poses with their firearms.

For the libidinous American male, these images offer a voyeuristic fetish stapled on top of fine-print that’s far more important—the conservative woman’s newly adopted role as defenders of adventurist masculinity.

Social media is where these Second Amendment bodyguards boldly talk back to the anti-gun feminists of millennial media. Social media is where Jackie, who defies feminist homogeneity, has an apparel sponsor and can be seen holding an AK-47 in each hand, wearing a “Right 2A Bears Arms” T-shirt in front of a big fucking truck. Don’t look for the mainstream media to tell her story.

Fierce feminists like Tara, a glamorous and “savage” U.S. Marine who extinguishes the fiction of unattractive female soldiers, are part of a DIY network of women ignored by liberal media outlets because, goes the argument, they are “complicit” in a culture alarmist contend produces mass shootings. This is the same poor logic that blamed first-person-shooter games and Marilyn Manson for Columbine.

While liberal puritans treat masculine, gun-themed pastimes as acts of terror, conservative women run them like credit cards exchanging in cultural currency.

Valerie Serbu, aka @50calval, the self-described “heiress” to the Serbu Firearms fortune, confidently plays with her sensuality behind colossal, magazine-fed, semi-automatic rifles (or homemade flamethrowers) that not only amuse men on YouTube but sell them guns.

Serbu’s ALS ice-bucket challenge video showed her firing a machine gun in a pink bikini. Her @50calval account is as much of a middle-finger to bourgeois liberalism as a satirical YouTube video of teenager Carly LaCroix, a southerner who hilariously mocked a male New York Daily News reporter after he claimed to experience PTSD upon firing an AR-15.

The gun gaze is not exclusive to U.S. gun culture. In Japan, airsoft hobbyists like Isis Osushi take stirring fashion photos at “shooting cafes,” cosplaying as Milla Jovovich and blending gaming culture with toy guns, creating their own, slightly nerdier Nintendo-gun gaze. The Russian Federation uses the gaze as a recruitment tool in the form of cosplaying soldier Elena Deligioz, whose 62,000 Instagram followers are drawn to the glam photos of her in full combat gear, or napping under an arsenal of machine guns. Deligioz is alluring because she’s the ultimate betrayal of everything we believe in—the gun gaze equivalent of infidelity.

In America, where the gun gaze began with cowgirls like Oakley and pistol-packin’ Hollywood molls like Peggy Cummins (Cummins starred in 1949’s Gun Crazy, robbing banks with her boyfriend, always itching to pull the trigger), the gaze now produces the effect of seeing Doris Day wearing an ammo belt, instead of a stitched apron. It slays domesticity with playbacks to images like the character of Sarah Connor from Terminator 2, posing with a cigarette dangling from her lip—the M16 assault rifle acting as an extension of her take-no-shit personality.

Today’s women of the gun are unapologetic, never compromising sex appeal for gender-neutrality or blindfolded misandry. They take something masculine and phallic and rub rouge all over it, pumping it full of roaring estrogen. The new gun gaze isn’t the bikinied, machine-gun babes from the 1980s VHS tapes. It’s a defiant throwback to first-wave feminism, but far more rebellious, where conservative women are taking ownership of the male gaze, instead of being wrecked by it.